I was looking for a book or two (as luggage weight limits were tight)to enhance my first safari experience to the national parks of Tanzania. I selected this book based on Amazon.com reader feedback. It was a real help during the safari and continues to be used while reviewing video, photos, and books on African wildlife. I also took a good field guide (Audubon)--but these were widely available on the safari 4WD as well as at the lodges. What makes the Estes book unique is it describes the MEANING of the behavior and social groups you see on the game drives. Almost daily we would see sights that struck me as unexpected--like an all male group of 40 impalas, or zebras leading a line of hundreds of wildebeest; I'd look up that species in the Estes book back at camp and he would explain the meaning of the behavior. My safari mates were all very experienced and involved in zoos in the USA. They would often ask to borrow my "Estes" for their use.

In my opinion, if you can only take one book other than your safari journal--take this one. If you can take two, include a good field guide (like Audubon).

Most African Mammal guides are designed for people working in that field. Here, we have one specifically designed for the average enthusiast who wants to know a bit more than provided in the also essential Audobon Guide to African Wildlife. Let's face it - while you may get the occasional bird or even reptile enthusiast, it's the mammals that capture the imagination of the average person on the street when it comes to the wildlife of Africa.

You don't have to travel to the Dark Continent to enjoy this one, and - in acknowledgement that people can be interested in wildlife without necessarily being able or willing to go on Safari - it's also designed for use if you're fortunate enough (as I am) to be a regular at a quality zoo or even a regular viewer of "National Geographic" or "Nature".

The book is very easy to use and browse through, explaining habits and noting the best parks and reserves for each animal, as well as the animal's major predators or relationship with other predators. You don't have to look through it long to wish for similar volumes for Asia and North America.

Certainly worthy of being one of the first books on the shelf of anyone who loves African wildlife.

If you are going on safari, and you need to bring only one book, this is the one. Contrasts with other books in that its focus is on explaining animal behavior -- answers the "what are they doing?" query better than any other book out there. And its intellectually inquisitive aspect makes for interesting reading. Also --- we happened to meet the author by chance, and he was quite nice and interesting; a passionate scholar.

Miss Woman is Ann Vaughan Richards' first novel. Married to a scientist, a self-proclaimed recluse, A.V. Richards is a member of a large Alabama family who she says all gathered in the same spot...for generations.

Victoria is a town where everyone knows each other and their business. Told from the viewpoint of Willie Kay, a divorcee who has returned to the bosom of her family, Miss Woman at first seems to be a typical Southern story about racism. "Miss Woman" is a sassily dressed African-American woman who suddenly appears on the scene of Victoria. When she throws open her window to treat the residents of Victoria to an impromptu, loving blues performance, people don't know what to think. Then Callie Thomas runs into the street and gets hit by a car, and Glenna Bedsole, whose personal problems leave her deranged, is suddenly murdered. Willie Kay is in the middle of the action, but feels powerless:

"We didn't know what happened, but Glenna Bedsole knew and Callie Thomas knew. And, sitting in the alley beside the Victoria Dry Cleaners, O.K. Maylo knew. He had seen it all. He had seen Glenna Bedsole heap curses upon Callie's head, and he had seen her enter her store and come back with a handful of wire coat hangers, he had seen her throw the coat hangers on Callie's unsuspecting body, and he had seen Callie start in fright and run into Mr. Stroud's car. O.K. Maylo knew, all right."

As Ms. Richards' quirky but fascinating tale unfolds, her equally quirky but completely compelling characters roll out one at a time. Her tale is slow and ponderous; the type of story that appeals to any woman on a mission of self discovery or any man who craves insight into the workings of the female mind. Miss Woman operates on many levels: social; political; emotional; intellectual; philosophical. It is as much a tale that Oprah would like as it is a tale with a whodunit theme.

Miss Woman showcases a strong Black role model with the ability to make our hearts sing. Willie Kay is probably more a character whom most of us can relate to. The story itself is fascinating. Willie Kay herself uncovers emotional levels unplumbed by most of us. A great tale.

Shelley Glodowski
Reviewer

Ann Vaughan Richards' first novel is a lush celebration of all things Southern: a tale as rich as homemade pecan pie and as tangled as a kudzu vine.
"Miss Woman" is set in fictional Victoria, Ala., where nothing much has changed in decades. When 45-year-old Willie Kay, newly divorced, returns to her hometown to start over, she finds that litttle has changed since her departure. Even the unyielding attitudes of the local folks seem frozen in an earlier, less enlightened, era. Old loves and old hatreds are still firmly in place here, and old secrets still fester underneath a veneer of politeness.
The town's rigid social order is cracked wide open with the arrival of Miss Woman. She appears without warning in the upstairs window of the Victoria Thrift Store on a steamy summer day, and as she bangs chords on an upright piano and sends her "low down, gut wrenching...You Can Have Him I Don't Want Him Didn't Love Him Anyhow Blues" floating across the town square, she embodies everything that the town is not. Her ample body shimmers in rainbow satins, her smiling face is framed by a turban; she is flamboyant, mysterious, uninhibited, spontaneous and generous.
These qualities alone would be condemnation enough for Glenna Bedsole, a vicious gossip bent on unraveling the lives of her neighbors. But even more alarming, in Glenna's eyes, is the fact that Miss Woman is black.
Glenna's own father was a notorious bigot whose ruthlessness earned him a bullet through the heart long ago. When the embittered woman launches a campaign of personal destruction against her fellow townspeople, probing her neighbors' best-kept secrets, a late-night visitor uses a shotgun to silence her. As the evidence around the case slowly unfolds, the list of possible suspects grows, and a small-minded band of residents turn suspicious eyes on Miss Woman.
Unsuspecting Willie Kay finds herself at the heart of a struggle that will transform her own life, and change the townspeople of Victoria forever.

I love books with descriptions so vivid, I can smell the flowers, hear the rain, and feel the sweat drip down my neck. Miss Woman by Ann Vaughan Richards is exactly that kind of book. And her characters!! If you've ever felt overwhelmed or outflanked by your family, you will feel an immediate connection with Willie Kay, the narrator. The rest of the towns people of Victoria quickly become people as well, leaving you at times laughing at their antics and then completely shocked by their behavior. But don't make the mistake of dismissing this book as a light, frothy description of southern charm. This book also tackles serious subjects like adultery, abortion, racism, and murder. The framework of the novel is a murder mystery but it is really an in-depth look at the characters in a small southern town and their interactions with each other. I especially appreciated Ms. Richards' treatment of race relations. Although she does describe the racism most associate with the South (white man kills black man for being "uppity"), she also explores another, far less publicized side of these interactions. The love and care provided for an aging black woman by her "white family" and the courageous determination of a group of white people to provide Miss Woman a safe place to live are vivid counterpoints to the racism brutally portrayed in other parts of the book. Even a week after I have finished this book, I find myself revisiting the town of Victoria in my mind, wondering about the little mysteries left unsolved and the big question of "What happens next?" Good books always leave you wanting more and Miss Woman has done an excellent job of just that. So, grab a comfy chair, turn on your favorite blues music and let Miss Woman take you to that rainy, hot day in June when the blues notes first started falling from a second story window. . .

Concise, easy to read, easy to understand. A good read for any pastor or church leader who wants to get some clarity on the strengths and uniqueness of his or her congregation. The REALLY good news is that this is NOT another "How I Did It" book. To be sure, "How I Did It" books are inspiring, and you can pick up a lot of good tips and tricks. The trouble is that most of them probably won't work in YOUR situation! What Southern & Norton have done is given us a method which will help us understand and analyze our own unique settings - to discover our own congregation's values and unique giftedness - so that we can focus on doing the things that are right for us, not for somebody else! Share this one with key leaders in your congregation!

My congregation worked with Southern and Norton over the course of several months. We found their strategy for church growth and renewal to be easy to follow, highly participatory, and full of wisdom. It has totally transformed our congregation and organizational systems!

"Cracking Your Congregation's Code" is a great contribution to the church growth movement! It not only offers a theoretical framework for congregational health and vitality, but provides easy to use surveys and inventories. Their recommendations for church growth and renewal are not "one size fits all" but are easily tailored for each congregation's unique "DNA". The end result is the development of a "strategic map" that will guide one's congregation to a new place of enthusiasm and growth!

I've been implementing some of the procedures in Cracking Your Congregation's Code, and I've found it answers many basic needs of busy pastors and lay leaders. I know it helps answer mine. It's a practical book, that's easy to read, and easy to use. It describes how a church can transform itself. The surveys the authors provide for the four congregational systems give a church a way to quickly evaluate and strengthen their work. From my standpoint, as someone looking for how-to's, I'd say the information in chapter seven on how to create a strategic map is worth the price of the book alone.

After getting stationed in Georgia back in 1997, I became interested in the cause of the Southern Unionists. As a CivWar reenactor I found this subject to be on one hand totally verbotten for polite fireside conversation. On the other, some interest but little information. Thank God over the last few years several books have come out to help fill that info gap. The South vs The South(poorest of the group), Lincoln's Loyalists, and Guerillas, Unionists,& Violence On the Confederate Homefront(very good!) have done alot for these forgotten souls. The best remains Lincoln's Loyalists, my orginal was permantly borrowed by a "rebel" buddy and passed about throughout the greyback community. Finally I've found another copy! Even for hardcore seesch, this book is a must read for anyone studying this sad chapter of our nations history.

Most readers will probably be astonished to learn how extensive support for the Union was among white southerners during the Civil War. The author provides a detailed, state-by-state description of organized military units from the southern states that fought for the Union. A final chapter summarizes the statistics -- something that I found particularly helpful. I hope that many southerners will read this book and be inspired to seek out their own Loyal ancestors. This chapter of southern history desperately needs to be better known.

White Southerners who fought for the Union are the neglected heroes of the Civil War. Their Northern comrades could return home to a heroes' welcome. Their Confederate foes went home to lick their wounds and glorify their "Lost Cause." Soldiers of the "Colored" regiments are getting their due. But most people have bought the lie that the South and the Confederacy were synonymous.

The South has countless Confederate memorials. Where are the memorials for the brave men who fought for their country instead of being seduced by the lies of the Slave Power?

This is the brilliant book that made Richard Southern's reputation as one of the finest medieval historians. Everything that the two earlier reviewers have said is true and needn't be repeated. The bottom line is this: if you are very interested in the subject, and have already read about it to some extent, then you must read this book. It is astonishly rich in ideas -- almost too much so; and many of the observations that Southern makes in a seemingly casual way can give such blinding insight that you may find yourself stopping for several minutes at a time just to marvel at what you've read.

One the other hand, this book is for serious students of history (it was originally devised for a college course). Those casually interested in finding out "what happened" in the middle ages will find it boring and useless.

The Making of the Middle Ages by RW Southern
When I asked for suggestions as to what I should read to expand my knowledge of the social history of the Middle Ages, a friend with a degree in Medieval History suggested Richard Southern's The Making of the Middle Ages. I was hoping for a fairly straightforward book about women, warfare, technology, medicine, what it was like to live in a Medieval town and so forth, and The Making of the Middle Ages is not that book. It is, nevertheless, a fascinating and well written volume, and well worth the time and money.
Southern limits his discussion to the period from the end of the 10th century to the beginning of the 13th century--from 972 to 1204 to be exact. The book is divided into five chapters: the first discusses the relationship between Europe and its neighbors--the Byzantine Empire and the Islamic countries. The general European perception of these countries, trade, the Crusades, and the transmission of knowledge all form parts of this chapter. The second chapter is on "The Bonds of Society"; in this chapter Southern treats the emergence of centralized government, serfdom, and the idea of knighthood. The third chapter deals with Christianity and society--the mingling of secular and sacred in the medieval church, the growth of power of the papacy, and monasticism. The fourth chapter is about intellectual and literary changes which took place during Southern's period, and the final chapter "From Epic to Romance" concerns the growing interest in mysticism, in the cult of the Virgin, and in more personal forms of piety. One of the most charming aspects of The Making of the Middle Ages is the astonishing diversity of the anecdotes that Southern relates to illustrate his points. Southern introduces us to a host of interesting and esoteric historical figures: the "nameless traveller" who carried the news of the death of Count Wilfred of Cerdana from Spain through France and into Germany; the elusive Prester John; the heroic Boethius who undertook the Herculean task of saving the entire corpus of Greek scholarship; and the virtually unknown Peter of Blois--poet, archdeacon, and correspondent--whose letters give us a glimpse into the life of a high-ranking ecclesiastical official, to list only a few. Southern also relates, with vigor and style, the history of the bloody and cynical Counts of Anjou and how they slowly and strategically consolidated and expanded their territorial holdings.
Southern's language is also amusing. This is not a dry textbook-style introduction to Medieval history--Southern allows himself to indulge in the colorful turns of phrase which impart so much pleasure to reading, but which have been so rigorously winnowed out of most scholarly and academic writing. My copy of The Making of the Middle Ages is full of underlined passages which are interesting for their writing as much as for their content. In the final chapter of the book ("From Epic to Romance"), Southern observes that "Chretien probes the heart, but it is the enamelled heart of the twelfth-century secular world, not yet made tender by the penetration of strong religious feeling." I don't know if I will ever have occasion to refer to the "enamelled heart of the twelfth century secular world," but I hope I will.
However, from the point of view of an interested layperson, The Making of the Middle Ages is a challenging read. Southern assumes a great deal of knowledge on the part of his reader, and many of the connections he draws are difficult to appreciate for someone who has only a tenuous grasp on Medieval history and who is struggling to assimilate the mass of information on which the author is drawing to support his points. Also, Southern's book has something in common with another book that I continue to enjoy each time I read it: Peter Brown's The World of Late Antiquity. Each time I open The World of Late Antiquity, I am again charmed by Brown's style and by the subtle connections that he draws. Yet as soon as I put it down, the details begin to slip away from me. I am afraid that The Making of the Middle Ages may have the same ephemeral effect on my understanding of the late 10th to the early 13th centuries, but I would nonetheless recommend it to anyone who has at least a Western-civ level of background knowledge to provide a jumping-off point from which to appreciate this book.

This seminal book is required reading for any serious student of medieval history. The writer seems to have an almost uncanny sense of the psychology of Europe in medieval times, a true creator of the Middle Ages is he. Very well written, one of the best books i ever read on Medieval Europe.

Dr. Blaustein's book is destined to become a standard reference for teachers and students of History, English, American and Ethnic Studies. The author simplifies the complex connections between Appalachian and Scotish traditions. He concludes that despite the pressures from dominant cultures, traditions are as tough as thistles and briers to destroy. Dr. Blaustein applies folklore and oral history techniques to prove that cultural revitalization movements have helped empower people who are oppressed by outside colonial forces. This book is a strong reminder of the power of poetry and music to reinforce and regenerate ethnic identity.

This comparison between the marginalized peoples of Scotland and Appalachia deserves a wider reading than it's likely going to receive. Its theme transcends the treatment of these two groups by "mainstream cultures" and shows how marginalized people in general use their creative skills to rise above discrimination and shame. Blaustein is both a part of the Appalachian culture, having lived in East Tennessee since 1970, and yet removed from it as well, having grown up in Brooklyn. His years in Brooklyn helped him understand the Appalachian mindset, because, as he writes, "the Borough of Brooklyn is to the City of New York what Appalachia is to the United States--marginal, subordinate, and popularly portrayed as uncouth." This book describes the rise of the Appalachian studies movement in the region's colleges and universities and chronicles the growth of Scottish heritage celebrations in the United States, through excerpts from a personal interview with Waynesville, North Carolina, ballad singer and activisit Flora MacDonald Gammon, a driving force behind the annual Highland Games, held on Grandfather Mountain in Western North Carolina. A particularly powerful chapter recounts instances of "colonialism" among public school teachers who derided pupils for usages such as "hit" instead of "it." Blaustein strongly reinforces the notion that dialect is unrelated to intelligence. With the deplorable proposal by CBS to create a hillbilly reality series, this book is especially timely for those who seek to understand, rather than mock, the Appalachian mountain people and their rich and complex culture.

I got to look at this book when I was a student in Dr. Blaustein's class. He is excellent and he is really passionate about his information.

The Virginia Hostess is a fabulous guide for anyone! Whether you are an experienced chef or a novice, this cookbook is more than the average collection of recipes. It features themed chapters with beautiful historic sketches from Virginia. Each chapter has complete menus for different occasions, including showers, children's parties, formal dinners, picnics, holiday occasions and more! An educational and comprehensive wine selection section is included. I highly recommend this beautiful and resourceful cookbook and entertaining guide!

The menus ideas are terrific! I enjoyed all the recipes and was glad to have a cookbook that covers most any occasion. The layout is superb and makes a great bridal or hostess gift. This book has really made my life a lot simpler when I am called to entertain. I own a lot of cookbooks but this one is well worn and used often.

I've owned this book for a couple of years now, and have reallyused it alot! It has great recipes in it, but in addition, it hasmenu and entertaining suggestions, a list of Virginia wineries, and even ideas for kids' parties. (Who knew how to make face paint?) I also like the fact that it comes from a community service organization, so I know part of my purchase price went to a good cause.

My mother and I both really enjoyed this book. The gardens pictures reminded us both of my grandmother's garden. The book doesn't just show garden pictures though. It explains why Black gardens tend to look the way they do. I always thought my grandmother kept a dirt front yard because nothing would grow there. The book explained that this practice was a common method of controlling the bug population. I'd reccomend this book to anyone who loves gardens or has an interest in anthropology.

Richare Westmacott writes this book with love. Not a native of Georgia, you wouldn't know it from his wonderful depth of knowledge about the history of plants and gardening in the state. This book is good for gardeners, good for those who love Georgia and the south, and good for anyone who enjoys a well written book. Informative and entertaining and the perfect book to read in a hammock in the garden!

This is a small, exciting, book that packs in big ideas. To paraphrase Mr. Clark, building rises to the level of "architecture" when it atones for the loss nature suffers through human intervention by replacing nature with something that can be seen as beautiful and necessary...Anything short of this high standard is "only building." This book, then, explains and illustrates the architecture of Clark and Menefee through fifteen projects (a few unbuilt) which were undertaken before the firm dissolved in 1999.

The layout of the book is beautiful. Floor plans are included as well as architectural drawings. There is one quibble: all of the photos are black and white. This makes the book very much in vogue with what is perceived as "high art" - but the wonderful color photo on the jacket makes one hungry for more.

A well designed and beautiful book of the competitions and completed built work of this well known firm. The text is readable and thoughtful, and superb and restrained graphics accompany numerous black and white photographs of many private houses closed to the public.

This is a romantic book. I have read it cover to cover and it brought up wonderful memories of the brief time I have spent in New Orleans and vicinity. So far, I have made only one dish (White Bean Soup) so far and it was very bad. I found the directions confusing, which may have contributed to the failure. I also suspect they got the recipe from some colorful Cajun type sitting under a live oak smoking something funny. However,in spite of my nasty comments, I will make good use of this book as a source of ideas to adapt my tried and true dishes. As an example, I will adapt the bean soup recipe in an attempt to replicate a memorable bean soup I had in Tupelo, Missippi many years ago.

This not a cookbook for inexperienced cooks

This is the best of the best New Orleans cookbooks. I bought my first copy in 1975. It is stained and falling apart and I will not part with it. The recipes are authentic,well written, easily understood and they all come out delicious. I have given copies of the book to each of my children and now my friends want copies, too. I can't recommend this book highly enough. the navy bean soup and the shrimp creole recipes are family favorites, along with the chicken gumbo, soaked salad...I could go on and on. if you like Creole food you can't go wrong with this book.

This is my favorite New Orleans cookbook. It contains all of the definitive creole and cajun recipes. I have been cooking from this book for over twenty years. My dishes made from these recipes are good enough to allow me (and anyone else) to pass as a native New Orleanian.

This book is an original. It was first compiled in 1975 -- before the Cajun cuisine became a national fad. In our family recipes are generally referred to as "THE", implying that no mere imitation or substitute will do. What! this in not "THE" potato salad! Are you bringing "THE" gumbo? Rima & Richard Collin have created "THE" New Orleans Cookbook.