Anne Sexton (1928-1974) showed the best of herself in letters. To quote Donald Hall she was a 'soul-flasher.' She was passionately engaged in living and tormented into dying. Her flight through life was one of breathtaking bravery in the face of crippling odds. The letters date from 1944 when she was sixteen, through 1974 a few days before her death. Full credit should go to the editors, Linda Gray Sexton, daughter of Ann, and Lois Ames, Ann's closest friend. The commentary is sensitive, knowledgeable and readable. The necessary biographical linkage is there.
There have always been unfortunate attempts to link Ann Sexton and Sylvia Plath. Their similarities are their age, their sex, their birthplace in the Northeastern United States, and their self-inflicted deaths. And there the similarity ends. Ann was a fragile child who emerged a tormented woman. She was creatively brilliant in a very natural sense; yet she worked feverishly all her life to improve every word she wrote. She once said, "I am tearing at the stars." Ann enjoyed a large circle of devoted friends and repaid their devotion in kind. She was supportive and free with advice to younger struggling poets when she could barely survive her own despair. Ann was a naturally beautiful woman who seemed completely unaware or disinterested in her own breathtaking countenance.
I am astounded at how helpless she became at the end of her life. I truly do not comprehend how her friends and family could bear her onslaughts of misery and self-paralysis. They must have loved her very much. These letters are appealing and a pleasure to read. She was a wordsmith as well as an incredible poet. Following is a stanza from "All My Pretty Ones"
Never loving ourselves,
hating even our shoes and our hats,
we love each other, precious, precious.
Our hands are light blue and gentle.
Our eyes are full of terrible confessions.
But when we marry, the children leave in disgust.
There is too much food, and no one left over
to eat up all the weird abundance.
To grow up in a household where genius resides is a terrible burden. I find it amazing that Sexton's daughters, especially Linda, survived at all. It is a book painted with a palette of despair, but never mean-spirited. It was, after all, a story begging to be told:"...I would bring her back to life, but to do so would require that I give up my life to her; to do so would require an act of cannibalism on her part, to reverse this process that every other mother and daughter engage in- the mother-daughter dance, birth and death..."
Linda Gray Sexton saves the most painful revelation until last, and it becomes the defining action I will most associate with Anne Sexton. This poet, this mother, unable to attain her own epiphany, extends the cycle of emotional violence into another generation, and the betrayed becomes the betrayer. Linda Gray Sexton did what she could, finally said "no more". This is by no means an indictment of the daughter. Rather, I applaud her choice for life and freedom, for her own future, for her own children.
While enjoying the detailed account of humanity, I also learned the story of Anne Sexton, a brilliant artist and complex person who suffered a lot, and caused much suffering-- as well as joy.
This book also demonstrates how writing poetry or even non-fiction as therapy can truly become art if the writer is real, fearless and generous with detail. I appreciated the educational value of the information about the emotional impact of mental illness on an individual and a family.
Anyone who writes, ever feels blue, or appreciates learning about the mind of the artist should read this book. I also recommend reading "Touched with Fire", Kay Redfield Jamison's study of Manic-Depressive Illness and the Artistic Temperament, as well as "An "Unquiet Mind", her autobiography. Also, reading more of Sexton's poetry (many poems are excerpted in Linda Gray Sexton's book) completes the picture.
[Linda, Anne would be pleased to know how well you have learned to see.~JAD]