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This book is for all lovers of film and should spark renewed interest in Pickford's life and films.
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The old favorites are all here; Fireflies in the Garden, The Road Not Taken, Fire and Ice, Stopping by Woods on a Snowy Evening, and a hundred more. In my opinion this is the definitive volume on Frost.
I have always been awed by the number of poems Frost wrote about the stars. A Star on a Stoneboat, The Star Spitter, Stars, Canis Major and many others. Truly Robert Frost is the astronomers poet.
Also in this volume is perhaps my favorite Frost poem, Brown's Descent.
If you love reading Frost on a crispy fall evening, then you'll love reading him when the crickets chirp. You'll need to own this book.
All of Frost's poems are here, plus his two dramatic Masques. When this book first appeared (in 1969) it caused a furor: the editor, it was angrily asserted, presumed too much. He dared to clarify - inserting a hyphen here, excising a comma there. That furor has since died down, as people realize that he did not do away with the sacred texts (any emendation was noted), but simply performed his job as editor. He regularized spelling and the use of single and double quotes (though not Capitalization, which can legitimately be thought of as integral to the poet's expression (think of e.e. cummings!)), and corrected other obvious errors. The notes give the published variants for each poem, so if you wish you may make your own call on some of these finicky issues.
I cannot emphasize enough: BUY THE HARDCOVER! After all, you will be reading this book for the rest of your life. It is a beautifully-built volume, of an easy size and heft for use, with understated appealing typefaces and an exemplary design. Put out by Frost's long-time publisher, this is one of the few essential books of American literature.
Robert Frost
I have to admit it! When I first met Robert Frost's poetry in Freshman English class I took an immortal wound-that I will never get over it. Perhaps the then recent memory of the white haired poet who inaugurated Camelot that cold, January day conditioned me to receive the wound. Maybe Fr. Sheridan's teaching opened these poems for me. Most of all, I think that it is the words themselves which have made the poetry of Robert Frost such an important part of my life for almost 35 years.
This complete collection complemented the high school text book to which I had so often referred over the years. Here is the source of lines which I have often quoted. Many family vacations have begun with: "I have promises to keep, and miles to go before I sleep" (Stopping by Woods on a Snowy Evening).
When my son tries to silence his sister's singing he is reminded that "Of course there must be something wrong In wanting to silence any song" (A Minor Bird).
Here we find philosophical reflections. "Good walls make good neighbors" counters "Something there is that doesn't like a wall" (Mending Wall).
Here "The Death of a Hired Man" challenges us to reflect upon how we value and treat others while "Christmas Trees" reminds us that not all things have prices. Here we are invited to follow the road of the poet who wrote "I took the one less traveled by, And that has made all the difference" (The Road Not Taken).
I have writen just a sampling of the treasures to be found in this collection, but I have written enough. It is now time to indulge again with words I have never forgotten. "I shan't be gone long-You come too." (The Pasture).
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This book is so beautiful physically as well. It would make an impressive and yet inexpensive gift, but once you hold it in your hands, you won't be able to give it away!
I only wish Professor Roberts was still teaching in New Orleans. I would take every class he ever taught.
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If you are looking to motivate your team at sport or at the office you should read this book.
You'll come to understand that the New York Yankees are great, because they demand greatness of themselves decade after decade. (Some trivia, Yankees' Phil Rizzuto's brother was my shoemaker. He was as competent a shoemaker as his brother was a baseball star.)
Again in the stories, you'll see stars focus their talents by stepping up to the bar of challenges they must overcome to achieve their dreams. They practice to create the future they desire and share their dream within a support system. Their potency comes from harmony within, passion within and without,and achievement of the flow state, individually and as a team. And, they perform beyond their endurance, creatively, continually besting themselves.
Bottom line, success is an organized and consistent effort. The great teams constantly ask themselves, "If we can do this today, what can we do tomorrow?"
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There is much excellent cultural and political commentary (in illustration form) collected in this one book by an outstanding illustrator of the 20th century.
Great for Christmas giving, the book is beautifully printed and guaranteed to bring miles of smiles to the reader.
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Molto bene.
Grazie tanto Gail, Kevin, Simon and Robert!
This book may just be the best combination touring/cooking/picture-taking guide to Italy that you will find. And hats off to the book designer who made it into a wonderful travel scrapbook. The design alone is the definitive guide to producing your own travel journal/diary/photo album. You will want to make a book like this for your own journey(s).
For [the price], this is as close as you can get to being in Italy. In fact, if you play some of the Cieli di Toscana CD by Andrea Bocelli, drink a nice dry Italian red wine, and eat a little Bruschetti as you browse the pages of this coffee table book, you may be magically transported.
Salute!
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years and am often looking for suitable books to give my
players to help them work on their own to further develop
their skills. This is the best book I have seen for a junior
high or high school player. I covers every aspect of the game,
not just skills, but also physical training.
Brownlow's balanced opinions contrast rather with those of Robert Cushman, who provides a long introduction to the book. In his justified desire to raise Mary Pickford to the position she deserves in film history, Cushman, at times, goes rather over-the-top in his admiration. But this is a minor criticism for the introduction is, on the whole, thought provoking and informative.
It is to be hoped that more of Pickford's films might soon be available for viewers to see at home. This book makes the reader long to see the films which are described, so that the magnificent still photographs might move. In this way Mary Pickford could be really rediscovered.