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This book addresses the problem by taking us inside twenty-five examples of Greene and Greene's work. The text is accompanied by the breathtaking photography of Alexander Vertikoff. I own a large collection of books on the architecture of this period, and those illustrated by Vertikoff stand in a class by themselves. His photos are magnificent, doing justice to the material he portrays. I doubt if there is a finer photographer working in this field today.
With photos like these, it would have been easy to turn this volume into nothing more than a glorious picture book. Instead, Bruce Smith provides an engaging story of the careers of the two architects. The best writing is found in an extensive introduction, where the author discusses the Greene and Greene style in general terms. One can see at a glance how the style starts with Arts and Crafts. Indeed, there is a wealth of Stickley furniture in many of the houses. It is equally obvious how the two went beyond the plain craftsman designs so common further east. The Japanese influence was much stronger here, and the craftsmanship in the wood joinery was much more refined. There is more woodworking than carpentry here. The woods included Burmese teak, Honduras mahogany, Port Orford cedar, oak, maple and redwood. In some cases, the brothers were able to design furniture, landscaping and gardens to go with the architecture.
For the remainder of the book, we get a tour through twenty-five houses designed by Greene and Greene. Each house is presented in the order of its design and construction, with a history of the entire house to the present day. In some cases, this includes restoration after some abuse. Some of these houses were created on a budget; others were done with no apparent limits on the imagination of the architects. All are works of art, created as a labor of love by all concerned. For anyone unfamiliar with the work of Greene and Greene, this is an excellent introduction. For those who are already captivated, this book is a must, if only for those magnificent pictures.
If you are looking for wonderful, full-page color photographs this is it. The first 50 pages are devoted to the G&G style; there is a page or two devoted to Materials, Joinery, Lighting etc. Descriptions are quite brief, and include a couple of pics.
The next 170 pages are devoted to 25 different houses with narration about the original design process, the ensuing history, and the current state. Again tons of color pics, and lots of shots of the furniture they designed to go with the particular house.
If you are looking for an in-depth discussion, check out Randall Makinson's "Architecture as a Fine Art/Furniture and Related Designs. These two books (now available in one edition) cover the G&G history in detail, but have less photos (many in black and white). They do have many front on center views of the furniture (as well as early drawings) so if you are interested in building their furniture, these books make a suitable companion to the one being reviewed.
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Although I am only half was through this book I am finding it excellent. It goes into good detail on the information, which you have to know, whilst not sending you to sleep on information, which is not relevant to call manager, networking, or telephony. I am confident that once I have read the book a few times I should be able to pass the exam without too much trouble. Cannot say this about the Cisco training documentation.
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Author Alexander McCall Smith loves Africa, its traditional ways of life, and the ways that its people (at least the people of Botswana) treat one another. His No. 1 Ladies Detective Agency series, including THE KALAHARI TYPING SCHOOL FOR MEN are practically poetic in their praises of this traditional way of life. Mma. Ramotswe is the protagonist in these stories and the central pillar for tradition. Her detecting and the solutions to her clients problems flow from these African traditions (as interpreted by Smith) and prove heart-warming even in the midst of poverty and the AIDS crisis that has destroyed so much of Africa (AIDS is not mentioned by name in this novel but its impact is clear to see). Whether Smith's view of Africa has anything to do with the real continent is something I won't even attempt to decide, but it is certainly his view and his love for this Africa is obvious and compelling.
Smith's beautiful writing makes KALAHARI an enjoyable read that can be savored or swallowed in a gulp. The characters of Mma. Makutsi and Mma. Ramotswe are well drawn and interesting. KALAHARI is anything but a thriller, but it makes a wonderful diversion from the everyday.
However, Mma. Ramotswe is an optimistic person by nature and she tries to set aside her worries. One way to forget her troubles is to take on new clients. Mma. Ramotswe accepts the case of a woman who suspects that her husband is being unfaithful. Another client is a wealthy man who wants Mma. Ramotswe to find two women whom he had wronged in the past. He wishes to apologize to them and make amends for his bad behavior.
As in his earlier books, Smith's writing is sweet, funny, understated and touching. Mma. Ramotswe again displays her keen insight into human nature and her empathy for those who are in pain. "The Kalahari Typing School for Men" is written simply but it is never simplistic. This novel will delight Alexander McCall Smith's fans, and it will make readers of this series impatient for the next installment.
Yes, this is a 'detective' novel, and it's also a folk tale, an allegory, and a spiritual journey for all of the characters--and the reader. The heroine, Precious Ramotswe, returns in The No. 1 Ladies' Detective Agency Series to confront a number of problems: a client who needs to make amends to important women in his life, an adopted son who is reaching puberty, a fiance who is fragile but growing stronger, an assistant who wants a man and finds one, and competition for her business with an obnoixious male detective.
But Precious is a well-rounded lady in her late thirties who possesses wisdom, maturity, and directness and sensibility. In less than 200 pages of this deceptively simple and exquisitely crafted novel, the problems are solved and--yes--the men learn to type.
The No. 1 Ladies' Detective Agency Series is a wonderful one. It is set in Botswana, where people mend tea cups rather than throw them away, the simplicity and dignity of the lifestyle is in itself a lesson.
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After a disastrous marriage and the loss of her child, Precious returns to care for her dying father. As he dies, she tells him that she plans to open a detective agency -- the "No. 1 Ladies' Detective Agency." Already seasoned in sniffing out crime, Precious finds plenty of clients: A woman searching for her long-lost dad, a very rich and anti-woman client who asks her to find his daughter's boyfriend, a possible insurance fraud over the loss of a finger, a woman seeking proof of her husband's adultery, a woman whose husband converted to a small Christian church and vanished. But most harrowing of all, a young boy kidnapped and possibly murdered by witch doctors...
"No. 1 Ladies' Detective Agency" is a pleasant but not amazing read. The best aspects are the unusual -- sometimes humorous -- cases that reflect universal crimes and problems (fraud, adultery), and when giving glimpses of traditional and modern African society. How is it different from American culture? Well, you might get a better idea from this.
The writing is plain and not extremely detailed. Smith takes care to make sure that the backgrounds are set up properly -- she gives a description, for example, of the harrowing mining in South Africa, through the eyes of Precious's father, who witnesses all sorts of crimes. A particularly sweet part is when Precious's second cousin (who is infertile and was dumped by her husband) finds true love with a kindly, scarred man. And the writing suddenly becomes deeply detailed and very haunting when Smith takes on the harrowing story of the kidnapped boy.
Perhaps the biggest problem is that while Smith makes the book go at a brisk pace, it takes an effort to get to know Precious and the other characters (except Obed, who gets a first-person half-chapter). We don't get much of a glimpse inside their heads. This changes occasionally, mostly in the last chapters, such as when Precious thinks back to the death of her baby, or when Mr. Matekoni thinks about marrying her. But unfortunately through most of the book, the third-person narrative keeps readers distant from the characters. And most of the cases aren't too complex (the adultery one, funny as it was, wasn't really a case).
Mma. Precious Ramotswe is a nice character, a break from the hardened or arrogant detective that populate a lot of detective fiction. Her outspoken secretary offers some chuckling humor, and Mr. Maketoni is a nice, doubt-filled love interest for Precious. The most three-dimensional character is Precious's dad Obed; the rest are pretty flat and interchangeable.
A pleasant, diverting read. It wasn't entirely satisfying, but a nice enough read with some suspense and likable characters. Nice read.
Precious is a middle aged woman with a prominent posterior, whose self image and poetic praise of the simple things in life - like a dish of cooked pumpkin - are arresting to a reader surrounded by urban materialism and Western notions of attractiveness.
Through Precious, the reader is willingly enticed into a love affair with the landscape and values and people of Botswana.
But Precious is far from a simple woman. The stories about the tragic life of her beloved father, her own disastrous marriage and move into the detective business are all enlivened by her capacity to find lessons from each painful experience.
It therefore comes as no surprise that she is a very successful detective. Helped along by her handy and hilarious "how to" text, her undeniable intellect and talent for nosiness, she is soon finding answers where others have not.
There are three books in this series and they are all wonderful. Each left me with a smile on my face and a desire to reread some of Precious' wry observations (favourites include those about the sad weaknesses of men and a number about the inferiority of neighbouring African countries) or her poetic descriptions of the world around her.
The mysteries - plus their solutions - are also satisfying.
and just plain common sense. The mysteries are fun but what makes this book so special is the author's ability to weave together the themes of African tradition, nationhood, pride, simplicity and independence without being the least bit preachy . The writing is just so simple and beautiful and I found myself thinking about this book long after I finished it. It just stays with you. I've already read the second installment in this series, Tears of the Giraffe, and there is no doubt in my mind now that these books are destined to become classics. Anyone who likes mysteries, or anyone who enjoys just plain good writing will fall in love with Mma. Ramotswe. A superb book.