Heather Smith Thomas has achieved the unachievable - a comprehensive text for aspiring cowboys!

If you've ever visited a friend or family member who is trying to make a living on a small farm you have probably been asked to pitch in. And, if you have tried helping, you probably have felt you could have been more help picking ticks off a dead cow than trying to rustle the calf into its corral. At least I felt so many years ago.

Don't get me wrong, I don't yet feel I am competent with the critters. I merely feel I am no longer the city slicker asking dumb questions!

After reading this excellent book I am excited to start raising beef cattle for profit. I can do this on a small scale without harming the environment and without millions of dollars and without using techniques that alienate me from my animal rights' activist friends, because of common sense advice from Heather Smith Thomas.

Okay, I probably will aggravate my more radical friends and will irritate my vegetarian niece, but, you haven't lived until you've eaten beef!

Buy this book. Read it thoroughly BEFORE you buy those calves. Then keep it handy for frequent reference!

This book covers every aspect involved in a cattle operation. The material is laid out in a user-friendly, clear, concise format, complete with useful graphics. I was looking for a "Cow Encyclopedia" for my husband, and this was it.

Well written, good organization and humorous at times. I now feel confident enough to start a herd and learn the small stuff the hard way but the general knowledge was gained from this book. excellent!

Even if you haven't heard Michael W. Smith's album of the same name, you should read this book! I highly recommend this book for everyone, but especially for teens who face the difficult task of trying to grow up in today's mixed-up world.

The title of the book, "This is Your Time", is also the title of a song he wrote after the Columbine tragedy. Michael tells about his experience singing at the memorial service and talking to Cassie Bernall's parents (check out my review of Misty Bernall's book "She Said Yes"). But this book isn't just about Columbine. Michael talks about the death of Rich Mullins (which deeply affected me as well) and Rich's impact on people. Michael also was a good friend of the late Bob Briner (author of Roaring Lambs) and he encourages Christians to get out there and make a difference.

He quotes Hebrews 12:1...

"Let us run with endurance the race that is set before us."

Amen!

(You might want to check out my other reviews of Christian books and music)

This was a great book. At some points, very moving. My mom was reading the begining to me and had to stop because she was crying. The main idea of this book is: How Michael W. Smith came up for the idea of the song, THIS IS YOUR TIME. He got it from Rachel Scott after the Columbine shootings. This book also tells of some of MWS's own struggles and triumphs. It is a great book. A somber one at times, but true to the core. Please read this book and pass on its message: THIS IS YOUR TIME! MAKE IT COUNT!

What a great book to read! This is really a good time to evaulate our lives in a modern world with a message to all that the test is yet to come.

May it be the next munute, hour , day or month we should try to do our best work. Smitty does gives some personal highlights of what he is doing to make his moment count, as we should make our time count.

I thoroughly enjoyed reading the book and kept reading until I finished the book (it was a good time reading and getting to know him).

The book is highly recomended for all persons from ages young till adult. The book gives a description of all the 6 major religions and other religions as well and it compares and contrasts all the similarities and differences. Really comes into my mind why Christians, Muslims and Jews are 3 separate religions eventough the basic origin is very much similar, i.e.the notion of Heaven and Hell, the belief in One superior being, Places of worships (Church, Mosque and Synagogue), Holy books (Bible, Quran and Torah)..etc.

I absolutely LOVE this book! The loving way that these two wonderful men compare and contrast the major religions of the world is beautiful. I think it should be required reading for children AND adults! I ordered several copies to give as gifts to many young people in my life. I can't wait to share this informative and thought provoking book with them. What an incredible step towards tolerance and embracing the different ways we all worship God. Thank you Mssrs. Gellman and Hartman, you have truly blessed us with this book.

This book goes into details about the different religions of the world. It describes how they are different but what makes them the same. This book does a good job informing the readers with out including bias remarks or views from one religion of another.

No one would ever have guessed that when Industrial Light & Magic opened its doors in Maren County that day way back in 1975 that they would produce the standard by which other special effects and other effects houses would be judged. ILM has formed the cornerstone of LucasFilm Ltd. a company that has spawned more spin-offs such as THX Sound, Skywalker Sound, all held neatly under the Lucas Digitial banner. Back in the days of Star Wars it was mostly using what was already known, and inventing everything else. ILM has been at the forefront ever since, from the early days of motion control cameras controlled by Apple computers the latest CG marvel like Galaxy Quest, Phantom Menace or Mission to Mars.

The Art of Special Effects deals more with the older films-those before 1986, illustrating a time when computers were not so large a part in the film-making process. It gives the reader a great look at the sheer amount of detail that went into the models, the props, costumes from Star Wars to Explorers, from Raiders of the Lost Ark to the some of the Star Trek films, ILM constantly and consistently proven to innovative. The book as a whole is on a level lower than, say, Cinefex magazine, assuming that the reader doesn't know how blue screening and rotoscoping works or how miniatures are lensed. It is light reading without getting itself bogged down in too much technicality, for those who want that, read Cinefex.

It also strikes me that this book is also best at presenting a dying era. A time when model makers kit bashed hundreds of plastic models just to build a Super Star Destroyer - few companies bother with that any more when everything can be rendered on a Silicon Graphics box and Maya and Soft Image software. Such films as Star Trek: Insurrection used few practical models and a completely CG Enterprise-E. The time of the supremely detailed, hand crafted model or set may be at an end, and I think the industry will be sadder for it. Partially because when I read Cinefex, a lot of what I see is the same-different movie, different space ship, but they're all rendered the same way and most use the same software, with only minor modifications or original code going into it to get a certain look or solve a certain problem.

I suspect the Digital Realm of the movies, while producing better special effects, lacks the mystique of knowing that several people labored for months to build that model. That instead it was modeled by a few people over a period of a week. (Though it should be noted that a lot of films, including the Phantom Menace, used practical models). I suspect their days are number.

Thomas Smith was general manager of Industrial Light and Magic a year before he came to write this impressive book. The book is centred around the film special effects creations of ILM between 1975 and 1985. This includes the then "Star Wars" trilogy, two Indiana Jones movies and other lesser known projects. For the Star Wars fan theres plenty to learn about one of your favourite movies. This book is lavishly illustrated with full colour photos including triple page or gatefold images. The focus though is on how the effects are done and who did them at ILM. From the art work in developing concepts of storylines, through modelling, creature creation, the actual filming methods and matte image creation to the finishing touches of animation and optical compositing this book gives a gradual demonstration of the work of a special effects company. For someone with no knowledge what so ever of special effects this is a good introduction and to those involved it must be fascinating as well. As Thomas Smith points out, while film fans still love the movies from this era (1975-85), movie goers constantly seek new visions on screen. The digital era has brought movies like Toy Story etc but these were just figments of imagination at the writing of this book so its worth noting Thomas Smith's far-sightedness in the final chapter on digitized movies. The format of the book is to take each department of the special effects process and show what it does and where its part comes in the crafting of a movie. In each chapter there are short biographies of the leading people in each area of effects, this is a nice touch as it can serve as guide for those interested in getting involved. Its worth noting, many of those profiled have a long interest in their specialty going back to their youth and through the various twists and turns of working in an industry knew of other members of the ILM company before actually joining this now esteemed organisation. Thomas Smith by no means is setting out to sell ILM's considerable expertise though he tells the story of a company making dreams into reality, itself moving from an idea to a serious business proposition. (As a final note another book on movies of this period Paul Sammons "Future Noir: The Making of Blade Runner" contains insightful descriptions about the crafting of a movie not least its special effects.)

Years ago I longed for this book, as it sat on the shelf in the local book store(it was not cheap). I received it with much gratitude on my birthday. Now as a teenager I found a reinterest in this book, and was overjoyed when the next book "into the digital realm" came out. For anyone who is captured by the magic of special effects, this is for you.

One of the (If not the best war plays). Touching and humourous. Truly a maaaad play.

Mister Roberts had the right amount of amusement and sadness, which is the main reason I really liked it. At first I was not sure how I was going to enjoy it. The first chapter started out fairly slow, but this was just because it was an introduction of characters. The rest of the book was much clearer with this introduction. Throughout the entire novel there was a lot of humor. It was a fast read with all this comedy. I really admire Heggen's writing style because he incorporated wit with war. Heggen gave a more amusing account of the war than other factual book could have.

This is a fabulous story. Heggen expertly captures the monotony, the cynicism, the bravado and depression of life at sea. The story ranges from hilarious to heartbreaking, and it's sad Heggen ended his own life before writing again. I find it amazing that this book is not on the CNO's professional reading list.

A first class study of the background to the Case Study Houses project created by the southern Californian Arts & Architecture magazine. This book was originally published in conjunction with an exhibition of the program at the Museum of Contemporary Art, Los Angeles in 1989-1990. It has plenty of photos and plans (though some the photos are just a little too dark) to illustrate the eight main essays. Editor Elizabeth Smith and Amelia Jones devote forty-two pages to the actual houses with succinct descriptions, plans and photos. The rest of this marvellous book has a huge amount of information relating to housing and the post-war environment and how the thirty-six prototype houses had a wide influence on the domestic architecture that followed.

I particularly enjoyed the two essays by Thomas Hines and also Dolores Hayden's essay 'Model Houses for the Millions: architects' dreams, builders' boasts, residents' dilemmas'. The back of the book has six contemporary architects ideas and plans for housing in 'Extending the Case Study Concept', followed by biographies, chronology, bibliography and index.

Was the project worth it? Architectural writer Esther McCoy summed it up as... 'Perceived as a prototype that was to be enacted on a mass scale, the Case Study House program was a failure. Perceived as a prophetic statement, however, as a demonstration of trends and influences that would in one way or another achieve realization, the program must be judged a success. Perceived as art, finally, an approach suggested by their presence in The Museum of Contemporary Art, the Case Study Houses have won the right to be recognized and respected in the history of American design'.

You might think that everything about the CSH was included in this book but Elizabeth Smith has just edited another one called (you guessed it) 'Case Study Houses', a beautiful, very expensive ... very heavy (twelve pounds) very big (opens up to over thirty-two inches wide) 440 page visual history with hundreds of photos (especially from Julius Shulman) plans and drawings. What was missing from this sumptuous volume was all the information in 'Blueprints for Modern Living' so if you go for both books you really will have the COMPLETE CSH experience.

Nuetra, Soriano, Ellwood, Koenig - Blueprints for moder living is the catalogue for a major exhibit at the LA MoCA in the late 80's. It is an excellent sourcebook for those intersted in post war residential architecture. Modern Architecture (with a capital A) was going to change the world, as these bold case-study house designs show. This book contains a great deal more than just documenting the Case Study Building Program of the 50's. There are essays by noted historians Esther McCoy, Thomas Hines and Reyner Banham and others as well. These essays provide the background for the case study program and the mood of the public (especially in Califonia) after WW2. There is also an essay on publisher Joh Estnza and the Arts and Architecture Magazine that sponsored the program. The last chapter "Extending the Case Study Concept" documents the exhibit of six new designs (1987) commisioned by the Museum for a multi family housing project. Architects include: Eric Owen Moss, Toyo Ito and Hogetts & Fung. Lastly there are bio's on the architects, a timeline of events for the program and resourcefull bibliography. As always, the Julious Shulman photographs are stunning. This is a must have for the student of Modernism.

This is the only book I've read (and I've read at least a dozen of them not only in English) in the subject which really puts you in the life of a married bisexual man, as hundreds of thousands in America today. Here you get the real deal! A must have book.

THIS IS A BOOK THAT INTRODUCES ONESELF IN THE REALLITY OF DUAL FEELINGS,OF LOVING ONE AND THE OTHER, OF THE DUALITY THAT LIFE BEMCOMES FOR A PASSIONATE PERSON, AS WE HAVE EVERY ONCE IN A WHILE, SO ONE MAY UNDERSTAND BETTER WHAT LIFE IS FOR ME AND OTHERS, ON DESPITE OF THE GENDER...A MUST READ FOR MUST PEOPLE.

The Charge of the Light Brigade on the 25th October 1854 was one of the three famous engagements that formed the Battle of Balaklava. The Charge, the most famous of all military blunders, was barely over before the process of transforming it into myth began. Accusations, counter-accusations, legal actions and patriotic poetry created more obscuring smoke and dust than the infamous Russian guns. Cecil Woodham Smith traces the careers of two of the major players: Lords Lucan and Cardigan, the brothers-in-law from hell, whose vanity, arrogance and (at least in the case of Cardigan) incompetence, inexperience and crass stupidity, contributed to the fatal Charge. Almost 40 years of peace, and the reactionary influence of the Duke of Wellington, had left the British army in a parlous state of unreadiness and bureaucratic confusion when the call came to defend Turkey against the Russians. The choice of the aged, gentle, inexperienced and unassertive Raglan, as leader of the expeditionary army, only made a bad situation worse. (For a rather more sympathetic portrayal of Raglan, as victim of an inefficient military system, criminally disorganised commissariat and unreasonable government, see "The Destruction of Lord Raglan" by Christopher Hibbert.) A more recent study, "The Charge" by Mark Adkin, provides a detailed and well-illustrated account of the events leading to the Charge of the Light Brigade. Adkin challenges traditional views , including parts of Cecil Woodham Smith's account. Particular attention is given to the role played by Captain Nolan (the messenger). Adkin suggests that Nolan may have deliberately misled Lucan and Cardigan as to Raglan's real intention. Whatever the truth, which is of course unknowable, "The Reason Why" is a genuine classic and an excellent introduction to a fascinating subject.

Woodham-Smith presents, in minute detail, the wages of placing social rank over experience, and even competence. British military history follows a disturbing trend. War starts, Brits get trounced upon, influx of fresh talent and new ideas comes (along with, sometimes, timely intercession by allies), British return to triumph. Woodham-Smith attributes this pattern to the notion in the higher ranks of the army (a notion espoused by the Duke of Wellington himself, pip pip!), that nobility ensures, if not competence, at least loyalty.

The price of this notion, is, of course, massive death, but because the massive death does not happen to the nobility, nobody important really minds. This is one reason the Charge of the Light Brigade, with which _the Reason Why_ primarily deals, was so different, and worthy of eulogizing in prose and song (Alfred, Lord Tennyson, by the way, appears absolutely nowhere in this text)--those dying, those paying the price for the Army's obsession with aristocracy, were aristocrats themselves.

Woodham-Smith manages to trace the careers of two utterly unsympathetic characters--Cardigan and Lucan--in a fascinating manner. This is no small feat, considering the reader will probably want, by the end of _the Reason Why_ to reach back in time and shake both of them, and maybe smack them around a bit.

Again, Cecil Woodham-Smith proves herself a master of the historian's craft, and produces a well-researched, thorough and driving account of what is probably the stupidest incident in modern military history.

The Crimean War changed so much about how war is waged--the treatment of prisoners and wounded being tops on the list of reforms brought about in the wake of the debacle. _The Reason Why_ is an excellent account, and should be required reading for anybody with even a remote interest in military history, or European history in general.

The Reason Why remains the classic study of the intriguing and sadly ludicrous episode in military history known as the Charge of the Light Brigade. The author, coming from an Army family and relying heavily on the writings of officers, largely neglects the experience of the private soldier and concentrates on the main characters in the drama. The story is dominated by these extraordinary personalities, serving as a reminder that war is an inherently human drama. On a second level, it is a criticism of the privilege system of the British Army of the mid-nineteenth century. In retrospect, one is hard pressed to believe such a purchase system could have ever won a victory at Waterloo. Intolerant aristocrats with no experience in battle, paltry leadership skills, and maddening unconcern for the soldiers under their command, bought their commissions. The Charge of the Light Brigade illuminated all of the faults of the system and proved that bravery alone was insufficient for victory. While human blunders led to the debacle that was the Charge of the Light Brigade, the British military system was intrinsically to blame.

The heart of this book concerns the relationship between society at large and the military. Military leaders feared nothing so much as public scrutiny, for widespread discontent could lead to political interference and, indeed, political control of the army. Whether in dealing with the incorrigible personalities of Lords Lucan and Cardigan or in covering up the series of blunders that resulted in the sacrificial ride of the Light Brigade, the military leadership acted with the overriding principle of preserving the Army from governmental control.

The embarrassments of the Crimean campaign proved uncontainable. A great source of difficulty was the incompetence of the Army staff; rank and privilege were held to be superior to actual experience. When these difficulties led to humiliation and defeat, the commanders' concern was not with the men they had lost nor the future of the war effort; to the exclusion of these, their main concern was that bad publicity would appear in Britain, that the public would hear of the lack of success, that the House would begin to ask questions of the military leadership, that the press would begin to criticize the Army. This great fear of political interference was realized in the aftermath of the Crimean War. The author portrays this as the one positive effect engendered by the War effort. A new era of military reform was born in Britain, Europe, and America. Experience now became a prerequisite for command, and officers were trained in staff colleges. The author's final point is that, above all, the treatment of the private soldier changed as the military system was humanized to some degree. Her assertion that at the end of the Crimean War the private soldier was regarded as a hero seems rather bold, but it is clear that he was no longer seen as a nonhuman tool of his commanders' designs.

DEATH WIND was a great find thanks to Amazon.com once again!
After this novel, I will be gathering up all of Mr. Smith's other works in FORCE RECON series as well as his other horror-type genre novels.
Being a former marine, I was intrigued and very pleased to see this series. It was more than I bargained for and was a very pleasant surprise.

This book was an exceptionaly good book. I rated it five but would go higher. As with other books I have read this one was hard for me to put down. I lost many an hour of sleep with this book. James put you right there with the patrol,from beginning to end.

Roadrunner 6 Out

To write a book with the kind of action, conflict, dialogue and flow found in Death Wind is obviously a rare ability. You barely know that the clock is ticking as you keep reading, keep reading and keep reading until you end up with the kind of finish that makes you wish the next Force Recon book was on the shelves right now. Smith clearly knows a lot about the military, but he knows even more about how to tell a story. Great reading, great writing, great book.

Tom Smith tells of his personal participation as a Scout Pilot. To those of us who flew in Vietnam, myself a Marine Corps, CH-46 Crew Chief, it is an absolutely true narrative of what was happening at the time. I did not find the book overbearing or boring and found it to be a good read. Some vietnam tales tend to be full of heavy head trips. Not so with this one. Congratulations. Joe Jacobs (jjacob2@ibm.net)Lima, Peru

I GREW UP IN THE VIETNAM ERA AND NEVER THOUGHT IT NECESSARY TO READ A BOOK ABOUT THE VIETNAM CONFLICT BECAUSE I THOUGHT I HAD A CLEAR PICTURE OF THE VIETNAM EXPERIENCE.THROUGH THE EYES OF A SCOUT PILOT I WAS GIVEN A FASCINATING NEW PERSPECTIVE!

Tom Smith's Easy Target is the best book of helicopter memoirs that I have read thus far. Finding direction in life by becoming a helicopter scout pilot in Vietnam, his story takes many interesting and often scary turns. I especially appreciated his description of the manoeuvres and skills aquired as his experience grew. This book played a major part in my decision to get my own pilot's license and begin a career in the civilian market.