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This is an amazing story about love and the long road that that two predestined lovers take. While you might find yourself screaming and pulling your hair out in frustration during some parts (as I was), this book will leave you begging for more!
Sharon Shinn creates a beliavable world with beliavable people and customs. I especially loved the angels and their way of life. The characters are interesting and well developed. If you like a love story than you must read this book!
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She begins as a girl on a hunt for fey-like creatures: aliora, who are utterly benign even when captured and forced to serve humans. Although the tragedy of their slavery is addressed, it is the men with whom she rides that _Summers at Castle Auburn_ is truly about. She adores Prince Bryan, although he is betrothed to her beloved half-sister, but comes to realize ugly truths about him later on. But her relationships with Kent, the son of the regent, and Roderick, a guardsman, only grow with time.
The story moves fairly predictably toward a satisfactory but uninspiring happy ending. At heart, this book is a court romance, and those who need something more, like the mystery in _Wrapt in Crystal_ or the world-shaking tensions of the Samaria trilogy probably shouldn't seek this one out. It is, however, more complex than _The Shape-changer's Wife_.
Shinn captures the voice of Coriel both as a girl and a woman with her usual deft writing, which is this book's strongest recommendation. I did enjoy reading the rich prose, but those expecting the depth of her other books may be somewhat disappointed. Pick it up in a serene mood, and you'll end in the same.
Coriel is the ... daughter of a nobleman and a wise woman (who seduced him with magic) who spends nine months out of every year with her healer grandmother, learning how to be a wise woman as well. But every summer she travels to beautiful Castle Auburn, to be with her uncle Jaxom and lovely half-sister Elisandra. She rapidly falls in crush with the handsome Prince Bryan, unable to yet see what a self-absorbed bratling he is.
A few years pass, and as Cory ages and matures, she sees that all is not sweet and peaceful at Castle Auburn. The elven aliora (who are sweet, gentle, kind, etc) are enslaved by the noblemen as servants, tied to the human world rather than their unspeakably beautiful otherworld. And Bryan is not the wonderful prince she was infatuated with — he is cruel, irresponsible, narcissistic, arrogant, and sires at least one illegitimate baby over the course of the book.
Surrounding Bryan are more mature noblemen who don't want to be ruled by a brat prince, but are not ready to do anything. Jaxom takes sudden and unexpected actions. Elisandra must choose between happiness and duty, and Cory must consult her heart and morals after Bryan takes horrifying action against an aliora servant. Love, death, treachery and political intrigue lace the beautiful prose and entrancing background of "Castle Auburn."
I liked Coriel. Rarely do books have genuinely human heroines, and her overwrought teen thoughts (such as her melodramatic statement when Bryan kisses her forehead) are in tune with infatuation. However, I felt her awakening to the aliora's plight was a bit too quick, and her siding with them a bit too complete (her willingness to see Jaxom as a monster, etc). I wish Jaxom had been a bit more explored, given the mysterious actions going on. Elisandra's rigid road of duty -- and the results -- were pretty emotionally jerky but made sense later on.
Though billed as an adult fantasy, this is perfectly all right to let a teen read. There is some tasteful discussion of sex (in terms of illegitimate offspring and a wedding), not much violence, and no profanity worse than "damn." There is some talk of suicide/murder and moral debates on enslavement, however.
Nevertheless, flaws or not, this book has a magical atmosphere that is worthy of an aliora.
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In a nutshell, "Angelica" tells the story of how Archangel Gaaron and the Edori Susannah fall in love. There are two subplots as well --the mysterious black-clad strangers that are destroying cities, and Gaaron's struggles to deal with his young, headstrong sister (and his guilt over not being able to protect her from domestic abuse when she was younger) -- but the story's main focus is on the developing relationship between Gaaron and Susannah.
The strength of the story lies in Shinn's characterization, and in the way she develops the world of Samaria and its diverse peoples (the Edori, the Jansai, the Manadavvi, etc). You'll find yourself liking the characters, and reading on to see how they resolve their conflicts.
How highly do I recommend it? Well, if you've read and enjoyed other Shinn novels, it's a safe bet you'll like this one too. Still, if this is your first experience with Shinn, I would suggest you first read "Archangel" (in my opinion, the best of the Samaria novels) or "Summers at Castle Auburn" and then decide if you're up for this one.
Although Gaaron does not have the looks that Gabriel (from Archangel) has, you still liked him for his great love and devotion to his duty, people, and his Angelica. It was also hard not to love Susannah, especially when Rachel was stubborn and Susannah was loving. Also Miriam and Jossis were one a kind and I always looked forward to hearing about their adventures.
Furthermore, I would recommend to anyone to read the first three Samaria books, just so they could read Angelica. If you have already read the first three (Archangel, Jovah's Angel, and The Alleluia Files), then I have no idea what you are waiting for. This book is too good to wait for paperback! I just can't wait until I can read it again! I hope to see another Samaria book after this one :)
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Sharon Shinn has restored my faith that fantasy can do more than regurgitate the same old story over and over.
"The Shape-Changer's Wife" is simple, personal and to the point. The protagonist, Aubrey is really struggling with himself, not the antagonist. Aubrey's real victory and true character is revealed after the antagonist is gone.
Sharon Shinn's prose at times is wonderful and seductive.
There are times when Aubrey is a little on the slow side, but it's not too anoying. And there were times when he seemed to forget thahe was in a world where magic existed and he himself could do miraculous things. But these things are easy to over look in a story as great as this one.
I would definetly recommend this to all Fantasy readers. Sharon Shinn is a master at storytelling.
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The characters were interesting, and the racial prejudice of the indigo and gulden peoples well realized. I felt like I was reading a spy thriller or novel of intrigue, though, more than I was reading a Shinn novel. The love story seems very forced and almost tacked on. The ending of the novel just fizzles out. And it seems that Nolan and Kit, while destroying their reputations within indigo society to help the guldens, gain little personally. They help the races co-exist, preventing genocide along the way, but fail to be accepted by either society. Ultimately, what 'saves' them is the fact that Kit is highly ranked within the indigo society that she despises, and that despises her. There are no easy answers.
And just *why* Nolan falls in love with Kit isn't clear - it seems a case of pure infatuation. And why would someone as intelligent as Kit fall for the machinations of a controlling personality like Jex? He was cruel, and bigoted, and Kit followed him blindly. Why? I didn't buy it throughout the novel. I wanted to just shake her for being such an idiot!
Like eagalewski and 'a reader from Cleveland' I found this book to not be Sharon Shinn's best by any means. If it was written by another author I'd probably give it four stars, but since I know what Shinn is capable of, only three. It, sadly, does not live up to her potential. Go read 'The Samaria Trilogy' to see a better treatment of a similar theme.
But for me, it's the characters that make a story worth reading, and Shinn never disappoints. Kit, with her aristocratic indigo heritage and gulden upbringing, is a rebellious, rather tragic figure, but it is Nolan that really captures the story. A quiet researcher who'd been resigned to his future as a non-essential spouse, he attains true heroism through his compassion and commitment to doing the right thing, no matter what the cost to himself. Shinn makes all of the relationships convincing, and her secondary characters are vivid and contribute greatly to the story. A great read for anyone who likes their science fiction about people and society rather than hardware. (And romance readers might enjoy it also.)
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I liked the setting, but I do wish some things had been explained in a bit more detail, like the Moonchildren. I especially liked the use of words from "our" languages, altered to reflect the passage of time. It's a detail many "colony of earth" sci-fi writers ignore or bungle.
I can't say the mystery enthralled me, I figured the second biggest mystery about half-way through the book. The "whodunnit" part was weak, but this book is worth reading purely for the philosophy of the Triumphantes.
It's a believable world, and the characters are well-drawn. I don't regret buying it.
Our hero is Drake, a pretty standard stereotypical "private dick" character who is the perfect leading man for a romance novel or action story. He's sort of a gentleman space marine with a keen mind and unearthly competence - the kind of guy that doesn't really exist, but that women dream of. Fortunately the women in the book and the plot are interesting enough that rather than be distracted by the uber-detective you will be constantly wondering which of the ladies he's going to end up with, and whodunnit. The book is fun and suprisingly intelligent while seeming very down-to-earth and accessible.
If like her angel stories, you'll like this book, too.
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Part of it was simply the lack of freshness. "Jenna Starborn" followed "Jane Eyre" a little bit too closely. The names of the characters and places were often identical (do the names Harriet, Beatrice, Bianca, and Ms. Ingersoll sound familiar?). Shinn even mimicked Bronte's style with phrases like 'Dear Reeder' (as opposed to 'Dear Reader'). If Shinn introduced plot twists or altered aspects of the character's personality this wouldn't have been a problem--but she didn't. Nor did Shinn offer a really compelling 'backdrop' to the story. Part of what made Shinn's "Angel" series (Archangel, Jovah's Angel, and Alleluia Files)so successful was her skillful rendering of Samaria. Unfortunately, the sci-fi scenario in "Jenna Starborn" was not at all original. The intergalactic space-travel world and colonization system is stale (particularly because Shinn doesn't spend enough time on world development), and Shinn's themes of democracy and social justice(in the form of the PanEquist religion and the hierarchical citizenship ladder) were delivered very poorly and inconsistently.
Still, I admit I am biased by high expectations and prior knowledge of Bronte's 'Jane Eyre.' While "Jenna Starborn" is not Shinn's best work (about as good as "Heart of Gold"), it's still a decent read. Amelette as Mr. Ravenbeck's sweet but lonely child ward is well-characterized, and Jenna comes across as highly intelligent and principled, if socially awkward.
If you haven't read Bronte's novel before, you might enjoy "Jenna Starborn" more than I did. Or if all you're looking for is a moderately well-written but fluffy sci-fi romance, you won't be disappointed.
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