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Uncle Tom's Cabin is the story of the slave Tom. Strong and loyal as he is, his "good" master, Mr. Shelby, sells Tom to Mr. Haley, a slave trader, to pay off a debt. Mr. St. Clare then purchases him as an act of gratitude for saving his daughter's life. After St. Clare's death, his wife goes against his wishes and sends him to a slave warehouse where he is bought by the "bullet headed" Mr. Simon Legree. Here, Tom endures brutal treatment at the hands of his master. By exposing the extreme cruelties of slavery, Stowe explores society's failures and asks, what is it to be a moral human being?"
The novel was revolutionary for its passionate indictment of slavery and its presentation of Tom, "a man of humanity." Labeled racist and condescending by some contemporary critics, Uncle Tom's Cabin still remains a shocking, controversial, and powerful piece of literature--exposing the attitudes of white nineteenth century society toward the institution of slavery, and documenting the tragic breakup of black Kentucky families.
I would definately recommend this novel to all well-informed readers looking for literature with much diction and imagery. It would also suit the needs of those looking for a great plot. However, I caution those sensitive to great detail of torture because this novel is very strong and graphic on the broad issue of slavery.
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Their volume maps this intersection with a scope that is both chronologically and topically broad. The collected essays address important issues throughout the entire history of the United States, beginning with Kerber's discussion of the obligations of women's citizenship in Revolutionary America and ending with Jane Sherron De Hart's examination of female representation among elected officials in the 1990s. Topically, while there is a significant emphasis on women's reform movements, especially in the Progressive Era, topics as diverse as the cultural phenomenon of Louisa May Alcott's Little Women and the creation of Black Women in America: An Historical Encyclopedia comprise the full range of gender issues examined. The claim of the title of their edited volume, that United States history is as much women's history as it is men's, is supported forcefully by the works published. None of these essays are work characteristic of earlier stages of development of the field of women's history. Evidence of women's historical existence has been found; women's contributions to significant fields, once thought to have been only the work of men have been documented; and histories have been written chronicling reform movements and other developments that were fundamentally effected by the role of women.
The overarching argument of the editors and contributors is that women's history should no longer be ghettoized as a separate historical field, but rather should be synthesized into a larger historical narrative. Women's history should no longer be a subfield of social history, based on the claim that women represent some type of separate social group. Rather, based on the identification of the political nature women's public and private actions women's history is political history. This specific volume and its essays argue that this women's history should be central to the narrative of United States history.
One flaw that can be identified in this volume, U.S. History as Women's History, is that despite the inclusion of the word in its title, the editors fail to define the term feminist. Similarly, the qualifier new is not addressed adequately. Does this volume represent a new feminist viewpoint, or does the subtitle simply indicate that these are newly published feminist essays, not representing any analytical shift, but simply recognizing the completion of new works of scholarship? These are questions that would have benefited from these authors' expertise.
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