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It is great: the reader will imidiatively see that he is a centaur himself. How? The society demands us to be padronized, identical with each other, but we just can't and shouldn't! We are different, no matter how we try being as our neighbor, in other words, each of us are centaurs in same way. We must have our diferencies (unfortunetlty, some people want to be the same as the "majority", the so called "normal people"). That's the meaning of the book.
(You americans should try reading books from authors of my country. Then you'll find out how rich and great our literature is.)
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The stories in this book contain elements of the absurd and the fantastic. The title story involves a Russian Jewish immigrant community in Brazil--a community which may have found its messiah. "The Scalp" is a creepy tale of vanity and violence. And "The Offerings of the Dalila Store" is an odd exploration of lust and commerce.
The real masterpiece in this collection is the novelette entitled "The Short-Story Writers." This is a brilliant "metafiction" about a short story writer who is writing a short story entitled "The Short-Story Writers." The narrator documents the quirks and struggles of his fellow short story writers. This is a delightful piece, full of jokes and weirdness. Like the film "Being John Malkovich," this long story takes a playfully surreal approach to exploring the role of the artist in society.
This collection has been reprinted in its entirety in "The Collected Stories of Moacyr Scliar," together with more than 100 other pieces. Scliar is one of the most magical voices in Latin American literature, and his stories deserve a wide audience.
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Scliar is a versatile author - Jewish and Brazilean - with a breadth of knowledge of history, medicine, psychology, anthropology and Hebrew scripture that both root his stories in the concrete and give them a universal understanding. He is comfortable in allegory, fantasy, magical realism.
All the traits of his better known novels - The Strange Nation of Rafael Mendes and Centaur in the Garden - are here in minature.
Given my interests, I particularly enjoyed the retelling of the ten plagues of Egypt from the perspective not of the Hebrews but of the Egyptians. However, were I to list all my favorites and explain why I'd exceed the Amazon word limit!
If you aren't up to this thick volume, read Centaur in the Garden ... then you'll want 400 pages more of his masterful writing.
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Jorge Amado`s reading is a kind of happiness.
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Max's life story is structured around his encounters with three big felines: a stuffed tiger in his father's shop, a jaguar, and an onca (a Brazilian wildcat). I don't want to reveal too much about the novel's quirky plot. I will just say that Max gets into many remarkable situations: comic, frightening, erotic, and/or absurd.
Much of the story takes place under the specter of World War II and the Nazis, and other elements of the novel tap into the myth of the Americas as a new world of opportunity. Scliar also refers more than once to the work of Jose de Alencar, the 19th century Brazilian writer who created a romantic, idealized portrait of the relationship between Native Americans and Europeans. Scliar seems to be ironically commenting on the work of this literary predecessor.
"Max and the Cats" is a weird, wonderful triumph for Moacyr Scliar. Combining elements of mystery, realism, and the fantastic, this novel is an excellent example of Scliar's uniquely delightful voice.
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Scliar narrates both the events of Raquel's life, as well as the inner world of her troubled dreams and fantasies. Many of Raquel's inner and outer struggles involve coming to terms with her Jewish identity. Early in the book, she deals with the complexity of dealing with being a Jewish student at a Catholic school. As she matures into a young woman, we accompany her on her quest for love, friendship, and sexual fulfillment. "The Gods of Raquel" is not Scliar's best work, but it is still a fascinating and valuable glimpse into Brazilian Jewish life.
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The novel's hero thus enters the world marked as an outsider. As his life unfolds, we see his quest to educate himself, to embrace his Jewish identity, to experience sex, to find love, and ultimately to determine his place in the world. Along the way are many stunning surprises--for both Guedali and the reader.
"Centaur" seems to me to exemplify the concept of "magical realism." The book deftly blends elements of fantasy, science fiction, and social satire. Scliar explores many types of relationship: between European and Native American, Jew and Gentile, man and woman, parent and child. This is a deeply moving, truly brilliant novel by one of the most extraordinary voices in Latin American literature.