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Noted oral historian Harvey Frommer joins his son Frederic in collecting interviews and published commentary together with photographs to create the first thorough oral history of the "growing up" years of baseball's greatest heroes. Readers will discover new experiences in the words of those who lived them, including:
-- Bob Feller, the winningest pitcher in Cleveland Indians history
-- George "Sparky" Anderson, the only manager ever to have won championships in both leagues
-- Monte Irvin, who was already past 30 years of age when he made his major league debut in 1949
-- Jim Palmer, who won three Cy Young Awards and four Gold Gloves with eight 20-win seasons
In addition, Growing Up Baseball features interviews with singular figures such as Bobby Thomson, Don Larsen, Red Murff, Keith Hernandez, Mel Parnell, and Ralph Kiner, and is framed with inspiring commentary by coaches, relatives, teachers, friends, rivals, and scouts.
Growing Up Baseball contains a rich and varied montage of memories from players and fans across generations and cultures. Compelling, informative, and overflowing with a deep and abiding love of America's Pastime, it will delight and inspire anyone who's ever treasured a well-worn glove or thrilled to the crack of a bat.
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Whether you're a new boater just getting started or an old salt needing a little refresher, this is your dependable one-volume reference. When we need material for our "Boating/PWC Basics" course, this is where we go.
The book is continuously updated and fresh, with new information on topics like GPS and how to use it and Digital Selective Calling (DSC) for your marine radio. It continues to present essential and complete information on preparing to get underway, operating and navigating your boat, the practice of good seamanship, docking or mooring your boat, and how to put it away for the winter (which some of us have to do!).
Chapman's has been a fixture in our library (and on our boats) since the 50th edition in 1972. And even though we pay a little more for it now than the $8.95 price in 1972, you'll still find it a great value at Amazon's price shown above.
Our advice: Don't leave home (or the dock) without it.
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Written in 1850, just two years after the French Revolution of 1848, the Law is part treatise and part polemic, an appeal to the French people reminding them of the proper sphere of the law and government and begging them to turn away from their descent into socialism. The Law is also a summary of much of what Bastiat considered to be important from his own work; at the time The Law was written he was very sick, and he would be dead within a year of its publication. As a French patriot, Bastiat was deeply moved by the disintegration he saw in French society.
As the last vestiges of the class-society were replaced and the new "democratic" order was being instituted, the State was more and more being used as a means by which groups of citizens (special interests) could plunder one another through taxes, transfer payments, tariffs, etc, committing what Bastiat calls "legal plunder." As he saw it, the law was being perverted into a so-called "creative" entity, through which controlling groups would seek to enforce their particular agendas at the expense and through the pocketbooks of the people in general.
Bastiat argues that the law should be properly viewed as the formal embodiment of Force. That is, human laws should be the organized and formal construction of justice. Just law, he says, is nothing more than the organization of the human right to self-defense. This is a surprisingly narrow definition, perhaps almost too narrow to be truly useful. But I can imagine that Bastiat wouldn't have seen much moral value in the philosophy of pragmatism; he certainly would have made a bad present-day politician, a "flaw" which I find highly admirable.
Bastiat is revered by many modern libertarians as one of the founding fathers of their ideology, and rightly so. But it seems to me that his work is more accurately anarcho-capitalist than libertarian. To say that Bastiat is arguing for "limited" government is a gross understatement. In fact, Bastiat seems instead to be arguing for the abolition of most all of what today we would call The Government. Many libertarians, for example, probably wouldn't argue the abolition of all forms of taxation on moral grounds. Personally I appreciate his definition of plunder as "...tariffs, protection, benefits, subsidies, encouragements, progressive taxation, public schools, guaranteed jobs, guaranteed profits, minimum wages, a right to relief, a right to the tools of labor, free credit, and so on, and so on..."
Obviously although Bastiat may not share the views of modern libertarians in every respect, they have much to respect in him. And of course, the average economic and social liberal won't care for him at all, as he makes a special point of going after the vast majority of liberal sacred cows. But more surprisingly, the Religious Right should be wary of taking Bastiat on as too great of an ally. Although Bastiat and his book have been instrumental in forming many right-wing/libertarian ideas about free markets and the proper role of government, Bastiat argues forcefully against the use of the law as a tool for the shaping of moral values. Jerry Falwell and Bastiat are notably out of step with one another. I can imagine that Bastiat would not have much use for the Congressional institution of days of prayer, or for teacher-led prayer in the public schools he so despised, for anti-drug and pro-abstinence programs, or for the ministerial functions that many politicians have sought to usurp.
Conservatives have an unfortunate habit of revering political figures. But as Bastiat says, "There are too many 'great' men in the world--legislators, organizers, do-gooders, leaders of the people, fathers of nations, and so on, and so on. Too many persons place themselves above mankind; they make a career of organizing it, patronizing it, and ruling it."
Bastiat didn't believe in the inherent value of rulers of men. Many conservatives hope that their sons will grow up to be leaders in a political sense. Bastiat believed that we would be better served if more people sought to be useful, productive, inventive and moral, instead of trying to lead all the rest of society. Society will function much more desirably when we relinquish the desire for power over our fellow men, and instead seek power over our own actions.
Although Bastiat's views on law and government may be too simplistic and dated to be implemented literally in a modern society, I believe that there is still much instruction to be had from this book. I would highly recommend it to anyone interested in developing an understanding of the roots of modern libertarian thought.
Here is a quote, "But how is this legal plunder to be identified? Quite simply. See if the law takes from some persons what belongs to them, and gives it to other persons to whom it does not belong. See if the law benefits one citizen at the expense of another by doing what the citizen himself cannot do without committing a crime."
I have given away at least a dozen copies of this book; I believe the book is that important. I can think of no higher personal endorsement.
The wood engravings that accompany the text stand out and mirror the book's theme of asutere simplicity quite beautifully. Its a wonderful book for children, nature enthusiasts, gardeners and those looking for hope that follwoing one's heart and living out of love, rather than fear, can ultimately make a difference.
Written by Jean Giono, this popular story of inspiration and hope was originally published in 1954 in Vogue as "The Man Who Planted Hope and Grew Happiness." The story's opening paragraph is as follows:
"For a human character to reveal truly exceptional qualities, one must have the good fortune to be able to observe its performance over many years. If this performance is devoid of all egoism, if its guiding motive is unparalleled generosity, if it is absolutely certain that there is no thought of recompense and that, in addition, it has left its visible mark upon the earth, then there can be no mistake."
The Man Who Planted Trees has left a "visible mark upon the earth" having been translated into several languages. In the "Afterword" of the Chelsea Green Publishing Company's edition, Norma L. Goodrich wrote that Giono donated his story. According to Goodrich, "Giono believed he left his mark on earth when he wrote Elzeard Bouffier's story because he gave it away for the good of others, heedless of payment: 'It was one of my stories of which I am the proudest. It does not bring me in one single penny and that is why it has accomplished what it was written for.'"
This special edition is very informative. Not only does it contain Giono's inspirational story, which is complemented beautifully by Michael McCurdy's wood engraving illustrations and Goodrich's informative "Afterword" about Giono, but it also contains considerable information about how wood and paper can be conserved in the section "The WoodWise Consumer." Goodrich writes about Giono's effort to have people respect trees.
"Giono later wrote an American admirer of the tale that his purpose in creating Bouffier 'was to make people love the tree, or more precisely, to make them love planting trees.' Within a few years the story of Elzeard Bouffier swept around the world and was translated into at least a dozen languages. It has long since inspired reforestation efforts, worldwide."
The Man Who Planted Trees is not only a wonderful story, it will inspire you and your children to care for the natural world.
-Reviewed by N. Glenn Perrett
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In 'Let It Come Down' we have a disillusioned young American escaping to Morocco and getting himself into all sorts of mischief. The characters he meets are bizarre yet most fascinating. It takes some 200+ pages, or two-thirds of the book, before the story takes any sort of direction. 'Let It Come Down' is touted as a thriller, and so you have some idea of what the last third of the book is about. If it wasn't for the author's ability to write fine prose with brilliant characterizations this book would be a dud. But instead it is a worthy read.
Bottom line: hardly the best from Paul Bowles, which means it is simply quite decent instead of excellent.
(But am I the only one nonplussed by the ending, unlike with "Sky" or "The Spider's House"?)
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This book is fascinating on many levels. It gives first hand accounts of how the Holocaust was experienced at the ground level perspective. For the Jews of Hungary, an abrupt change from traditional Jewish life in rural villages to sudden deportation to unknown destinations, leading for Bernat and his family to the death camps. For Fred, one sees the normal life of the German countryside, with seemingly normal differences of opinion regarding one political party or another, all leading gradually to war. Who knew that the Nazis were leading them to commit the greatest crime in history? Both Bernard and Fred tell their stories from their respective childhood vantage points.
The book also tells the story of rebirth after the war, where both boys come to the United States as refugees and build new lives. How they befriend each other and gradually inched toward their mutual exploration of the past is facinating and fruitful.
I think that more than anything else, this book shows how it is impossible to make generalizations covering nations or peoples. There is often a tendency to blame whole nations for what occurred during the Holocaust: Germans, Austrians, Poles, the finger pointing list goes on and on. Yet within every Holocaust tale, when one comes down to the individual stories one finds that the widely cast blankets of blame are not accurate. My parents are both Holocaust survivors from Vilna Poland. My father survived execution by German and Lithuanian Nazis at the killing grounds of Ponari and was hidden by Polish peasant families who risked their lives to save him. My mother faced open anti-semitism by local Poles who often supported the Nazis in their efforts to find all the Jews in Vilna, but she and her parents were saved by the German Wehrmacht officer in charge of their labor camp who risked his life to save hundreds of Jews under his command from the murderous intent of the SS. .... How does one make sense of this other than to conclude that one must judge each person by the choices they make and the actions that they take. If Bernard and Fred can build bridges across the cultural divides of the Holocaust, maybe there is hope that humans will find a way to overcome suspicion, xenophobia and bigotry. The Holocaust demonstrates the worst that we humans are capable of. The story of this uncommon friendship gives us all hope that we can overcome our past with some measure of hope for the future of mankind.
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Medea has one problem, however. Aside from the fact she is a witch, she is a barbarian, a non-Greek. The Greeks used the word "barbaros" to refer to all people who weren't Greek, because if they didn't speak Greek, it just sounded like "bar bar bar" to the Greeks.
So after Jason and Medea settle in together back in Greece, his homeland, he decides that his interests (and Medea's) are better served if he marries the daughter of King Creon of Corinth. Medea gets jealous, poisons the woman, and then kills her two children in revenge.
Medea is an absolutely riveting character, whose tragic problems are those of all woman who have left their homes and families to follow men to foreign lands, only to be scorned by them in the end. The speeches of Jason and Medea are remarkable point-counterpoint presentations which reflect the deep influence of the sophists of Euripides' day. Medea sounds, at times, like a proto-feminist. She is one of the most enduring dramatic creations of all times, revealing with each line the remarkable genius of Euripides, the most modern of the three great Greek tragedians
Another important thing to remember in reading "Medea" is that the basic elements of the story were already known to the Athenian audience that would be watching the play. Consequently, when the fact that Medea is going to kill her children is not a surprise what becomes important are the motivations the playwright presents in telling this version of the story. The audience remembers the story of the Quest for the Golden Fleece and how Medea betrayed her family and her native land to help Jason. In some versions of the story Medea goes so far as to kill her brother, chop up his body, and throw it into the sea so their father, the King of Colchis, must stop his pursuit of the Argo to retrieve the body of his son. However, as a foreigner Medea is not allowed to a true wife to Jason, and when he has the opportunity to improve his fortune by marrying the princess of Corinth, Medea and everything she had done for him are quickly forgotten.
To add insult to injury, Jason assures Medea that his sons will be well treated at the court while the King of Corinth, worried that the sorceress will seek vengeance, banishes her from the land. After securing sanctuary in Athens (certainly an ironic choice given this is where the play is being performed), Medea constructs a rather complex plan. Having coated a cloak with poison, she has her children deliver it to the princess; not only will the princess die when she puts on the cloak (and her father along with her), the complicity of the children in the crime will give her an excuse to justify killing in order to literally save them from the wrath of the Corinthians.
This raises an interest questions: Could Medea have taken the children with her to her exile in Athens? On the one hand I want to answer that obviously, yes, she can; there is certainly room in her dragon-drawn chariot. But given her status as a foreigner, if Jason goes to Athens and demands the return of his children, would he not then have a claim that Medea could not contest? More importantly, is not Medea's ultimate vengeance on Jason that she will hurt him by taking away everything he holds dear, namely his children and his princess bride?
In the final line of the play the Chorus laments: "Many things beyond expectation do the gods fulfill. That which was expected has not been accomplished; for that which was unexpected has god found the way. Such was the end of this story." This last line has also found its way into the conclusion of other dramas by Euripides ("Alcestis," "Bacchae" and "Andromache"), but I have always found it to fit the ending of "Medea" best, so I suspect that is where it originally came from and ended up being appended to those other plays sometime during the last several thousand years. However, the statement is rather disingenuous because one of the rather standard approaches in a play by Euripides is that his characters often deserve their fate. In a very real sense, Euripides provides justification for Medea's monstrous crime and his implicit argument to the Athenian audience is that the punishment fits the crime. However, Athenians would never give up their air of superiority; at least not until foreigners such as the Macedonians and the Romans conquered the self-professed cradle of democracy.
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Carefull attention is required, nothing forced like for Gopi, however his experience show us there will be a lot of awaken people in the future.
Be wise don't overdo it, awakening comes with a change in the brain and spinal apparel, consciousness has to shine within your body,needs a good and stable mind and body . Do read Osho rasjneesh books too, as meditation is learning to die going through the process of dying brings real life within you.
IT TOOK A WHILE TO GET INTO THE 'GROOVE'...AFTER THAT COULD NOT PUT DOWN THE BOOK..IT WAS A THRILLER!!
I AM 52YEARS OLD NOW,ALL MY LIFE I HAVE READ ALL SORTS OF 'SPIRITUAL BOOKS',LISTENED TO SOME GOOD PEOPLE,FORMED MY OWN OPINION ABOUT 'GOD'..SOUL..PURPOSE OF OUR LIVING..WORSHIPPING..ETC.
SUDDENLY THIS BOOK BY PANDIT GOPI KRISHNA...SHATTERED ALL MY CONCEPTS/VIEW POINTS, ABOUT ''GOD''AND 'SPIRITUALITY.
NOW I BELEIVE THERE IS NO 'GOD' ..THERE IS ONLY'ENERGY'ALL AROUND US..AND THE SAME ENERGY IS IN EVERY ONE OF US..IF IT IS 'AWAKENED'IN YOU...THATS ''NIRWANA''OR THE PURPOSE OF YOUR LIFE...
IF YOU ARE 'BLESSED''YOU WILL READ THIS BOOK..
YOU MAY CONTACT ME IF YOU WANT TO..E.MAIL.. may the 'energy'bless us all.
How come that countries with "Gurus" and and a tradition of mental mastery and such are dirt poor, have lots of thieves, child labour and much else. Why isn't it that, at least one time in a tousand years one of these gurus was clever enough, and free from ego to mastermind a regime that could create decent conditions. How come that countries like Norway or Denmark have better conditions and less crime? They were berserks! Think about it?
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This is a book that belongs on every teacher's bookshelf, and it is a book teachers will refer to time and again. It is a book designed to be USED, not talked about.
Dom DiMaggio polished his fielding skills playing catch with brother Joe on the steep hills of San Francisco
Bob Feller was lucky to have a father who built him a complete baseball field in a pasture on their Des Moines, Iowa far m in 1930-the first "Field of Dreams."
Keith Hernandez started at age five to catch and hit tennis balls thrown to him by his minor league infielder father.
Monte Irvin played many years in the Negro Leagues until his dream of making it to the majors came true at age 51.
Bob Tewksbury still has memories of wet baseballs from playing in the early spring snows of New Hampshire.
From baseball's greatest players to those less frequently remembered, the heart-warming stories in Growing Up Baseball are a reminder that there is a time in a player's career when everything seems possible.