children in my classroom love this book. there is also a wonderful coloring book, and stuffed doll of Drippy. My grandchildren all sleep with their Drippy dolls, and want me to read them this book over and over again when they stay with me. My son and daughter-in-law love this book as well, and read it everynight to the children at bedtime.

In this sequel, Ella finds a boyfriend and Henny disagrees with Papa over her curfew. This story continues the tale of a Jewish family who lived in the Lower East Side of New York in the early 1900's. Entertaining as well as educational, this book describes the joys and fears in that place and time. I also enjoyed learning about some of the Jewish traditions. A delightful classic that every little girl will enjoy.

Crucial for anyone writing about the Sidneys, this book is balanced, fascinating and readable. Hannay's impeccable research includes the religious background, which is somewhat rare among Sidneyians; she doesn't waste time on speculation, which is the abiding fault of Duncan-Jones' biography of Philip Sidney. I can't wait for Hannay's edition of the Countess's works.

Sidney Lanier was perhaps the greatest poet produced by the South during the the 19th Century. His descriptions of the nature and the Georgian Marshes of Glen, as in "the slant yellow beam of the sun doth seem like a lane from Heaven that leads to a dream..." and "belief overmasters doubt and I know that I know..." are words that feed the soul with the timeless nector of wisdom and humanity. I treasure this book and any student of the American South and/or of American Poetry will find Mr. Lanier's style of alliteration and assonance, together with his wonderful imagery to be a feast for the soul in solitude.

This is an invaluable reprint of the 1916 edition of Mary Lanier's 1884 collection, which is only marred by a certain over-solicitousness for the poet's fame that depreciates the early poems and the jolly, Twainy "dialect" poems, whice rise to Frost in "Thar's more in the Man than thar is in the Land."

Sidney Lanier saw the Real through "Christ's crystal" clear as the great fourth stanza of "Song of the Chattahoochee":

And oft in the hills of Habersham,
And oft in the valleys of Hall,
The white quartz shone, and the smooth brook-stone
Did bar me of passage with friendly brawl,
And many a luminous jewel lone
---Crystals clear or a-cloud with mist,
Ruby, garnet and amethyst---
Made lures with the lights of streaming stone
In the clefts of the hills of Habersham,
In the beds of the valleys of Hall.

"A Florida Sunday" is an evocation pure as any of Florida, and there is homesickness in "From the Flats":

Oh might I through these tears
But glimpse some hill my Georgia high uprears,
Where white the quartz and pink the pebble shine,
The hickory heavenward strives, the muscadine
Swings o'er the slope, the oak's far-falling shade
Darkens the dogwood in the bottom glade,
And down the hollow from a ferny nook
Bright leaps a living brook!

The famous "Hymns of the Marshes" are what Georgia is like, so that when in "Ireland" he offers against the famine "the main and cordial current of our love," he prophesies Finnegans Wake.

Hart Crane's noble tribute to "Psalm of the West", Pound's rare salute to "A Ballad of Trees and the Master", bespeak a poet loudly ignored.

His great Cantata for the Centennial would serve as well in 1976.

In his Afterword, John Hollander points to "the opening line of 'The Marshes of Glynn,' when separated from the weaker, rhyming second one: 'Glooms of the live-oaks, beautiful-braided and woven'; here again we feel that the music of Lanier's verse lies closer to the ebb and flow of Whitman's than to the brilliant contraptions of Swinburne's." That second line is, "With intricate shades of the vines that myriad-cloven"---go on to the third, "Clamber the forks of the multiform boughs," and you have Lanier.

This is a handy if somewhat eclectic little collection, with works by some poets who are hard to find elsewhere, such as Henry Howard. If you don't have a copy of the long-out-of-print Hebel and Hudson anthology of English Renaissance Poetry, pick up this.

In this book, Kim walker surveys the writings of major and minor English Women writers of the early modern period. Her survey comes inclusive of many genres that are not mentioned in many other books such as letters, diaries, autobiographies...In contrast to many studies; Walker doesn't focus solely on the published and recently canonized works of major renaissance women writers. Very New Historicist in her transcending the boundaries of "master narratives', Walker introduces us to many writer and Genres that can boost the inexorable interest in women writings of the early modern period. However, like many f the other critics, Walker stresses the prejudices than both "major" and "minor" women writers had to debunk in a time when women were circumscribed to the domestic and religious spheres.