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When Charles Weeghmann, builder of the field and President of the Cubs, suspects William Wrigley is the saboteur because he wants to take over the tea, he asks Mickey to investigate. Then, in the midst of the on-field 4th of July celebration, Willie Kaiser dies of a gunshot wound.
If Soos intends to portray the tenor of the times as well as to present a Q story as intriguing as Bobby Thompson's home run, and a character as irresistible as a beer and hot dog (and I'm sure he does),I'd say he's batting at least .450.
The appealing and resourceful Mickey probes at the very source of America's neuroses at a time when the music of Bach, Mozart and Beethoven is banned, the director of the Boston Symphony jailed for playing German music, German-Americans are being lynched, and even innocent Dachshunds and German shepherds neglected or killed. But the world will right itself again, and even professional baseball survives the turmoil.
Soos's characters are fully developed and intriguing. His portrait of an earlier America in the throes of war hysteria says a lot to us today. We can take the warning to heart. There are no lectures here, though, just a rousing good tale.
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It's 1921 and baseball is reeling from the Black Sox scandal. Mickey is threatened with expulsion from the game because of bogus gambling charges. In addition, Mickey is investigating two murders more than 50 years apart.
As a long-time resident of Cincinnati, OH, this book was especially enjoyable to me. I'm too young to have attended games in Redland/Crosley field, so it was good to be able to go there, at least vicariously. I'm eagerly awaiting the next Troy Soos novel.
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Mickey Rawlings is nicely drawn as the 25th man on the roster, always struggling to keep his spot on the team, ever mindful that injury to himself or getting on the wrong side team management could mark the end of his baseball career.
The baseball sequences are great. I've always been more of a fan of baseball history than baseball present and really enjoy the details provided.
The storyline's outside the ballpark are equally enjoyable. In this edition we get some insight into the workings of the IWW and Henry Ford's secret police as Mickey works to clear himself of a murder in self defense charge.
This is a really fun read.
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The Giants lose the game (and baseball fans and non fans alike will appreciate Soos's short and vivid game descriptions), the glamorous Miss Hampton whisks Rawlings and Stengel away to film some scenes, then they're off to a champagne party. The next morning Mickey takes his hangover for a walk on the beach and finds Hampton's bloated body washed up on the beach. His friend, journalist Karl Landfors, talks him into investigating Hampton's death.
Soos's simple, almost journalistic prose holds the reader captive in the early 20th century baseball world. Soos, a physicist at MIT, says he always liked "reading mysteries and doing physics mostly for the puzzle...I think Peter Lovesey's Cribb & Thackery series is what got me writing historicals."
He uses books, film and photos to learn how the cities looked in the early part of the century. "I do use actual incidents and players, then I start to play the game of 'what if?' to tie them together in a mystery plot."
Although I'm a baseball fan, I don't consider myself a fan of historical baseball -- at least I wasn't until I discovered Soos's series. He's managed to change that.
While reading this, I could not help comparing the atmosphere it evoked with that in the time travel classic "Time and Again" by Jack Finney. That was set in 1870s New York. But close enough, perhaps, from our perspective. The Dakota building figures in both, as do other landmarks. The difference is that Soos's book gives a more in-depth study of the warts and the underbelly.
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Marshall Webb is likable enough as a hero but he almost completely lacks the sense of humor that makes Mickey Rawlings such a favorite of Soos's earlier fans. Webb depresses me, frankly. One of the biggest reasons why it's so hard to connect with Webb is because ISLAND OF TEARS isn't told with the usual first person narrative that is so typical of the mystery genre. The reader is told about Webb's impressions instead of being able to read his mind as we've rightly come to expect. Mickey Rawlings, who *does* benefit from first person narrative, is better able to entertain us with his baseball play, his knowledge of the game, and with his unconventional humor. There is nothing entertaining nor uplifting about a humorless hack with writer's block, especially if he's a dime novelist.
The denouement and unmasking of the killer was telegraphed much earlier than it should've been and overall the motive, opportunity, and means of the murder seemed flat and uninspired. The supporting cast of Crombie, Gehringer, Rebecca Davies, et al seems to be a promising ensemble and I look forward to seeing these characters develop along with Webb. I only hope they have more humor the next time around and are involved with a longer, more substantial murder mystery.
The central mystery of the story involves the disappearance of a newly-arrived immigrant from the Netherlands, who piques the interest of dime story novelist Marshall Webb. He hopes to use her tale - preferably a happy rags-to-riches story - as the basis for his next story. Instead, Christina vanishes and Marshall is drawn into a tangle of coincidences, corruption, and evil. The novel is populated with a wealth of characters: the socialite-turned-social-worker, the girls in the clubs, the crooks preying on innocent immigrants, the inventor, and so on. None of them, unfortunately, takes on any sort of vivid life. They are well-described, but curiously flat on the page. And at the end of the story, the loose ends are tied up neatly - but in a way that again feels flat and emotionless.
This is a decent period piece that will give the reader some good descriptions of New York City at the turn of the century, but within hours of finishing the book, its characters will be indistinguishable from each other, and will quickly fade from memory.
Marshall concludes that there is more to Christina than just the tale of an upbeat emigrant and he begins to make inquiries into what happened to her. His investigation takes Marshall all over Manhattan and leads to reformist Rebecca Davies and Colden House, a shelter for abused women. Rebecca joins Marshall on his quest as the search for the apparently abducted young woman turns frantic and quite dangerous.
ISLAND OF TEARS is a detailed historical mystery with romance to spice up the relationship between the lead duo. The story line is filled with action that occasionally slows down when author Troy Soos pays homage to the Gay Nineties with incredible descriptive depths rarely seen in a novel. This e thrilling mystery enlightens and entertains the audience. Hopefully further collaborations between Rebecca and Christina will occur as fans of historical tales will believe Mr. Soos hit a home run off of that HANGING CURVE.
Harriet Klausner