This book was published in 1971 as a fond look back on 20 years of articles in Metronome magazine. The author, George Simon, was a reviewer of bands and his articles are full of humour and a feeling for the sights and sounds of that time. There are band reviews, singer reviews, articles about the (then) future, some great pictures or the bands and a diary (written in a pseudonym in the magazine).

That alone is worth the price, but you also get an added bonus. George wrote to many of the musicians for responses to the articles (in 1970, so in some cases it's over 30 years since the article was written). There are many fascinating responses and extra notes from George himself as to what the article meant, what happened to the musician, who married whom, or when George got it wrong.

Nearly 500 pages oozing with the Swing Era. Find it and enjoy.

This is, as they say, the definitive work on classic big band and swing music, full of profiles of bands and band leaders large and small, from the Artie Shaws and Glenn Millers to the Will Bradleys and Hal Kemps. The scope of the book is very well-rounded, including information on often-neglected "sweet" band musicians such as Isham Jones, along with pre-big band acts like Ted Lewis. The downside is that Simon -- a jazz music critic for "Metronome" magazine during the big band years -- wears his insider credentials on his sleeves, and is a bit of an insufferable name-dropper. Nonetheless, this is a great reference work, and a nice look back at the glory days of swing.

This book occupied a prime spot on my fathers bookshelf while I was growing up. I frequently heard this music as a kid, and was intrigued by its swing and feel. I had the pleasure of befriending George Simon, and found him to be a first class gentleman. I visited him at his home, and we would discuss the music and his experiences. It gave me tremendous insight into the times, and was always interesting. George was about fifty yeasr older than I ( I have lost touch with him after his move to Florida) but due to his involvement with the Grammys he could go from Harry James to Bob Dylan to Jimi Hendrix with ease. An interesting and insightful book by someone who loved the music and all it stood for.

George Simon was an intimate part of the big band scene. He was there when it was born and he was there when it atrophied during Word War Two. He was an original member of the Glenn Miller Orchestra (he played drums) and one of the first writers for Metronome Magazine, the trade mag for the music industry in that time. I have a hardcover copy of the 9th printing. The original copyright is indicated as 1967. I also have an accompanying three record set that is unique in that it was a cooperative effort by three competing companies: RCA, Decca and Columbia. It's a shame that this isn't available too! Over 400 bands are mentioned, some extensively. It is full of first-hand accounts, anecdotes and many photos. I felt as if I was there! George Simon gave us a true window into this piece of music history. If I had an extra thumb, I would give it three thumbs up!