Michael Rodriguez' "Humidity Moon" tells the world how we lived, how we felt and how our buddies were closer to us than our own parents, brothers or sisters. It is a must to read, will take you back 30 yrs to a place that cost America a war and the Vietnamese their Nation

IT WAS MY HONOR TO HAVE SERVED WITH THIS ANGRY YOUNG MAN,A PROFESSIONAL IN EVERY SENSE OF THE WORD.A GIFTED PERSONALITY AND GREAT MARINE SEMPER FI SGT. I.D.PADILLA tpidp@pacent.com

Go with the Marines of Charlie Co. as they search the paddies and treelines of Vietnam for the feared, hated, respected and elusive enemy whom they refer to as the "little people". Experience the gut-twisting tension of moving through rain, fog, and night, or the smothering heat of day with every pore jittering on edge, listening, looking. From out of the things that could happen and the things that do happen, between the mistakes and the breaks, and from his memories of the men who die and the ones who live, Rodriguez has written a collection of short stories that ranks at the top, among the very best of writings about the Vietnam War. This book is a must-read for anyone who wants to know what the War was for the men who fought it.

I was so taken by the reality and true to life poems
that I have read in American poems an short stories.
Author has a way of cutting through the core, and
delivering them right to your heart, The poems I
read have inspired me to now start to write.
Besides my husband says im good.

I enjoyed American Poems very much, I used several
poems in a class project, and received very good
marks and the class applauded me. I trully liked
his down to earth stlye. author is critical on
certain subjects, dramatic and very versatile.
I recomend American poems to any one who is looking
for some good reading

I thought American Poems an short stories
was most pleasing to read, I beleive the authors
poems show the pain that is in his soul, for some are
very dreary, but he is versatile in his writings.
exceptionally well wrote, I have not read poems
that have such meaning in a while, look forward to
reading his next book.

This was without question one of the most gripping novels I've read in many a day. I first ran across this work in a brief mention by British travel writer/popular historian James Morris, where he thought it akin to the gulag novels of post-Stalinist Russia in subject matter and philosophical content. Add to that a wealth of striking narrative detail, immensely memorable characters (Maurice Frere, Sarah Purfoy, and particularly James North leap to mind), some truly transporting (no pun intended) and incredibly creepy passages, mind-blowing plot twists and turns, and a persistent refusal to provide too pat solutions to characters' problems... Clarke wasn't better than Dickens or Eliot, but neither of the latter could have written this book.

Clarke's masterpiece was published in 1874, after being serialized in 1870-72. Critics have lambasted a few of the less believable elements and some of the pat characterization of a number of supporting characters, but these are flaws to be found in most novels of that time (and ours). Clarke redeems himself by taking the cliches and mannerisms of the nineteenth-century English novel and using them to illuminate a whole new society, one practically mythical to the metropolitan consciousness of the Victorian Anglophone world. This work is a great counterpoint to all those English novels of the day where the hero or villain gets packed off to the antipodes and returns mysteriously changed. The main thrust of the novel, though, was the need to tell the true story of (white) Australian society's beginnings. Clarke, in telling the story of the unjustly convicted Rufus Dawes (aka Richard Devine), provides a panoramic view of early Victorian Australia, from the hellish convict settlements of Macquarie Harbor and Norfolk Island to the nascent frontier towns of Hobart and Melbourne, from the aging memories of the "First Fleeters" (the original convicts who arrived in 1788) to the controversial Eureka Stockade Uprising of 1854. The narrative frequently moves at a deliciously whirlwind pace to accomodate the exciting interaction of characters and history.

Clarke's novel is generally cited as nineteenth-century Australia's greatest and points the way towards more nuanced examinations of the colonial experience in the twentieth century (Peter Carey's JOE MAGGS, about the "off-stage" life of Dickens antihero Abel Magwitch, is apparently very much in this vein). Don't read it just for this reason, though. Please be sure to find the longer, original version, as I was fortunate enough to do. Clarke was forced to produce a revised, shortened version for the original publication, one dictated by his editors that turned the novel into a much more "conventional" Victorian literary production (and has a longer title--FOR THE TERM OF HIS NATURAL LIFE). I understand a TV series was made in the mid-80s with Anthony Perkins as North. If this was the case, then it badly needs to be remade on celluloid, because I can't seem to find the series. It's a magnificent novel whose flaws, I think, are amply counterbalanced by its unexpected joys.

The well-known phrase 'for the term of his natural life' is used by Marcus Clarke to bring home the horrors of transportation and the Tasmanian penal system in the 19th century.
Richard Devine, an innocent man (under an assumed name of Rufus Dawes) convicted of a crime he did not commit, is sent for transportation and assumed killed in a shipwreck. In reality, he is heir to a vast estate (unbeknown to him) and the convolutions of the tale that evolve from this are wonderfully written; the gradual demolishing of Dawes, the unspeakable duality of Frere, the calculating guile of Sarah and the gullible innocence of Sylvia are woven together in a plot that does not end happily ever after. This I think, serves to underline the barbarism and futility of the transportation system.
Based on actual events, Clarke uses his 'hero' to illustrate the depravation and privations that prisoners (and their guards) had to endure. Graphically showing how degradation degrades and power corrupts, the narrative never dwells on gruesome details, instead it relies for effect on the imagination of the reader, which can be more terrifying.
A book that deserves a wider readership.

It's a collation of events by various persons involved in the penal settlement of early Australia. Marcus Clarke has interwoven these events into a novel of fiction. These are stark facts; and show, as far as I've researched, very detailed. L.P. Hartely said it all,in this case.."The past is a foreign country.They do things differently there." The more you read on, the more you want to know..

Grover is more than a little nervous - after all, there's a MONSTER at the end of the book. So, he enacts all kinds of zaniness like gluing the pages together in order to keep (protect) YOU (not him!!) from the monster at the end of the book.

This is the only book I remember my dad reading to me - EVER. (Probably because I asked for it a million times!!) He would act the parts out and change his voice and I would roll on the floor with laughter. When it came to Grover's antics, my dad would pretend that the pages really *were* stuck together. He'd grunt and groan and s-l-o-w-l-y turn the pages.

I read it to my kids - my children and students alike - in the same manner. And you know what? Everyone rolls on the floor giggling. Everyone has a good time.

I highly recommend this one - it is a great story about the wacky ways we devise to avoid what we think we fear. BUT, it is also a great way to build memories that will last forever with your children.

This is the greatest book ever. My parents read it to me when I was a child. Every night I had to have it read to me. It was the first book I learned to read. Unfortunatly my Mom had to throw it away because it was so worn. For years I looked for this book. I finally gave up a few years ago. Well, a couple of weeks ago I found a copy in my cousin's toy box! I was so excited I decided to look for it again. Now I've found it. I would reccommend this book for every child (and even a few adults) It is a wonderful story with a wonderful surprise ending

I wandered into the room of my best friend's three-year-old son, preparing to read him a book before he went to bed. When I saw this book among the pile on his floor, I got nostalgic. Really nostalgic. My mom read me the same book when I was his age, and I love, LOVE this book.

Not only does it teach you that sometimes the answer to all of your questions is right in front of you, but it does so by giving you pages of Grover, one of the most hysterical, lovable Muppets. The rattling of Grover's nerves, and the actual building of suspense in a picture book, keep the reader turning the book's pages -- even though Grover BEGS you not to do so. The reader is actually included in the narrative, for the book involves only Grover talking to the reader. The book thus becomes involving very quickly and entertaining throughout it.

Plus, the final punchline is a great payoff.

If you have children, this is an absolute must. Unlike other books from children's shows, this one's intelligent, maintains proper values and isn't beat-me-over-the-head annoying.

An intricate story with a hidden satire on the birth of the fast-paced, all business society, told threw the eyes of orphan Momo, who loves her friends as her only family, she follows a turtle past the reaches of time to figure out why her friends do not come to talk to her anymore. This book is about time--stolen and hidden from people in constant motion, the dreams they had, and the gigantic love of one little girl. Micheal Ende magically weaved a subtle wit, humor, bravery, friendship, love and loss all together and created a story that I could not put down until I read it all the way through. Any generation can learn from this book--all you need is to take a bit of time!

Momo is an interesting commentary on society, with the aid of some grey gentleman, a tortoise who can communicate in an interesting fashion, a wise elderly man, a roadsweeper, a young storyteller and a little girl who appears from nowhere. I loved all of the characters, especially Momo - You'll want to sweep her up and adopt her! The little comments on daily life and work will make you stop and think. Anyone who is fascinated with the concept of time and/or loves The Neverending Story - READ. THIS. BOOK.

Have you ever think of finding a book that capture you from the first page until the end. Beautiful story like fairy tale with supurb narrative style that you want to re-read it many times. Moreover, the book that contains a wonderful idea about life. If yes, try to read this book. Story of a little girl and her friends seemed to be a simple plot. But it isn't like that when it is in Michale Ende's hands. It's about people, friendship and time. Please read this book to your children and you will enjoy this beautiful story as well. If you still don't believe me, Let go through other's people comment for this book. The best way is to find out by yourself. In Thailand, this book is reprinted so many times and I am so glad that I can own this precious book. Another "Gem" from Michale Ende is "The Never Ending Story" both are equally supurb.. I guarantee.

"Barchester Towers" has proven to be the most popular novel Anthony Trollope ever wrote-despite the fact that most critics would rank higher his later work such as "The Last Chronicle of Barset","He Knew He Was Right" and "The Way We Live Now".While containing much satire those great novels are very powerful and disturbing, and have little of the genial good humor that pervades "Barchester Towers".Indeed after "Barchester Towers",Trollope would never write anything so funny again-as if comedy was something to be eschewed.That is too bad,because the book along with its predecessor "The Warden" are the closest a Victorian novelist ever came to approximating Jane Austen."Barchester Towers" presents many unforgettable characters caught in a storm of religious controversy,political and social power struggles and romantic and sexual imbroglios.All of this done with a light but deft hand that blends realism,idealism and some irresistible comedy.It has one of the greatest endings in all of literature-a long,elaborate party at a country manor(which transpires for about a hundred pages)where all of the plot's threads are inwoven and all of the character's intrigues come to fruition."Barchester Towers" has none of the faults common to Trollope's later works -(such as repetiveness)it is enjoyable from beginning to end.Henry James(one of our best novelists,but not one of our best critics) believed that Trollope peaked with "The Warden"and that the subsequent work showed a falling off as well as proof that Trollope was no more than a second rate Thackeray.For the last fifty years critics have been trying to undo the damage that was done to Trollope's critical reputation."Barchester Towers"proves not only to be a first rate novel but probably the most humorous Victorian novel ever written.

I rushed home every day after work to read a little more of this Trollope comedy. The book starts out with the death of a bishop during a change in political power. The new bishop is a puppet to his wife Mrs. Proudie and her protégé Mr. Slope. Along the way we meet outrageous clergymen, a seductive invalid from Italy, and a whole host of delightfully ridiculous characters. Trollope has designed most of these characters to be "over the top". I kept wondering what a film version starring the Monty Python characters would look like. He wrote an equivalent of a soap opera, only it doesn't take place at the "hospital", it takes place with the bishops. Some of the characters you love, some of the characters you hate, and then there are those you love to hate. Trollope speaks to the reader throughout the novel using the mimetic voice, so we feel like we are at a cocktail party and these 19th century characters are our friends (or at least the people we're avoiding at the party!). The themes and characters are timeless. The book deals with power, especially power struggles between the sexes. We encounter greed, love, desperation, seductive sirens, and generosity. Like many books of this time period however, the modern reader has to give it a chance. No one is murdered on the first page, and it takes quite a few chapters for the action to pick up. But pick up it does by page 70, and accelerates into a raucously funny novel from there. Although I didn't read the Warden, I didn't feel lost and I'm curious to read the rest of this series after finishing this book. Enjoy!

This is the second of the six Barsetshire novels, and the first great novel in that series. THE WARDEN, while pleasant, primarily serves as a prequel to this novel. To be honest, if Trollope had not gone on to write BARCHESTER TOWERS, there would not be any real reason to read THE WARDEN. But because it introduces us to characters and situations that are crucial to BARCHESTER TOWERS, one really ought to have read THE WARDEN before reading this novel.

Trollope presents a dilemma for most readers. On the one hand, he wrote an enormous number of very good novels. On the other hand, he wrote no masterpieces. None of Trollope's books can stand comparison with the best work of Jane Austen, Flaubert, Dickens, George Eliot, Tolstoy, or Dostoevsky. On the other hand, none of those writers wrote anywhere near as many excellent as Trollope did. He may not have been a very great writer, but he was a very good one, and perhaps the most prolific good novelist who ever lived. Conservatively assessing his output, Trollope wrote at least 20 good novels. Trollope may not have been a genius, but he did possess a genius for consistency.

So, what to read? Trollope's wrote two very good series, two other novels that could be considered minor classics, and several other first rate novels. I recommend to friends that they try the Barsetshire novels, and then, if they find themselves hooked, to go on to read the Political series of novels (sometimes called the Palliser novels, which I feel uncomfortable with, since it exaggerates the role of that family in most of the novels). The two "minor classics" are THE WAY WE LIVE NOW and HE KNEW HE WAS RIGHT. The former is a marvelous portrait of Victorian social life, and the latter is perhaps the finest study of human jealousy since Shakespeare's OTHELLO. BARSETSHIRE TOWERS is, therefore, coupled with THE WARDEN, a magnificent place, and perhaps the best place to enter Trollope's world.

There are many, many reasons to read Trollope. He probably is the great spokesperson for the Victorian Mind. Like most Victorians, he is a bit parochial, with no interest in Europe, and very little interest in the rest of the world. Despite THE AMERICAN SENATOR, he has few American's or colonials in his novels, and close to no foreigners of any type. He is politically liberal in a conservative way, and is focussed almost exclusively on the upper middle class and gentry. He writes a good deal about young men and women needing and hoping to marry, but with a far more complex approach than we find in Jane Austen. His characters are often compelling, with very human problems, subject to morally complex situations that we would not find unfamiliar. Trollope is especially good with female characters, and in his sympathy for and liking of very independent, strong females he is somewhat an exception of the Victorian stereotype.

Anyone wanting to read Trollope, and I heartily believe that anyone who loves Dickens, Austen, Eliot, Hardy, and Thackery will want to, could find no better place to start than with reading the first two books in the Barsetshire Chronicles, beginning first with the rather short THE WARDEN and then progressing to this very, very fun and enjoyable novel.

One of my favorite novels is "Anna Karenina"; this trilogy starts off as strongly. In the first volume, "Childhood," the immediacy of experience is palpable, the vividness of sensations is high, the emotionality is less diluted by philosophical wonderings. Tolstoy's writing is evocative, clear, and engaging in this book. His writing becomes increasingly abstract with each volume in the series. As his protagonist moves through adolescence, his uncertainties, moodiness, and fickle nature bogged down the narrative, I thought. Of course, this reflects the state of mind of the young man, but in comparison with the brightness of the first volume, made for some tedious reading. The books do, however, show how masterful Tolstoy was from the beginning of his career.

I thought that this was a lovely novel, a deeply reflective work in which Tolstoy concentrates on the life of the character Nikolai Irtenyev from his early childhood to his days as an aspiring student.

It's told in picaresque style, and reminded me a lot of Proust's "In Search of Lost Time" (had Proust been influenced by Tolstoy at all?). As an example:

"It was almost dark in the room, and very hot; there was a mingled smell of mint, eau-de-cologne, camomile and Hoffman's drops. The smell struck me so forcibly that, not only when I happen to smell it but even when I recall it, my imagination instantly carries me back to that darkly stifling room and reproduces every minute detail of that terrible moment."

The novel is full of such fine descriptive passages - the approach of a thunderstorm being the one that sticks in my mind.

But the main strength of this work is, I thought, that Tolstoy does a good job of describing the sweetnesses of childhood but does not cover up the agonies of growing up. This is no sugary, romantic account. Childhood and adolescence are portrayed as immensely trying times, both for Nikolai himself and for his family and friends. All the emotions, anger, misunderstandings and disorientation are detailed by Tolstoy.

Fine Stuff.

G Rodgers

When this book first hit the stores in Russia about 150 years ago, folks didn't think too much of it, seeing it merely as a minor work by one who had read Dickens. Tolstoy himself claimed that no one taught him more about the art of fiction than Dickens, and the literary circles of Russia were Dickens-fanatics, Russia recieving his works only after England.

But beyond being similiar to David Copperfield, this book has moments in it that match parts of Karenin and War and Peace in beauty and texture if not in scope. What's amazing about Tolstoy is that his earliest work (this and his early war sketches) seem as artistically mature as his later, epic masterpieces. The death-obsession and intense philosophical and spiritual doubts that plagued Tolstoy later in life did not all of a sudden erupt while writing Anna Karenin; but rather they were always there in one form or another... an echo of adolescent sadness.

English 385.150
5/23/02
Dr. Michelle H. Martin
Book Review
Doberman, Mary. You Read to Me, I'll Read to You. Illus. Michael Emberley. Boston:
Little, Brown and Company, 2001.
You Read to Me, I'll Read to You contains many different short stories that two people can read together. All containing positive lessons, each story has at least two characters who face a problem or experience an adventure. For example, in "The Dime," the pig finds a dime, but his friend the cat feels that the money belongs to him. Instead of the characters keeping the money and destroying their friendship, they decide to purchase a book and take turns reading the book to one another. Another story that has a positive lesson is "I Hate My Hat." The characters in the story are raccoons, and one raccoon continually says, "I hate my hat." The other raccoon says that "hate" is not a nice word to say and compliments his friend for wearing the hat so that no one needs to speak the word "hate" at all.
The book also possesses characteristics of a play because the text offers two speaking part. One reader reads the purple colored sentences, the other reads the pink colored sentences, and both readers read the blue sentences together. The color-coding also teaches the concept of following directions. Children of all ages need to know how to follow directions because they will encounter many areas in their lives that will require them to follow directions both at school and at home.

As the Mary Ann Hoberman explains in her introduction: "Here's a book/With something new-/You read to me!/I'll read to you!/We'll read each page/To one another-/You'll read one side,/I the other..." This clever and unique picture book includes 12 very short stories, written like a dialogue, and based on simple, lighthearted, friendly themes, that are perfect for emerging, and early readers. Each part is color coded for sharing and fun. I read the purple lines, you read the red, and we read the blue lines together, and then maybe switch. Ms Hoberman's joyous, rhyming text is full of rhythm, energy, and repetition and complemented by Michael Emberley's charming and humorous illustrations. You Read To Me, I'll Read To You is a delightful introduction to the joys and wonders of both reading, and reading together. As the author reminds your young reader at the end: "...But there are other/Books to read./Hundreds/Thousands/All we need./Any time/In any weather/We can sit/Right down together./In the shade/Or in the sun/Choose a book/That looks like fun./One that's old/Or one that's new./Make-believe/Or really true./I'll read one line/I'll read two./You read to me./I'll read to you."

My 4-year old, who has not yet begun to read, absolutely loves this book! We started reading 2 stories at bedtime and ended up finishing the book. The rhythm and rhyme of the stories really held his attention and the repetition helped him to participate even if he didn't know the words. Once he begins to read, this book will be a joy to do together. It has definately been added to our regular rotation.

Michael Patrick Hearn really has done a grand service to the American literary world. While the book Wizard of Oz in itself will be a classic of all time, Hearn's annotations breathes life into this book like nothing else I've ever read.

His exhaustive, extensive research illuminates this classic, and brings us into the life of L. Frank Baum in connection with his writing of this story. I also loved the reproductions of the the original color plates from the first printing, which Baum painstakingly wanted.

As a true devotee of the film, and a casual devotee of the book, I now considered myself converted and find joy equally in both, due to the reading of this new classic.

Take advantage of this low price while you can still get it!

I don't need to tell you about the Wizard of Oz - you already know the story.

What is amazing about this edition is that the original story is completely reprinted in it's original form. That means that all of the illustrations are included with the text arranged exactly as it should be, something that almost no edition has done correctly.

Believe it or not, it makes a difference. The text makes a bit more sense, as the illustrations are integral to the text. The illustrations actually flow INTO the text! It's hard to describe, really, but there is an interaction. This book was a collaborative effort between Baum and Denslow, who split the profits evenly.

Okay, so that's it for the actual story.

The forward gives a brief but very readable biography of Baum, and the annotations are also quite good. There are a number of color pictures of rare Oz Ephemera, and many good black and white pictures of film and stage productions as well.

The type is clearly set, making this book very easy to read.

The only faults with this book are that it's a bit heavy for casual reading, and the annotation sometimes severely impact the flow of the story. These faults are easily overlooked when the material is so good!

If you've ever read this story and thought that it was merely okay, you really should read a good version such as this, it will change your preception radically!

Enjoy!

I believe the Wizard of Oz is one of the greatest children's novels ever written. It has fantasy, horror, beauty and fun characters, but it also has some wise comments about life. (The scene where Dorothy unmasks the Wizard as a fraud and they chat about life back home and his life in Oz is one of the most touching conversations in children's literature. When the Wizard floats off and abandons Dorothy, we feel, as she must, the pain of disappointment.)

If you are reading to your children, this book is a top choice. Kids who are read to become better readers. And what can be more quality time that hearing the loving voice of a mom or dad or even elder sibling, reading an exciting tale?

The centennial edition has 70 pages of biographical information about Baum, info on the entire Oz series (it's quite a number of books), a section about W. W. Denslow's beloved illustrations and much more. This makes the book not only a great family gift but also a good present for a child to treasure for his or her entire life. I still have my copy of Wizard of Oz, complete with a torn page (the pretty picture of Glynda on her throne), a souvenir of my baby sister (oh well) and I would NEVER part from it. This is a gorgeous edition and should be a top choice for your shelf of good children's literature.

Jamaica and Canada are the backdrop of the thirteen short stories contained in author Bernadette Dyer's "Villa Fair." The characters in the book are of various ethnic backgrounds and classes.

Of the thirteen stories in the book there were two that stood out in my opinion. These two stories are entitled "Driving Through Red Lights" and "Roberta on the Beach."

"Driving Through Red Lights is about Kamla, the child of Hindu Indians who have immigrated to Canada. Kamla was born and raised in Canada therefore she know more of the western culture than she does of her Hindu heritage. This is something that causes her parents great stress. Tradition states that women should marry fairly young, so at twenty-three Kamla is considered an embarassment and disappointment to her family. Tradition also states that the marriage must be arranged.

One day Kamla's aunt Rashna comes to visit from Bombay, India and she announces that she has found someone to marry Kamla. Kamla's husband-to-be, a future doctor, is named Lachman Ramsingh. He will come to Canada in two months to claim his bride and take her back to India. She does not want any of this, she wants to marry for love and live in Canada. The many twists, turns, and emotions make this a very enjoyable and touching story. As a reader I felt drawn into the story.

"Roberta on the Beach" is the story of the Douglas family, a poor working class family from Montego Bay, Jamaica. They are a family of ten, with eight children: Slim, Caleb, Sheila, Georgina, Elaine, Lorraine, Maggie, and Roberta. Roberta is the oldest girl in the family. When she turns eighteen and graduates from high school Roberta is contemplating her future, when fate intervenes. Roberta's aunt Melanie, who is her mother's sister, has written a letter advising her sister that she would like to provide a college education for one of her children. Roberta's parents quickly decide to give Roberta the opportunity of a lifetime. Little do they know that this decision will alter the course of their family forever. "Roberta on the Beach" is a good lesson in family and the strength that families must have to survive.

"Villa Fair" was a good read. The stories were good but not great. "Driving Through Red Lights" and "Roberta on the Beach" were excellent and if these two stories were complete books I would definitely read them. On the RAW scale this book is a 3.5.

Reviewed by Simone A. Hawks

Villa Fair is a wonderful collection of stories that have common universal themes integrated in a multicultural context. The themes of love, identity, tradition versus modern beliefs are woven well in stories such as Ackee Night in Canada, Segovia's Stories and Driving Through Red Lights. These three stories had characters of mixed heritage. Thus it was quite interesting to read how these themes were developed from a different cultural perspective. These stories were even more interesting because the endings were unpredictable, yet believable. Ms. Dyer writes very well. Her poetic and lyrical style engrossed me in her stories. I enjoyed the stories immensely and look forward to reading more from her.

From the Library in Toronto where she works to the neighborhood in which she lives, Bernadette Dyer sees much go by representing Toronto's multicultural panoply. This clearly inspires many of the takes in "Villa Fair," her collection of short stories. Other tales in the book are the germinated seeds of her own multiracial, multiethnic Jamaican and Portuguese Jewish ancestry. The people in her stories mirror her own ancestors --emigrés from somewhere else, establishing roots in new lands, living through generational conflict fueled by the meeting of old with new, yet influencing the host country and/or culture which is richer for it, and will never be the same. For example, there's Kamla, the twenty-three-year-old Indian-Canadian narrator of "Driving Through Red Lights," in love with a young Canadian man, while promised to an arranged marriage with someone from India. A surprise ending has Kamla's parents and aunt facing cultural change on two continents. In "Segovia Nights," Carlos Fernandez captivates his listeners with legends, reinvented stories about a mythical family and past. The tall tales are indicative, however, of a far deeper problem. One senses that the author and librarian in the story are one. Jomo, from "An African Out in the Cold," is lost, then found again while visiting Toronto, as, unknown to him, his host has suffered a heart attack. His isolation and cultural shock are palpable. Then there are tales coming from the richness of the author's Jamaican memories. The story "Man Man" dances back and forth from spirit world to "reality," as the ghost of a drowned seven-year-old boy moves comfortably among the local people of a plantation, until a new anglo mistress comes to stay. Another from the Jamaican collection, "Ackee Night," show how a much aggrieved woman, whose man has threatened idly to leave for years, calls on a Jamaican culinary secret to keep him permanently from other women -- and herself. The ending takes the reader by surprise. The title story, "Villa Fair," also catches one off guard, yet this reader felt puzzled by its sharp, unredeeming ending. Is Thunder, the chief male character, destroyed as a punishment for straying from his promise? Does the exotic, the magical always win out over the more conventional path? "Leaving Faro," the final tale, is a paean to Dyer's Portuguese Jewish ancestors, who fled to Jamaica to escape persecution. The mythical and the magical touch many of the stories. "Close the Blue Door" tells of mermen who lure their chosen loves to disaster, while in "Six Little Sparrows," the same number of Pakistani children and their mother shape shift into the title. The author's Jamaica and Canada are pulsing, vibrant settings where her characters don't want racial barriers to exist. Her families are strong and loving, evidencing the blurred lines of racial identity. Several of the stories, such as "Man Man" and "Roberta on the Beach," satisfy in their present form, yet would benefit also as longer fictional works, with some of the characters developed further. "An African Out in the Cold" seems a fragment, and one wishes for more. "Villa Fair" is an entertaining collection of well-told tales. We await future works with interest.

(originally reviewed in Halapid, Vol. VIII Issue 2, Spring 2001)