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TEACHERS -- It would seem to me that this material would be ideal core curriculum for 7th-10th grade English Lit. students -- Why it isn't being taught at this time is a great mystery.
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I recently came across a well-worn copy of "Barefoot Boy---" in a used-book store and read it again. It's an outrageous satire of college life, a story of the hilarious freshman year of Asa Hearthrug at the (imaginary) University of Minnesota.
"St. Paul and Minneapolis extend from the Mississippi River like the legs on a pair of trousers. Where they join is the University of Minnesota."
Asa is promptly registered into a liberal arts program in order to become a "well rounded-out personality," and is then recruited into the Alpha Cholera fraternity, where he emotionally joins in singing the frat song:
"Stand, good men, take off your hat
To Alpha Cholera, our swell frat.
In our midst you'll find no rat,
And don't let anyone tell you that."
He soon meets Yetta Samovar, and is promptly recruited into the Minnesota Chapter of the Subversive Elements League, where he emotionally joins in singing:
"Workers, workers,
Don't be shirkers,
There's a job we have to do.
Flee your prison,
Collectivism
Is the thing for you to do."
Back at Alpha Cholera he gets invited to a sorority song-title party at Beta Thigh, which he attends as "Tea for Two," with a silver tea service balanced on his head. His date, arranged by his frat brother, is the beautiful Noblesse Oblige, whose song title costume includes a smudge pot attached to her navel. "Smoke Gets in Your Eyes," of course!
Asa becomes torn between Noblesse, the fraternity, and the Belongers, or Yetta, the Subversives, and the Unbelongers.
He loses his bid as the dark horse candidate for the student council, flunks all his classes, and returns to his home at Whistlestop and his girlfriend Lodestone La Toole.
Each chapter of the book is preceded by a penetrating quotation in French or Latin, like the one I chose as the title for this review.
An appreciation, or at least a tolerance, for silliness and absurdity is the minimum requirement to enjoy this outrageous satire of college life. I will highly recommend the book to those with that appreciation or tolerance.
You may or may not be aware of this characteristic of Minnesota Scandinavians: We LOVE to make fun of ourselves!
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Then we watched the movie. It's kind of strange watching a movie for the first time when you already know every line before the actors say them!
Anyway, I wouldn't rate this as Shulman's or Smith's best work. I've been told that they didn't get along that well. But it's still worth reading.
Obviously, I'm not going to give it less than five stars, but, personally, I see "The Tender Trap" as a kind of period piece, which in 1999 seems as embarrassingly sexist as a Rock Hudson/Doris Day movie. And although it is a well-constructed play, I am surprised that others see it as having more substance than, say, a really first-rate television sitcom...
The movie version is available in video cassette, and, to the best of my recollection (hey, I was eight years old at the time) reasonably faithful to the stage version. With, of course, the addition of the wonderful Sammy Cahn title song, which has probably done as much as anything to keep the play's memory alive.
I would be interested in having the previous reviewer contact me. (I have to wonder whether it's one of Max Shulman's kids...)
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Yes that's actually the first line of this insanely funny novel. The second line being "But first let me tell you a little about myself." And then you have to wade through a hilarious series of increasingly convoluted flashbacks that take up most of the book before he finally gets back to the four groin shots and the great adventure.
This was the last of what I call Shulman's four "zany" novels - the first three being "Barefoot Boy With Cheek", "The Feather Merchants" and "The Zebra Derby". In these early novels Shulman cared little about conventional narrative and exposition. They were carefree flights of fancy that weren't bound by ordinary rules. (In "The Zebra Derby" 24 different male characters are all named "Max".)
But by "Sleep Til Noon" Shulman was starting to settle down (just a little) and tell a real story.
In this case its the story of a young idealistic lawyer who would like nothing more than to actually help people, but he's so ridiculously incompetent that he might as well be trying to hurt them! First time I read it I was on a flight and I burst out laughing so hard that the person next to me asked what I was reading. Turned out he was a judge who had also read it and enjoyed it greatly!
I highly recommend "Sleep Til Noon". It came just before Shulman wrote his masterpiece "The Many Loves of Dobie Gillis". "Sleep Til Noon" is in many ways, a warmup for "Dobie" and some of its characters and situations eventually made their way onto the "Dobie" tv series.
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But "Anyone Got A Match" is still a great read after you've finished the others.
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When the army decides to build a missile base near an upscale Connecticut commuter town passions flare, in and out of the bedroom, and then all hell breaks loose!
This book is absolutely hilarious and may be Shulman's best novel. It skewers the 50's: the Marlon Brando/Elvis worshipping teenagers, and their martini guzzling keep-up-with-the Joneses parents, and barbeques the military-complex too.
The sex may be a little much for young kids, but I loved reading it when I was 14.
A must-read. Part of our cultural heritage!