It is a very detailed, helpful and inspiring vegetable gardening book. I go through the book almost every week. Nice pictures and writing style. I hope Mr. Ed Smith will write more books on vegetable gardening!

As a novice gardener I am constantly on the look-out for advice and information about vegetable gardening. This title kept popping up in all the seed catalogues as THE book to have -- so naturally I had to get it. I haven't been able to put it down! It's informative, calling attention to things you should do (companion planting, etc.) that make so much sense but that you may not have realized before reading this book. I have a feeling my garden will have a tremendous boost just because of what I've learned from the book! It's not a book you'd stick on the shelf and forget about. . . It's a hands-on roll-up-your-sleeves dig-in-the-dirt and have-right-beside-you-at-all-times book. . . a definite can't-live-without garden companion who will keep you from making silly veggie gardening mistakes and assist you with making great veggie gardening decisions.

I started my own garden using the wide, deep, rised
bed technique described in this book and the yields were
really quite stunning. I used planks to rise my beds by
a feet.

Explains every step from designing/planning via building
and planting and taking care of your garden to harvesting
and readying for the winter.

Fabulous gardening book for the beginner and advanced
gardener. Full of wonderful tips and info about everything
vegetable garden.

If you are wondering where the foundation of John Piper's God-centered theology may be found, this book is a good starting point. In it, Piper reintroduces a theological masterpiece that is almost three hundred years old - "The End for which God Created the World" by the New England Puritan pastor, Jonathan Edwards. Piper's own book-length introduction describes the impact Jonathan Edwards has had on his own life, suggests the relevance that this book will have to our own culture, and provides a brief, but helpful sketch of Jonathan Edwards' life. The work by Edwards is then carefully broken down into numbered paragraphs and is accompanied by Piper's helpful footnotes. Edwards' thesis is simple - God's ultimate aim in everything He does is to uphold and display the glory of His name for the joy of His people. This thesis is worked out with iron-clad logic (be prepared to think!) and meditation on dozens of Biblical passages. If yours is the prayer of Moses - "show me Thy glory" - then this is the book for you.

In this book John Piper reprints Edwards' classic, The End for Which God Created the World. The first four chapters include the insightful commentary about Edwards' work along with Piper's own reasoning for reprinting the work in the climate of today's theologically shallow church. Edwards' work is difficult reading, but his reason and biblical arguments are irrefutable as he explains that God's glory is the ultimate purpose and chief end of everything that exists.

This tremendous book is divided into 2 sections the first is somewhat of an introduction by Piper to the second part which is "The End For Which THe World Was Created" by Jonathan Edwards. While Piper is always a "deep read" he is likewise an accurate shot. His insights and command of the simplicity of the sovereignty of God are a blessing tothe church today.

Jonathan Edwards, primarliy known for his sermon, "Sinners in the Hand of An Angry God" goes beyond his sermon and eloquently states that we are here to fulfill a purpose... to glorify God and yet that one singluar purpose is the essence of our own joy and peace. What a place of rest this is.

Regardless of all the wonderful things Piper has written and, I love them all... this may well turn out to be one of Piper's greatest acomplishments: the reintorduction of Jonathan Edwards to the church.

Having recently come across severe personal problems at home and at work, I looked high and low for something that might ease my burden somewhat, not really knowing what though. So I prayed a bit asking for something to help me through, and seemingly on impulse I stopped at the local ... and picked this book up. I began reading it immediately, and wasn't able to put it down until it was finished, myself nearly in tears.

The book reads so fluidly that it simply astounds me. The imagery and story of Christian's journey to the Celestial City was breathtaking. But what really nailed me was how unbelievably close to my life Christian's journey follows. I was staggered as I read along, thinking every other page, "I've been there!", or when he meets certain characters like Money-Love and Worldly-Wise saying, "I work with him", or "That's my friend from Chicago!".

I cannot comprehend how Bunyan managed to do this feat, or maybe it's just all of our lives mirror Christian's own as he journeys to God's city. This book helped me in such ways that I can't begin to list them all, it simply pointed me in the right direction, while at the same time letting me see I had the tools and the faith to deal with it from the very beginning. So now as I escape from Castle-Doubt and the Giant Despair, thanks God for giving me that Key of Promise. It's working out wonderfully!

I have not only recently read, but also studied, Part I of L. Edward Hazelbaker's unabridged revision of John Bunyan's Pilgrim's Progress. Last summer I taught Pilgrim's Progress in my elementary Sunday School class and I wish I would have known of this book then. I have also done a college level research paper on Pilgrim's Progress. Not only does Hazelbaker make Pilgrim's Progress reader-friendly, he includes Bunyan's annotations in the text, as well as many annotations of his own. The annotations help the reader to experience more than a pilgrimage with Christian to Celestial City, but an in-depth Bible study as well. Other features the book includes are a brief description of Bunyan's life, a comparison outline of events in Parts I and II, and an index.

Access to Bunyan's scripture references gives the serious reader the opportunity to better his or her understanding of Bunyan's work while Hazelbaker's references and annotations also compliment the text. Hazelbaker, for example, elaborates on the importance of the seal that a Shining One (an angel) places upon Christian's forehead and on the Document given to him. Hazelbaker also offers his audience a clear and detailed understanding of the "Family" that resides in the palace called Beautiful. The reader will appreciate Hazelbaker's explanation of Bunyan's reference to "the goods of Rome" at Vanity Fair and why it would have been significant to the first readers of The Pilgrim's Progress. Hazelbaker also takes the time to explain to the reader why he uses the word "coat" for "bosom." These are only a few of the many helpful annotations Hazelbaker includes in his work.

In studying Hazelbaker's translation I referred to an early edition of Bunyan's several times. Each time I found Hazelbaker's translation true to Bunyan. Hazelbaker has made special effort to maintain the characteristic qualities and message of Bunyan's original work. In the translation process, he manages to preserve Bunyan's work by keeping himself removed from the text. This is his duty and obligation as a translator. His translation is, in all honesty, unabridged and non-paraphrased.

Of the 215 pages I have studied to date, I have found only one minor word choice in Hazelbaker's translation that I wish he would not have made. He translates Bunyan's "cartloads" with "truckloads" in the Swamp of Despondence episode. Although, by definition, "truckloads" is acceptable, it too easily causes confusion for the modern reader who thinks of pickups and tractor-trailers when he reads "truckloads." This is certainly a minor concern, but I mention it in an effort to objective.

Hazelbaker has done an exceptional job of making Bunyan's beautiful classic more appealing to the modern audience. This unabridged version is suitable for readers from middle and upper elementary ages to adults. I am glad to see that Hazelbaker has taken the time and made the effort to offer his audience a version of Pilgrim's Progress that is not watered-down and compromised. It definitely deserves a place in any library.

I'm in the middle of reading this wonderful classic and am so excited about it that I am going to host a weekly Bible Study and use the book as a powerful study tool. The revised version edited by L. Edward Hazelbaker makes the translation as simple as reading a children's novel. At the end of each chapter there is a list of specific scriptures and notes for Biblical reference throughout the entire book which I found extremely helpful.

John Bunyon's insight on going through troubles and trials is inspiring. He points out that although we may think we are taking the "easy road" off the "Path of the Way" which is uphill, it ends up taking us to a dark, dreary, dangerous place instead. If we persevere with "Faith" and "Hopeful" up the hill, we will eventually reach the top of the mountain in our Christian Journey with God by our side. I highly recommend this book to EVERYONE not just people who call themselves Christians...For it is a book filled with powerful lessons all can learn from.

These are the fictional memoirs of Ebenezer Le Page, who writes about his life from the time he is a young boy to present, possibly till the day before he died. At a first glance, he led a very uneventful life, in that he never left his island, and was a simple farmer and fisherman. However, this is an example of how human nature is endlessly fascinating: the little and big fights between the members of his family, his observations, in retrospect, about what went wrong with this and that other person, the what ifs, his love life, his mom, his devoted sister, the horrible German occupation of Guernsey, and finally his decision over who would be the heir of his money and land. This is one of the best books i've read this year. There is so much history, insight, wisdom and humor in these pages that makes this one of those must-read-at-all-costs books. I would love to go to Guernsey and visit the sights.

It was like a book that, at first, I'd never heard of, and I was destined to read. I was on a sales trip, visiting the Channel Islands on a whistle stop tour, but still wanted to take my family with me to share the sights of Guernsey. We were waiting to catch the ferry home, having lunch in a pub in the centre of town and for some reason or other, I got talking to a gent who was visiting the Island, simply to put a place to the names described in a book he had just read. The Book of Ebenezer Le Page. He assured me that if I ever came upon this book and read it, I would love it. The following weeks, back on 'the mainland', during other sales trips, covering all other towns, I would just pop into second hand book stores to see (even though I had no idea what the book looked like.) I was in Lyme Regis, again I went into a book store and I felt compelled to ask them if they had a copy of the book. It only turned out that this particular book store specialised in books by John Fowles, The writer of the forword. The particular book was out of print, but YES they had copies. "Hard back or paper back", they offered. Well, needless to say, I have just finished the book and I am now left with a sadness at almost having left a friend behind. At least I had the fortune to share a piece of Ebenezer Le Page's life.

Like Patrick below, I was brought up on Guernsey and now live in the US. And I'd never gotten around to reading Edwards' book, until I came across it in a 2nd hand bookshop a couple of weeks ago on Liberation Day, of all days (the anniversary of the end of the German Occupation of the Channel Islands).

Isn't it great? I'd actually peeked into my mother's copy on several occasions and thought it looked kind of boring, and it took me a while to get into it, but slowly I found myself becoming hooked. Half way through, it's difficult to say why I can't wait to get back to it, because it really is little more than one man's telling of his own not extraordinary life. But stick with it and you will probably understand.

This is the first time in 9 years that I feel homesick!

I completely agree with the other reviewers who have described that feeling that you get with only a few books of *living* inside the book, and the sadness that hangs around for a few days when you finish. I strongly recommend this book!

When I first picked up this book, I had no idea what to expect. I was even more bewildered when I opened it up and looked at the drawings. I thought to myself, what in the world is this? Then I started reading.

Edward Gorey's work is at times subtle or broad, ironic or slaptstick, and always brilliant. How dare this man call himself a children's book author! His books are for everyone, not just tots. Startlingly funny and morbid, the books in this volume (and his other collections) will make the reader laugh and snicker until they are sick. The dark humor of "the Gashlycrumb Tinies", the burlesque of "the Curious Sofa", the absurdity of "the Doubtful Guest", the dry wit of "the Unstrung Harp", every story is different. Every story is a gem. Gorey's books are a must-have for absolutely everybody.

Edward Gorey was a master of the macabre. Seemingly inappropriate, always bizarre, Mr. Gorey walked the taboo tightrope in his stories and illustrations. Here are fifteen such delightfully atrocious tales, compiled for the convenience of his very demented fans (including yours truly).

First is "The Unstrung Harp" about a befuddled and (in appearance) paranoid writer who trudges through his maddening existence, as so many a writer inevitably will. The casual reader might find this tale odd, but anyone who has ever taken to writing seriously will feel nothing but empathy. Has one of the greatest ending lines of any story I've ever read.

Next is "The Listing Attic", a series of devilish ryhmes with correlating illustrations. Many of these are horrible in design yet strangely you'll find yourself laughing at the unfortunate mishaps that fall upon the characters.

Now, on to "The Doubtful Guest" about a mysterious penguin-like creature that arrives at a residence only to act in a seemingly irrational way, doing things for inexplicable reasons. Personally I think this is nothing more than a metaphor for the unexpected in life and how it's more irrational for people to waste time trying to make sense out of these things. But that's just me.

"The Object Lesson" is just plain confusing, as if Mr. Gorey was just penning random thoughts and then illustrating them. Definitely weird.

"The Bug Book" is pretty childish in design and, to me, not particuarly noteworthy.

"The Fatal Lozenge" is another series of ryhmes, although the level of morbidity and violence is pretty much maxed out. Reading these you won't find yourself able to laugh, only maybe able to produce a nervous twitter as you ponder how very real these situations could be.

"The Hapless Child" is nothing short of a masterpiece, evoking every emotion from love to terror this tragedy should have a place in American high school curriculum, but alas public education systems in this nation would rather not deal with horrible reality.

"The Curious Sofa" is an attack on preconceived notions of sexual morality, being pornographic only in suggestion the point is that if someone who considered him/herself to be in the right in his/her sexual ideals he/she wouldn't understand the innuendo of the words and illustrations. A very interesting piece.

"The Willowdale Handcar" is a story I didn't like.

"The Gashlycrumb Tinies" has to be my favorite Edward Gorey piece, a sinister telling of the Alphabet with a small child meeting its demise for each letter, kind of an anti-Alligators All Around. I have a separate review posted for this story as it is deserving of the title of literature.

"The Insect God" is another disturbing work involving intelligent, and apparently religious, giant sized bugs.

"The West Wing" is a series of illustrations that force the reader to create his/her own captions for what is depicted.

"The Wuggly Ump" is a silly song about a very hungry monster.

"The Sinking Spell" is another tale of an unexpected visitor, a creature on an indecipherable journey.

Last, is "The Remembered Visit" about a woman who can't forget the odd travels of her youth or her meeting of a once famous man.

That's it, the coffee table book to beat all coffee table books, the ultimate conversation piece. But, then again, everything Edward Gorey did was worthy of conversation.

I was introduced to this book by a friend of mine whose sense of humor is almost as twisted as that of Gorey himself. He delighted in sharing with me "The Gashlycrumb Tinies" (in which small children meet their doom in alphabetical order) and "The Curious Sofa: a pornographic tale" (in which Gorey lays sexual innuendo so thick that it becomes absurd and absolutely hilarious). After wresting the book from the aforementioned friend's hands, I read the rest of it. To my delight I found morbid limericks and quatrains, stories apparently composed of random sentences, and tales of tales of mishap and tragedy--each accompanied by illustrations in Gorey's macabre style. I would recommend this collection to anyone who has outgrown Dr. Seuss but still wants to look at the pictures.

An incautions young lady named Venn
Was seen with the wrong sort of men
She vanished one day
But the following May
Her legs were retreived from a Fen

"Barchester Towers" has proven to be the most popular novel Anthony Trollope ever wrote-despite the fact that most critics would rank higher his later work such as "The Last Chronicle of Barset","He Knew He Was Right" and "The Way We Live Now".While containing much satire those great novels are very powerful and disturbing, and have little of the genial good humor that pervades "Barchester Towers".Indeed after "Barchester Towers",Trollope would never write anything so funny again-as if comedy was something to be eschewed.That is too bad,because the book along with its predecessor "The Warden" are the closest a Victorian novelist ever came to approximating Jane Austen."Barchester Towers" presents many unforgettable characters caught in a storm of religious controversy,political and social power struggles and romantic and sexual imbroglios.All of this done with a light but deft hand that blends realism,idealism and some irresistible comedy.It has one of the greatest endings in all of literature-a long,elaborate party at a country manor(which transpires for about a hundred pages)where all of the plot's threads are inwoven and all of the character's intrigues come to fruition."Barchester Towers" has none of the faults common to Trollope's later works -(such as repetiveness)it is enjoyable from beginning to end.Henry James(one of our best novelists,but not one of our best critics) believed that Trollope peaked with "The Warden"and that the subsequent work showed a falling off as well as proof that Trollope was no more than a second rate Thackeray.For the last fifty years critics have been trying to undo the damage that was done to Trollope's critical reputation."Barchester Towers"proves not only to be a first rate novel but probably the most humorous Victorian novel ever written.

I rushed home every day after work to read a little more of this Trollope comedy. The book starts out with the death of a bishop during a change in political power. The new bishop is a puppet to his wife Mrs. Proudie and her protégé Mr. Slope. Along the way we meet outrageous clergymen, a seductive invalid from Italy, and a whole host of delightfully ridiculous characters. Trollope has designed most of these characters to be "over the top". I kept wondering what a film version starring the Monty Python characters would look like. He wrote an equivalent of a soap opera, only it doesn't take place at the "hospital", it takes place with the bishops. Some of the characters you love, some of the characters you hate, and then there are those you love to hate. Trollope speaks to the reader throughout the novel using the mimetic voice, so we feel like we are at a cocktail party and these 19th century characters are our friends (or at least the people we're avoiding at the party!). The themes and characters are timeless. The book deals with power, especially power struggles between the sexes. We encounter greed, love, desperation, seductive sirens, and generosity. Like many books of this time period however, the modern reader has to give it a chance. No one is murdered on the first page, and it takes quite a few chapters for the action to pick up. But pick up it does by page 70, and accelerates into a raucously funny novel from there. Although I didn't read the Warden, I didn't feel lost and I'm curious to read the rest of this series after finishing this book. Enjoy!

This is the second of the six Barsetshire novels, and the first great novel in that series. THE WARDEN, while pleasant, primarily serves as a prequel to this novel. To be honest, if Trollope had not gone on to write BARCHESTER TOWERS, there would not be any real reason to read THE WARDEN. But because it introduces us to characters and situations that are crucial to BARCHESTER TOWERS, one really ought to have read THE WARDEN before reading this novel.

Trollope presents a dilemma for most readers. On the one hand, he wrote an enormous number of very good novels. On the other hand, he wrote no masterpieces. None of Trollope's books can stand comparison with the best work of Jane Austen, Flaubert, Dickens, George Eliot, Tolstoy, or Dostoevsky. On the other hand, none of those writers wrote anywhere near as many excellent as Trollope did. He may not have been a very great writer, but he was a very good one, and perhaps the most prolific good novelist who ever lived. Conservatively assessing his output, Trollope wrote at least 20 good novels. Trollope may not have been a genius, but he did possess a genius for consistency.

So, what to read? Trollope's wrote two very good series, two other novels that could be considered minor classics, and several other first rate novels. I recommend to friends that they try the Barsetshire novels, and then, if they find themselves hooked, to go on to read the Political series of novels (sometimes called the Palliser novels, which I feel uncomfortable with, since it exaggerates the role of that family in most of the novels). The two "minor classics" are THE WAY WE LIVE NOW and HE KNEW HE WAS RIGHT. The former is a marvelous portrait of Victorian social life, and the latter is perhaps the finest study of human jealousy since Shakespeare's OTHELLO. BARSETSHIRE TOWERS is, therefore, coupled with THE WARDEN, a magnificent place, and perhaps the best place to enter Trollope's world.

There are many, many reasons to read Trollope. He probably is the great spokesperson for the Victorian Mind. Like most Victorians, he is a bit parochial, with no interest in Europe, and very little interest in the rest of the world. Despite THE AMERICAN SENATOR, he has few American's or colonials in his novels, and close to no foreigners of any type. He is politically liberal in a conservative way, and is focussed almost exclusively on the upper middle class and gentry. He writes a good deal about young men and women needing and hoping to marry, but with a far more complex approach than we find in Jane Austen. His characters are often compelling, with very human problems, subject to morally complex situations that we would not find unfamiliar. Trollope is especially good with female characters, and in his sympathy for and liking of very independent, strong females he is somewhat an exception of the Victorian stereotype.

Anyone wanting to read Trollope, and I heartily believe that anyone who loves Dickens, Austen, Eliot, Hardy, and Thackery will want to, could find no better place to start than with reading the first two books in the Barsetshire Chronicles, beginning first with the rather short THE WARDEN and then progressing to this very, very fun and enjoyable novel.

This is a well-done book providing plenty of information about marine aquarium setup and maintenance. My mother's a librarian so I've read several books on this subject all of which seemed too trivial and uninformative or written for the professional reef tank hobbyist but this book seemed like the perfect fit for me. The author takes the reader step-by-step through the process of identifying and purchasing the necessary equipment to seting up the tank and equipment to choosing and introducing fish to the tank and of course, maintaining the aquarium. The book is very informative and should bolster confidence in a beginner looking to setup a small to midsize tank. The author pariticularly covers filtration methodologies very well focusing primarily on the highly regarded "Berlin" method. A must have for beginners and intermediate fishkeepers looking to setup a marine tank. I would recommend a more detailed book for specifically covering choosing and caring for different types of marine fish, corals, invertebrates, etc., but this is otherwise a great book.

If you are thinking about your first marine aquarium, this is a great book the start with. It was recommended by two stores I went to. It is easy reading with great diagrams and pictures. Everything from sizing to tank to suggestions of what fish and invertabrates to start with.

As with most of these books, it is not a substitute for your local expert. However, they even had advice on picking an expert that steered my away from the "big mall pet stores" to a smaller store where I found a truly knowlegable professional. I know my tank will be a success.

... covers just about everything imaginable, and does so in such a clear & concise way that there is little point in my trying to cover it again.
I am truly impressed. This so-called beginner's book scarcely rates that category; this is the very sort of information that beginners REALLY need but oh-so rarely ever get until it is too late. Moreover, it is presented in a form that beginners can understand and digest with ease. Truly a gem, and destined to be a classic.
The checklists, the explanations which make the complex simple, the techniques, the wonderful illustrations, the tips & tricks, the lists of common mistakes to avoid, ( and which species to avoid ) and the truly useful advice make this book very complete. It's 140+ pages are chocked full of good information without a lot of "fluff"; it's truly "all-meat, no filler!"
If I had to recommend just ONE book for the beginning marine hobbyist, I think that this would be the one. I even recommend it highly to intermediate hobbyists. While it doesn't cover every single aspect of the marine hobby, ( not that any one book, or even any given dozen ever books could ) it aptly covers the most important things, and most importantly, it covers them in a way which will make it the most useful to it's target audience...

Though not quite so wonderful as "Amphigorey" (q.v.) (if nothing else, there is nothing to equal the brillint "Gashleycrumb Tinies" nor "The Unstrung Harp"), the first Gorey omnibus volume, if only because the very best was skimmed off for that volume, this is still very high class whimsey indeed.

Like Gahan Wilson (q.v), Gorey looks at the world in a slightly skewed manner; much of his work consists of showing or telling us something that sounds perfectly rational but does not, in fact, quite compute, leaving our own minds to struggle with the cognitive dissonance he creates.

Probably my favourite bit in this collection is "The Gilded Bat", which is a sadly perceptive story of perception and reality in the life of a prima ballerina -- even after litle Maudy Splaytoe has progressed to being enigmatic star Miriella Splatova, her life is still pretty much the same as it always was, a round of rehearsal, performance and boredom. (In a wonderful example of something or other, there was a ballet based on this work; i have never seen it, but heard an interview on PBS with the choreographer, who had had to create excerpts from three OTHER, fictitious, ballets referred to in the text...)

The two versions of "The Chinese Obelisks" present us with an opportunity to see the author's mind at work, comparing sketch and draft of text to the finished work.

The only reason not to immediately purchase this work would be if you could only afford one of them and hadn't already got the previous volume. If you DO already have "Amphigorey", then you absolutely must have this collection to go with it.

Edward Gorey is the type of artist who produces very specific reactions from anyone studying his work: one will either love or hate his artwork and/or stories. For those of us who are a little off center ourselves, this book is delightful. His unique drawings remain unmatched to this day, and his tales--well, they are not ordinary by any stretch of the imagination. Even though I am a staunch Gorey fan, I must admit that there are times when some of the endings leave me quite sad but, just as in life, not every tale has a happy ending. The book itself is huge, very heavy and filled to the brim with as much Gorey drawings as any fan can desire. Mr. Gorey deserves more recognition for his unusual but strange depictions of characters whom we don't really know whether to love or hate--a sort of bizarre Alice In Wonderland world of people who run the gamut from the familiar to the insane, and a bestiary of creatures born from the depths of an uncommon imagination. One has to wonder what a cartoon series based on his drawings and story lines would be like--certainly not Saturday morning fodder. At any rate, the book is well worth every penny whether you are a fan of Edward Gorey or have just discovered his works and find yourself fascinated by his bizarre view of a world which existed in his extraordinary imagination.

This wonderful second collection contains 20 highly enjoyable stories:

THE BEASTLY BABY (a definite Gorey favorite!) about an absolutely abominable baby, you'll be glad to see the end of!
THE NURSERY FRIEZE: Features odd strips of rhino-like animals saying words like "Archipelago" & "Quodlibet" which could very well be used as a frieze for a very unique nursery :-)
THE PIOUS INFANT: About little Henry Clump, who is completely unselfish and charitable, and always concerned about the salvation of everyone elses soul!
THE EVIL GARDEN: About a families visit to an ominous garden, where there is no way out!
THE INANIMATE TRAGEDY: A dramatic tale featuring inanimate objects as the characters, such as pins & needles (who appear to represent the chorus) a penpoint, glass marble, two-holed button, thumbtack, & a piece of knotted string (as the villain)
THE GILDED BAT: About a little girl who grows up to be a very distinguished prima ballerina.
THE IRON TONIC: or "A Winter Afternoon"- "The people at the grey hotel, Are either aged or unwell" "The guests who chose to stay aloof, Lie wrapped in carpets on the roof".
THE OSBICK BIRD: About Emblus Fingby and the osbick bird that chooses one day to live with him, as his loyal friend.
Two versions of THE CHINESE OBELISKS, one version that looks like a sketch or rough draft, and then the better known one in typical Gorey style- All about an author who goes for a walk, and the many things he encounters.
THE DERANGED COUSINS (one of my favorites!): About Rose Marshmary, Mary Rosemarsh & Marsh Maryrose, three cousins who all live together in a rose covered house at the edge of a marsh. "Since they were orphans and there was no one to stop them, they were often merry far into the night"!
THE ELEVENTH EPISODE: Starts when a woman hears a scream apparently coming from a well, when she goes to investigate she falls in and enters a world that changes her life.
[THE UNTITLED BOOK]: Charming piece, that features a little child looking out the window as strange creatures come to play in the garden. Hippity Wippity!
THE LAVENDAR LEOTARD: An early Gorey tale, in which the author introduces two small, distant, ageless, and wholly imaginary relatives to fifty seasons of the New York City Ballet!
THE DISREPECTFUL SUMMONS: A tale of the occult!
THE ABANDONED SOCK: All about the saga of a sock that decides it's life is tedious and unpleasant, and goes for an adventure.
THE LOST LIONS: About a handsome man named Hamish, whose life is suddenly changed when he one day opens the wrong envelope!
STORY FOR SARA: A cute story about a slightly wicked little girl, who captures two little birds in her small bag, and her meeting with a very large prowling cat!
THE SALT HERRING: An odd tale written to make all serious men mad, mad, mad!
LEAVES FROM A MISLAID ALBUM: A wordless collection of interesting pictures.
A LIMERICK: Absolutely cute, very SHORT limerick about poor little Zooks, of whom no one was fond.

Edward Gorey one of my favorites, whose darkly whimsical and macabre tales (that he sometimes writes under pseudonyms) are sure to offend the overly-prudish, luckily I'm not one of them. Should Gorey be classfied as a writer or Illustrator? He so obviously possessed talent in both fields, I cannot imagine his fantastic drawings without the odd amusing little quips. The people in his illustrations usually resemble silent movie stars, the women always look elegant and mysterious, the men dashing and stately. His stories also include lots of fanciful creatures and adorable (but usually hapless) children.
Gorey is strange and wonderful, and I am VERY proud and absolutely happy to be fan!
Get all three collections!

Those who decry the current state of judicial affairs in this country will be interested to learn that our modern court system has changed very little since its inception back in the 18th Century. This, along with many other scholarly insights, is the compelling undercurrent running through Jean Edward Smith's John Marshall: Definer of a Nation.

Smith, no stranger to scholarship himself, guides the reader in painstaking detail through the rise of one of the most renoun jurists of early American history, John Marshall. Marshall, who served his country first as a soldier under General George Washington and later as the first truly influential chief justice of the Supreme Court, is a figure ripe for investigation at this particularly legal-oriented period in our history. For it was Marshall who, in his landmark decision, Marbury v. Madison, first gave rise to the notion of judicial review, the concept that suggests that the Supreme Court indeed has final say over the constitutionality of a given state action.

What is fascinating about Marshall's life is how bitterly he had to fight to establish what we today take for granted, the Court's supreme authority. Marshall's relentless pursuit of a powerful judiciary was often at odds with the vision of his fellow founding father, Thomas Jefferson. Jefferson, who pushed for a small, decentralized federal government in a largely agrarian America, was constanly at odds with Marshall, and the tale of their stormy political battles resonates throughout the pages of Smith's biography.

Of course, the philosophical musings and feindishly political battles of our founding fathers may not make for interesting reading for everyone. Smith's book is chock full of obscure anectdotes and oftentimes difficult-to-get-through detail. All the same, the interested reader seeking to understand just how our current court system got to be this way can do worse than pick up Smith's tome for some insight. For, in the end, the battles fought between America's early political titans bear a strong correlation to -- and perhaps even explain -- blips on the judicial radar screen now called things like "O.J."

The author acknowledges up front that the book has little to say that is critical of the great Chief Justice. Nevertheless, the author presents a balanced view of the man and his times. As befits one of the greatest writers in legal history, Smith's prose is clear, precise and entertaining. Given Marshall's long tenure on the Court and his many accomplishments and associations with great historical figures, this book should be of interest to anyone with a serious interest in American History. One is left with the strong impression that Marshall's role in shaping the government has not been fully appreciated.

John Marshall defined American law, politics and power. This book paints a vivid picture of who Marshall was, and why he is still important today. The author does an excellent job stating the facts and letting the reader decide for her/himself whether or not Marshall did the right or wrong in the very important decisions he made. This book is enlightening and well written. Marshall's life is wonderfully told through the authors use of clear and concise writing. This book is excellent. It clarifies many misconceptions of this great man who came out of a generation that claims many great men. Marshall may be the least understood of them all, but he certainly is no less important than any of his contemporaries in forming and defining the United States of America.

Louis Barnavelt, recently orphaned, goes to live with his UncleJonathan, whom he's never met. When his arrives in New Zebedee, UncleJonathan picks him up at the airport and takes him to his home--a huge, spooky mansion with secret passages and mysterious rooms.

Uncle Jonathan's best friend, Mrs. Zimmerman, is in the house, and as Louis walks in, he finds her listening to the walls. To his astonishment and delight, Louis discovers that Uncle Jonathan is a wizard, Mrs. Zimmerman is a witch, and they both love poker and chocolate chip cookies.

Louis also discovers that Uncle Jonathan's house was once owned by an evil wizard--a Mr. Izzard who has hidden a magic clock somewhere in the walls of the house--a clock that will bring about the end of the world if it's not found and silenced.

To make matters worse, Louis tries to impress his new friend Tarby by stealing a spell from one of Uncle Jonathan's magic books. They perform the ceremony in the graveyard Halloween night, and succeed in resurrecting the truly evil Mrs. Izzard from the dead.

Can they stop the clock in time, or will Mrs. Izzard succeed in resurrecting her husband and bringing about the end of the world?

I was afraid to read this book as a child--the cover looks really scary, and I was a nightmare-prone child who avoided scary books like the plague. Most kids like scary books though, and this one is perfect for your 5th grade fright fan. Louis is a wonderful character, who goes from being a timid outcast, worried about impressing the kids at school, to a brave young man who summons up courage when he needs to act to save the people he loves. The friendship between Uncle Jonathan and Mrs. Zimmerman is funny, and they are both eccentric enough to be interesting, but not so eccentric as to become annoying.

Bellairs wrote other books about these characters, and they are worth reading, but are not as good as this book. ( )

In reading the tributes to Bellairs by his fans, I thought it was interesting that several people mentioned that they hated reading, and were not good readers until they discovered one of Bellairs' books, and that experience turned them into avid readers. END

I first became acquainted with "The House With a Clock in Its Walls" around the age of eight. It was made into a kids' TV show (an "After School Special", perhaps? I don't remember), and I immediately checked the book out from the library. Over the years I read several other of Bellairs' books, but my favorites were always the books linked with (and continuing the story of) "The House With A Clock In Its Walls". The stories were especially fascinating for me, as they all took place in Michigan, my home state (in fact, "The Letter, The Witch, and The Ring" - book three of the series - takes place in no small part near Petoskey, Michigan, which is only 25 miles from my hometown). When I was in college, I found that the college bookstore had some copies of T.H.W.A.C.I.I.W. for sale, so I bought one. I found the story was just as enjoyable then as it had been 16 years before. I'm now 27, and I STILL enjoy these books! These are truly stories for young and old alike.

I read this book because it was on the "If you liked Harry then read this" list. The story line is great, and the last several chapters are compelling and scary. Bellairs does a great job of blending suspense and fantasy, just as Rowling has done with the Harry Potter series. This is a must read for all harry potter fans (I recommend to read it while waiting for number 5) This is a great book because of its storyline and setting. The story is typical for a boy Lewis's age- trying to fit in,but failing. The setting is the greatest creation of the author. A house filled with fireplaces, a clock(or clocks?), and secret passageways. Another 5 star classic for anyone