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Perhaps the most poignant observation in the book came in one of the updates at the end, Sack reporting on a Holocaust Memorial service he attended with several of the death camp guards and commandants in New Jersey. He remarked that "Those who were saying 'Never Again' were the first ones to do it again."
Interestingly, despite the horrible revelations of their activities, Sack tries to picture the Polish Jews who murdered innocent Germans as being more moral than the SS guards who killed Jews during WWII because they walked away from it after 6-12 months of carnage. Of course, this ignores the fact that an SS man quitting Auschwitz could look forward to a trip to the Eastern Front, while a Polish Jew quitting "The Office" could look forward to emigration to America or Israel. Perhaps if the Polish/Jewish guards and torturers would have had to face imminent death in combat, they would have chosen to remain in their positions. Additionally, "The Office" was starting to eat itself, turning on its own and imprisoning and torturing former guards and commandants, so the time to get out had certainly arrived.
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Mr. Sack reveals the threats against him by those that did not want him to write this book. He fearlessly explored these terrible crimes against humanity. He reveals how the crime is ongoing because we all know this is a "no-no" subject and those that can have used there power to keep this book from being the blockbuster it should be in America. You need to read this book if you want to know the WHOLE story about the Holocaust. (not the edited version sold to the American public) Buy this book while you can - it may very well go "out of print" - Mr. Sack has told his web site readers that his books have been destroyed in the past. Jews teamed up with communists and systematicaly killing ten of thousands of Germans is something we are not to know about. The history he sheds light on is one that is being suppressed - it cannot be argued otherwise. I say you don't have to be in the dark - don't let the censors win - read it and know.
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I think the author needed to either write a longer book and better develop the characters and story or pare his effort down to a smaller focus on maybe one character. As it is, he produced a not very well developed story populated by not very well developed characters. A formula for a forgettable book, in my opinion. I've read a number of excellent books about Vietnam, but I can't say I'd rate this as one of them. I really can't recommend it.
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Reviewers classify this as "reportage" but Sack's writing is rife with the kind of irony, wit, and irreverent humor you'd never find in conventional journalism. Sack pokes fun at army pedagogy, training films, windbag chaplains, inspections, and the ridiculously simplistic anticommunist propaganda of Vietnam era. On a more serious note, _M_ also deals with atrocities by U.S. troops at least a year before Seymour Hersh and the revelation of My Lai, and Sack's prescience regarding the issues and questions that such atrocities would raise in public discourse later on is truly remarkable.
This is "literary" and stylistically interesting writing about the Vietnam War. Essential reading for students of literature on the war, or even for anyone who's ever been in the army and gone through basic training.
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The life and times of Johnny Kon is certainly an interesting tale, and not one many people could have even attempted, much less completed. From a life of poverty in Maoist China, Kon escaped to Shanghai and then Hong Kong, building a semi-legitimate fur empire. Much of his fur fortune was linked to the huge US Army presence in Southeast Asia during the 1960s, and the sections which detail his interactions with the US Army are very compelling. However, in this period also lies Kon's alleged motive for becoming the leading importer of heroin to the US. I say alleged because the basis for the book is Sack's relationship with Kon and interviews with him conducted in jail, and so it's hard not to view Kon's "motive" as an after-the-fact self-justification. In any event, whether one believes it or not, the event that pushed Kon into drug dealing was the death of two of his children in the chaos of the Khmer Rouge coup in Cambodia. He lays the ultimate blame for this at the feet of the US and its meddling in other countries and spread of indiscriminate death and destruction. The book posits the dubious notion that heroin was "popularized" by all the US soldiers who became addicted during their tour of duty, and thus created the demand for Kon's operations ten years later.
So, Kon builds himself a gang comprised of a tough circle of ex-Red Guard soldiers and embarks on an effective smuggling operation that massive quantities of heroin into the US in the '80s. While the logistics of his operation make for interesting reader, the dynamics of the gang do not. There are so many members of his gang, it gets hard to keep them, their nicknames, and their allegiances straight (here, a diagram or simple list at the beginning of the book would have been a useful editorial addiction). Similarly, the Byzantine feuds of the various gangs and how they all relate to each other gets a bit tedious and hard to follow. Ultimately, Kon's downfall was predictably the result of some rather amazing bungling, silly escalations of petty rivalries over "respect" between gang members, and that ultimate foe of the gangster-betrayal.
One of the more disturbing aspects of the book are the descriptions of how the US government strong-armed a number of countries into extraditing members of Kon's family who had nothing to do with his heroin operations. They were used as leverage against Kon, forcing him to plead guilty-and while there's no denying he was a very bad drug lord, those kinds of tactics are bad precedent setters. Ultimately, the book is moderately interesting, but far too long. It suffers greatly from its more or less detached recounting of Kon's life story-especially odious are Kon's attempts to be a good Bhuddist amidst it all. The same kind of hypocrisy that infested the Irish-Catholic gangs and Italian mafia. Ultimately, unless one is really really interested in the heroin trade, or in Chinese gangs, I'd probably advise skipping this overladen book.
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For good or ill, the author of 'The Dragonhead', John
Sack, is the book's real 'star'. He spends an inordinate
number of words wowing or attempting to wow his readers.
His style is a marriage of Tom Wolfe's observational
acuity and novelist James Ellroy's cynical descriptive
overkill.
As may be expected, Sack's writing occasionally gets
away from him, particularly during his frequent head-
hopping. Once inside the brains of a subject, Sack
doesn't illustrate so much as wallow. I'd guess he's
fairly on the money, but this impression may stem from
the fact that the book's main character, Johnny Kon,
has a noggin that's been turned around more times than
the wind-up propeller on a child's toy airplane ("Crank
'em up and watch 'em go!").
I'm not a hundred percent on the reportage here, but
I'm more than impressed enough to believe that if not
everything in "The Dragonhead' is true, it could easily
well be. Still, it's an imperfect and not particularly
well-detailed book, and Sack and occasionally tiring
writer.
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Russell gives a brief essay of the history of excavation at Nineveh. The first excavations of the palace occurred in 1847 - 1849 by British amateur archaeologist Austen Henry Layard. The excavations remained undisturbed for over 50 years, until another British explorer, Leonard William King, was sent on behalf of the British Museum. Some of Russell's reports in this text represent the first published accounts of King's expedition and excavations, as much of his work remained unpublished for a century.
Again it was over half a century, 1965, before more excavations and work was done on Sennacherib's palace. Tariq Madhloom of the Iraqi Department of Antiquities and Heritage re-excavated the throne room suite (yes, re-excavated; in an effort to preserve that which will be not be studied again for a long while, archaeologists will often re-bury their finds). This became important as one of the modern plagues of archaeological sites -- encroaching urban sprawl -- threatened the site of ancient Nineveh.
Russell, associate professor of Art History and Archaeology at Massachusetts College of Art, Boston, came to Nineveh first in 1981, and returned in 1989 as associate director of the University of California Berkeley excavation team to record in detail through narrative and photography the great palace of Sennacherib, the first (and as it turns out, will be the only) documentary work of this magnificent structure. Forty figures of maps, line art, drawings and old photographs complement the 277 plates of photographs and line-details of details of the palace. Virtually no stone was left unturned in this documentary piece -- cornerstones, walls, rooms, floors, doors, court slabs - all the details are recorded in meticulous detail, in situ, with many details drawn out on the black-and-white photographs. Black-and-white photographs are often preferable for seeing the details of writing, carvings and engravings on stonework, so the majority of the images in this book are high-quality black-and-white. There are also colour images which give a sense of the stone work and environment.
In addition to the structure itself, Russell records some of the sculpture and artwork that adorned the palace. In room by room descriptions, Russell describes the statuary, inscriptions and artwork, which help show some of the important images and ideas for the Assyrians.
Finally, Russell describes the patterns of destruction, ancient and modern. The palace originally burned, which is a tragedy not only for the structure, but for its reconstruction.
However, this is perhaps not the most tragic of destructive times for Sennacherib's palace. Russell highlights three periods of destruction in the modern era. The first he terms collecting, something the European archaeologists, largely amateurs, were famous for doing. Layard's first expedition in the 1840s removed a relatively small amount, but was destructive nonetheless. Some of the greatest of sculptures where destroyed in the effort to remove them to the British Museum.
This period, however, led to the second phase of destructiveness, exposure. Things uncovered that are not recovered begin to deteriorate rapidly, particularly if no one returns for 50 years to help preserve things. Layard did backfill many items, but not all. Russell discovered that either some areas had not been backfilled as Layard, and then by King in the early 1900s, or had been uncovered and destroyed by unknown people sometime prior to 1965.
The third destructive phase comes from looting. This is not a problem unique to Nineveh, nor is it a problem that has been dealt with. Many of the figures and plates in Russell's work show 'before and after' scenes -- a beautiful relief on the throne room wall in 1989; a missing slab with broken stones scattered about in 1997. Russell had hoped to return in 1990 to work on extensive preservation, but it was not to be.
Russell has not been able to return to the site, due to travel restrictions, but has had photographs supplied to him from Iraq showing the extensive damage, and many of those are included in this book.
Russell ends his narrative with a plea to include preservation of antiquities as an internationally recognised priority, beyond politics and border concerns. He repeats the concern about documentation and publication that plagues the field, and reminds readers that backfilling after excavation is a necessary step for continuing preservation. So much is at risk in the ancient world.
This is not really a book for amateurs. It is a scholarly book, so the narrative to the non-historian and non-archaeologist may seem flat. It is meant to be a report rather than a story, and it serves that purpose well. Likewise, the photographs are technical in nature, rather than 'glamour shots' -- measuring sticks and scale devices are seen frequently in the photographs, and the lighting is meant to highlight important archaeological details, rather than for aesthetic effect. It is also an expensive book if purchased standard retail. However, you may be able to find it on a special deal, as I did, in which case you will have in your hands the last remnants of Sennacherib's grand palace.