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But this biography suffers from the same fate as other studies of Dickinson, namely the poet's own secretive nature. There is a distressing lack of sources available about Emily's life and so scholars are forced to over-emphasize the few that do exist. This applies most notably to the writings of Mabel Todd, mistress of Emily's brother Austin and the source of much of what we 'know' about Emily. Whether you view Todd as a well-meaning interloper or a selfish adulterer, her impact upon Dickinson scholarship has been enormous. Sewall acknowledges his reliance upon her writings, and even their undoubted lack of objectivity. But then he proceeds to accept everything she wrote, enthusiastically passing Todd's opinions to the reader under the guise of his own genuine scholarship.
But let the reader beware of such phrases as 'may imply', 'may have been', 'seems almost unavoidable', 'would seem to be', and so on. These abound, particularly in Sewall's discussion of Emily and Austin's wife Susan. He relies almost exclusively upon Todd's writings, which are understandably biased against her lover's wife.
Sewall provides an admirable portrait of Emily's ancestors and of her early years. There is also insightful analyses of many poems, a discussion of the books she loved, and the mystery of 'The Master Letters'. It is only when coming to her adult life, with Emily's dramatic retirement from the outside world, that Sewall is forced into speculation. He writes, "The whole truth about Emily Dickinson will elude us always; she seems almost willfully to have seen to that." And he is correct. The one blot upon his otherwise fine work is that he couldn't accept this simple fact.
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