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The book begins with the traditional story of the miller's claim that his daughter can spin straw into gold, her weeping which brings the little man who does just that, and the little man carrying off her first-born son as payment. In this version, however, he does this before the queen, so overcome with grief that she cannot speak, can make her final guess concerning his name.
The narrative then moves ahead twelve years to Tousle and Innes and the riddle given to them by the king and his council of Great Lords. The boys decide to visit the queen, whom the king keeps sequestered in a convent. They soon find, however, that there are a number of people concerned with their safety - or the lack there of, as the case may be - and must find ways of avoiding all kinds of dangers, mostly soldiers with large, scary weapons but also those who easily succumb to the temptation of money in return for information on the whereabouts of two young boys.
As Tousle and Innes near the convent, rumors of a young prince who was carried off as a baby by a little man reach them. The reader, who has perhaps begun to wonder how this story-thread ties into the original tale of Rumpelstiltskin, begins to surmise that one of the boys is possibly the prince himself. After all, both are orphans; Tousle was raised by a little man named Da; it is unclear how or why Innes has been blinded by what appears to be a sword slash to his eyes; and at least one of the people with whom they seek refuge on their way to the queen mutters about strange likenesses to the king, although it is not obvious who is being described.
Needless to say, as this is a fairytale, all turns out well in the end, although this specific version of the familiar tale keeps the reader guessing until the very last page.
Retellings of fairytales are always intriguing because of what they reveal about a culture and its values but they are perhaps most interesting in this day and age of feminist critiques of gender roles in the original stories. This particular retelling does not, perhaps, make the strongest break from traditional gender roles as is possible. It might appear that the real reasons Tousle and Innes are on this "quest" is to rescue other female characters - Tousle: the queen from the grief which is clearly evident in her features when he catches a glimpse of her at the beginning of the story; and Innes: the two girls who have been so kind to him and are a part of the "rebels" who face death if the boys do not return with the answer to the king's riddle. The queen is, however, despite being controlled by the men in her life, a fairly strong character and when given an opportunity to significantly change her life, does not hesitate to take it despite the risks involved.
Minor points of contention with the book are: one, pronunciation of either of the main character's names is uncertain, a rather annoying feature were one to read this story aloud, and two, it is a bit confusing why, if the only life that Tousle remembers is that which he has had with Da, he knows to refer to himself in the first person, since the only voice Da ever uses is the third.
More information about the kingdom in which the story is set might also have been nice. One infers that the king is controlled by the members of his council, the Great Lords, but why? Why is the miller's house - the father of the queen - so ramshackle? What exactly has transpired between the queen and the king? One might argue that not having this information adds mystery to the story but there are times when not being in possession of such details may keep the reader from fully understanding the dynamics of the story and relationships between characters.
That being said, reading this book is an incredibly enjoyable process. The story is suspenseful and unpredictable, pulling one in so that, for all intents and purposes, one is within the story with Tousle and Innes. In fact, one may so enjoy spending time with these characters that one will find it necessary to delay reading the final chapter in order to prolong one's time within this story world.
This book should appeal to almost any age, although it addresses issues that are perhaps most relevant to the age for which it is intended: junior high. It explores relationships between human beings, both good and bad. It addresses the idea of "bad" occurrences later revealed to be the best and most necessary ones at the time. And perhaps most applicable of all, it speaks of feelings of not belonging anywhere in particular, of the envy of not knowing one's own gift (or gifts) when others know theirs, and the aloneness and insecurity which nearly everyone has known, or will know, at one time in their lives or another.
In all, this is a very good book, well-written and captivating, addressing a number of important issues pertinent to the age-group for which it is intended.
It's set in a fantasy-Europe milieu with somewhat-complex politics and competing power factions---the king isn't a bad guy, just weak when faced of the leader of the twelve Great Lords, who detests the beautiful peasant woman whom the king has married and elevated to royalty. The plot is filled with twists and relevations, a driving sense of urgency, a good deal of humor, and some eerily-casual magical encounters. The story is engagingly told in the first person by Tousle, a young boy who's been raised by the small, gnomish gentlemen he's always called Da---but don't assume that you know how this story is going to turn out. Even the happiest ending can have a bittersweet edge.
There've been several Rumpelstiltskin-based books in the last few years---Jo Napoli's Spinners is very good, very sad, and Vivian Vande Velde's short story collection, The Rumpelstiltskin Problem, is revisionist retelling at its funniest and finest. Straw in Gold more than holds its own among them. Great fun reading for 8-to-12 year olds, and for adults who still love fairy tales.
*It starts out retelling the story of the miller's daughter, except this time Rumpelstiltskin takes the child. Then the story zooms to about eleven years later to start the story of Tousle, who lives with his Da in cottage in the woods.
*In the beginning, Tousle is traveling to see the King's procession, but later finds that it's purpose is to hang those who rebelled against Lord Beryn(the bad guy). Tousle selflessly gives himself up to plea for the rebels lives. The King then takes Tousle aside and gives him the riddle that will save both the rebels lives and his own, 'What fills a hand fuller than a skein of gold?' Thus the adventure begins.
*Along with Innes, a blind Rebel, Tousle has seven days to find the answer to the riddle. But when they answer one, they'll answer another...
*This is a very marvelous book. It puts the reader on the edge of their seat and is funny enough to lighten it's dark demeanor. With it's twist at the end, the reader will learn more than the answer to the King's riddle.
* means beginnig of a paragraph.
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My first inclination is to give it one star, because so many others with much less fame write much better prose. But I have to leave room for even worse books, of which there are many...
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This book was different. The story is extremely well written and maintains the rich flavor of the original story of Christian's journey of faith and his arrival in the Enchanted City. I read this version aloud to my four children, and they loved it. It is a chapter book, even though it looks like a simple "storybook." We took about a week with it at an approximately 20 minute per day rate. There are some alterations from the original, but nothing that changes the tone of the story.
The illustrations are exquisite, and I love how there are small paintings scattered throughout the text and not just large, page filling pictures. We checked it out from the library to read, and I enjoyed it so much I am planning to purchase a copy for our home collection.