I agree with the other reviewer (ralo91) about what makes the title character so interesting, and I would add that this is one of the author's three or four best works. Bellarion begins as a scholar out of a monastery and in the world for the first time, ending up a nobleman and the leading mercenary in early fifteenth century Italy. All throughout, he prevails through strategy and cleverness instead of brawn or force of arms. As one character observes, Bellarion never aims where he looks.

The glory and honors he accumulates are the last thing on his mind, though. Every step he takes is to advance the cause of Princess Valeria of Montferrat--"sheer knight-errantry" as Sabatini calls it--made all the more interesting because Valeria wants to believe that Bellarion isn't the venal opportunist she perceives him to be, but for the longest time she can't get beyond appearances.

Highly recommended, especially if you enjoyed Captain Blood, Scaramouche, or The Sea-Hawk.

Wnen I was a girl, I read all of Sabatini's novels, and this was my favorite. Sometimes Jane Austen's Fitzwilliam Darcy was my ideal man, and other times Bellarion was. I just reread Bellarion more than fifty years later, and I still love him. He was fortunate, always escaping by the skin of his teeth, but also misunderstood. So brave, so self-effacing, so brilliant. Of course, it turns out all right. But on the way, one worries so about that strange but loveable boy who sets out to walk to school in Padua in the fifteenth century and ends up in all kinds of fixes, meanwhile becoming the leading condottiere in Italy. The most fascinating part about him is his inventive and slippery mind. A really good read.

THIS WAS A EXCELLANT STORY OF THE BUCCANEERS OF THE SPANISH MAIN.
I CANNOT FOR THE LIFE OF ME SEE WHY THIS BOOK IS NOT MORE FAMOUS THAN THE ORIGINAL BOOK. I CANNOT WAIT FOR THE SEQUEL TO THIS STORY TO CONTINUE THE THRILL ON AND ON.

Not so much the return of the Captain, darlin', but his "overlooked" adventures in Sabatini's first book, begining shortly after his escape from slavery. Contains all the clever tricks and swashbuckling you've come to expect in a series of short stories. Sabatini's talent really shines in this format and _Captain Blood Returns_ is entertaining to read all at once or bits at a time.

This is another collection of Sabatini's short stories featuring Peter Blood presented in serial order so the book can be read cover to cover or one story at a time. The plots center around Captain Blood's clever outwitting of his many opponents and incidents brought about by his fame in the Caribbean, including an imposter besmirching his reputation and a clever adversary who sees through one of the Captain's many alternate personas. Highly readable and very enjoyable.

An outstanding omnibus which collects eleven of Sabatini's "lost" short stories and nine stories which are based on events from the historical Casanova's memoirs. Sabatini's short stories are masterful in their pace and ability to immediately immerse the reader in an adventure (invariably featuring a rascally hero) which ends in total satisfaction for the reader, if not the hero. The stories are all set from the 16th-18th centuries in various European locales and are shining examples of the craft of historical adventure writing.

For those who love adventure in exotic and far off times and places, Rafael Sabatini was a godsend. And this one is certainly up there among his successes! Here is a tale about an English gentleman of Cornwall, Sir Oliver Tressilian, who is betrayed into ignominy and bondage by a dastardly kinsman who covets Sir Oliver's wealth and, incidentally, safety for himself. Sir Oliver ends up finding a new and successful life in another culture but cannot forgive what has been done to him so that, when the time comes, he cannot but throw all he has won away in a search for vengeance against those who have wronged him. How this all works out (and it's not that hard to predict though fun to follow as it unfolds), is the subject of this tight little tale of Barbary pirates on the Mediterranean. The Arab world is convincingly, if romantically, portrayed as far as it goes but I felt a decided lack in the development of the Muslim characters. They seemed overly simplistic and one-dimensional to me. On the other hand, the English characters weren't much more richly drawn except for brother Lionel, perhaps, as he wrestles with his private demons in seeking a way to resolve the quandary he has got himself into. The lovely Rosamund was just a paper doll, I fear, while Sir Oliver was, himself, little more than the typical tall, handsome, English gentleman with the touch of the rogue in him. Sir John seemed a bit more human in his dull and plodding way. But, in the end, this tale wasn't about characters as much as about action and there's enough of that, along with betrayals and suspense, to keep lovers of historical adventures glued to the pages until the final denouement. Worth a read and then some but not likley to remain with you afterwards. -- SWM

This has been one of my favorite books since I happened upon it a few years ago. I read it all in one sitting but I have not read it cover to cover again until now.

I was struck by the marvelous characterization, even the villains have a depth that is rather unusual in novels of this period. I was also struck by the intensity of emotion. This is what melodrama OUGHT to be but seldom is.

The hero (rather anti-hero) of the Sea Hawk is Sir Oliver, a Cornish nobleman betrayed or abondoned by everyone he ever loved. Framed for murder, spurned and insulted by his fiancee, sold into slavery by his half-brother, Sir Oliver turns inward and his soul becomes twisted with hate and desire for vengeance. And that's only the first half.

Sabatini should be commended for creating an understandable anti-hero. He should be given a prize for creating a heroine who matches him in intensity. Lady Rosamund is a rare creature (even in our liberated society) a heroine who is femine but with steel behind her smile. She is intelligent and alternately defends and accuses Sir Oliver with equal fervor. Even when he seems to be getting the upper hand and she discovers her hatred of him is unfounded, she remains brave. Marvelous!

It is clear that much historical research was done for this book and the quality of it shines through. This is the best book I have read about the Elizabethan period. (even though the last half takes place in Algeria)

For those who enjoy an old fashioned melodrama, look no further.

The Sea Hawk is one of the best books I have read. I agree with a previous review that you cannot decide whether to love or hate Sir Oliver. He is an ignoble character with a soft side for love, yet so strong willed he does not show it easily. This is a fine classic!

Sabatini's 1923 swashbuckler epitomizes the turbulent years preceding the French Revolution--which of necessity imposes literatry restrictions on the plotting. Despite uneven pacing in spots, the story unfolds with dramatic excitement, intrigue and hidden identity. The protagonist is depicted as somewhat callous, but one wonders how much of his cool heartlessness is but a facade. This adventure read is a romantic piece of historical fiction, which also educates in that it encourages readers to reflect on the legitimate grievances of the French people in the face of the arrogance and authority of the monarchy and the nobility.

Young Andre-Louis Moreau, an illegitimate orphan raised by a kindly landowner in Brittany, is shocked at the swaggering indifference of the local Marquis, who deliberately provoked and murdered Andre's best friend in an unfair duel. Swearing personal vengance upon this hated representative of Privilege, Andre pleges to espouse the very views he formerly ridiculed. Refusing to have his friend's ideas silenced, he becomes atalented rabble-rowser. Once
discovering his amazing powers of oratory, Andre is forced into hiding from regional authorities by joining a troupe of traveling actors who specialize in Commedia del'Arte--based on the Italian style of improvization.

Quickly becoming embroiled in many passionate intrigues--both amorous and political--Andre is swept up as frenzied Paris rushes headlong into emotional fervor over the wisdom and efficacy of a Constitutional Monarchy. Alternately plying his trade as actor/author/manager or as a fencing master, the godson of Gavrillac ultimately is obliged to return to the seething political arena. Throughout his existence Andre is proudly motivated to become the nemesis of the cruel Marquis, which unfortunately causes great anguish among several hearts of the gentry from Brittany. This fascinating tale transports readers to the prelude of the French bloodbath two centuries earlier. En garde! You are just a swordspoint away from becoming hooked!

Scaramouche is not only Rafael Sabatini's crowning literary achievement, it is one of the most engaging, thought-provoking and exciting historical novels ever written.

Andre-Louis Moreau, (or Scaramouche, as he later becomes known), is a fascinatingly complex protagonist. Courageous, intelligent, quick-witted and intensely moral, Moreau is a character whose personal quest for revenge against the villainous Marquis de La Tour d'Azyr is a masterfully-woven story of swashbuckling action, romance and social conflict during the turbulent years of the French Revolution.

Well-born lawyer. Fugitive. Dramatic actor. Expert swordsman. Impassioned, mob-inciting orator. Revolutionary politician. Sabatini sets Moreau upon an intriguing path of fate, development and discovery, a fictionalized yet compelling account of a single man's ultimate test of human character as the world around him spirals into madness.

Sabatini has often been compared to Alexandre Dumas (author of the Three Musketeers, the Count of Monte Cristo) as a master of historical fiction. Though I believe Dumas to be the finest action-adventure writer of all time, and though some of Sabatini's other works (which I have not yet read) have been criticized as overly melodramatic, Sabatini has created in Scaramouche an historical action-adventure novel that transcends Dumas (and all modern action-adventure writers, for that matter) in that Moreau, his protagonist, is a thoroughly multi-dimensional character. Though Moreau is driven by his hatred and his quest for revenge, the spirit of his character is not defined by them, and the conflict of these passions with his ideals brings depth and substance to his exploits on the Theatre Feydau, the fencing halls of Paris, the floor of the National Assembly and his pursuit of the beautiful Aline de Kercadiou.

Duels. Intrigue. Romance. More duels. Moral and political introspection. Its all here. Enjoy!

This book is a masterpiece, portraying not only the time of the French Revolution accurately but weaving a story unsurpassed. This book consists of revenge, for those who loved the Count of Monte Cristo, history, for those who enjoy Patrick O'Brien and the like, action, for Robert Jordan lovers, simply put it is a tale for everyone. The plot seems simple yet Sabatini's deceptive twists and turns keeps the reader on the edge of his seat. The theme of the story, one of equality, is another reason to read this book. For everyone, read this book, you will enjoy it! A book for everyone and a story for the ages, Rafael Sabatini's Scaramouche is a glittering diamond in the stockhouse of books, known as Amazon.com.

Rafael Sabatini was scoffed at by many critics of his day who did not enjoy his melodramatic historical novels but remained popular with the public. (Just goes to show that sometimes the public is right. His best working period were the teens and early twenties of the twentieth century during this time he wrote the Sea Hawk, Captain Blood, Bellarion and Scaramouche. His later books have not quite the ramantic charm but they are still quite a lot better than your average modern historic novel.

The plot is basically a contest of wills on a south sea island between a French corsair who is defending a lady passenger and a rather nasty English pirate. The suspense is well portrayed and there is a rather good suprise ending. (It's not giving anything away to say that no one could forget the severed head scene) I found the heroine to be somewhat dim-witted at times but I really liked the hero, Charlie.

The movie version of this book does not follow it at all (it only borrows a few characters names) so viewing is no substitute for reading the real thing.

I collect Sabatini novels, and when I occasionally re-read a few, The Black Swan is one of the first I'll revisit. It bears almost no resemblance to the Tyrone Power/Maureen O'Hara film; in fact, it's much better. While traveling from a British Caribbean colony to England, Priscilla Harradine and family friend Major Sands encounter Sir Henry Morgan's lieutenant (and former buccaneer) Charles de Bernis just before they are all captured by the notorious pirate Tom Leach. While de Bernis sets about convincing Leach he's on his side, Priscilla quietly falls for the Frenchman and Sands reveals himself to be a pompous old fool. In the end, of course, the hero de Bernis has something up his sleeve and things work out in typical Sabatini fashion.

The plot isn't as complex as most of Sabatini's other works, and it is one of his later books. But while it's a bit lighter, it's still an entertaining read. One interesting difference from the author's other works is the near absence of the misunderstanding between the male and female lead characters that keeps them apart for a while.

This is definitely one I'd recommend.

Rafael Sabatini's The Black Swan takes you through the jadegreen waters and tropical islands of the Caribbean into the violent,adventurous world of pirates and buccaneers. Priscilla Harradine is on her way to England after her father's recent death, accompanied by Major Sands, a devoted but pompous and dull-witted friend of her late father. Just before the Centaur, the ship on which they are traveling casts off, a tall dark stranger bound for Guadeloupe boards. Major Sands resents the presence of the dashing Frenchman, especially after learning that he is a former buccaneer. Priscilla however, much to the indignation of the Major who hopes to marry her, is fascinated by Charles de Bernis. She and the mysterious adventurer enjoy each other's company in the short time before he is to be put ashore at Sainte Croix. But the tranquility of the voyage is soon shattered when Monsieur de Bernis sights a dark image from his past on the morning horizon... The Black Swan is an intriguing, well written book that will keep your attention riveted to its pages. Readers who enjoy it will also like The Sea Hawk and Captain Blood by the same author.

I have loved Sabatini ever since I read The Sea Hawk in 7th grade. His stories are full of swashbuckling and high adventure. I hadn't read Captain Blood for a while, so I took it out of the library. I remembered how much I loved it, so I went down to the book store to order it in hardback to add to my collection. Imagine my surprise to discover that it may be library binding, but not edition. The book has been edited. Whole scenes cut that sometimes may seem incidental when they occur, but actually contribute in some way to the character development and choices made by the character. I would not advise buying this edition if you are a fan of the book. If you have seen the movie and just want to know what the book was really like, there is enough in there to give the flavor. But I advise all Sabatini fans to avoid it and look for an unabridged copy.

Saw the movie, loved the movie; read the book, loved it just as much! This was as just as much fun to read as THE SCARLET PIMPERNEL. Lots of action and moments fraught with danger. The great part about the book is that it lets you in on all the parts you don't see in the movie: how Blood became the scourge of the Caribbean, the inner mental workings of Peter and Arabella, etc. And, oh how I wish they would have brought out in the movie that his ship was named "Arabella" (so romantic!). A must have for recreational reading... and re-reading... and RE-reading!

Rafael Sabatini struggled for years as a writer before striking it big with his fabulous historical fiction stories. His breakthrough, according to the elaborate introduction written by Gary Hoppenstand, came with "Scaramouche: A Romance of the French Revolution" in 1921. Immediately following this novel was "Captain Blood: An Odyssey." These two books alone sealed Sabatini's success with an audience hungry for adventure tales. Hoppenstand argues that Sabatini's fictional endeavors fed an increasing appetite amongst low level industrial workers for stories that placed the little guy against the vested interests (in this case, a wronged man turns pirate and fights back against upper class nobles and landowners), but the story works just as well as an adventure story. Penguin Classics has graciously reprinted "Captain Blood" for the modern reader, and deserves a hearty round of applause for bringing this great yarn to our attention.

The only thing Irishman Peter Blood wants is to be left alone. A trained physician living in Bridgewater, England in the 17th century, Blood spends his days healing the sick, smoking his pipe, and reminiscing about his ten-year stint as an adventurer throughout Europe. When the Duke of Monmouth organizes a rebellion against the tyranny of James Stuart, the King of England, Blood refuses to have anything to do with it despite suffering the abuse of those locals who wholeheartedly support the campaign. Blood's undoing comes when he assists an injured rebel after the royal army crushes the upstarts. Blood sees no contradiction in offering aid to an injured man, but the English soldiers who arrest him insist he is a traitor to the Stuart monarchy. They charge Blood for his "crimes" and sentence him to death by hanging. After commuting the sentence to ten years of slavery on the island of Barbados, the English transport Blood and a few rebels into the hands of the treacherous Colonel Bishop, a sugar plantation owner and a ruthless thug who sees nothing wrong with using stocks, whips, and other threatening devices to control his slaves.

The story rapidly takes off from this point, as Blood escapes and embarks on a career as a pirate. He raids Spanish treasure ships in the Caribbean while pining for Bishop's pretty niece Arabella. Sabatini introduces us to a whole host of despicable characters, from Spanish Admiral Don Esteban, a French pirate named Lavasseur, and a French general named Rivarol who all present a threat to Peter at one time or another. Blood dupes them all through a series of adventures on sea and land. Through it all this Irish pirate never loses sight of his goals: to clear his name and return to England, and to woo Arabella Bishop.

The most notable aspect of this novel is the writing style employed by Sabatini. This guy really knows how to tell a tale, and his language is rich, ornate, and deeply descriptive. His technique seems more 19th century than early 20th. The texture of Sabatini's language adds considerably to the story without becoming too overweening. In a time when language became more functional and therefore less complex, Sabatini strove for authenticity by using older words and lengthier terminology. It works, and it works well in a chronicle about 17th century pirates by making the reader feel as though this story really is from another time.

Sabatini also wrote historical biographies about the Spanish Inquisition and Cesare Borgia, which give Sabatini the knowledge to place Blood in the proper historical context. The year 1688 makes an appearance towards the end of the story, and if you know anything about what happened in England at that time you can probably figure out what implications it had for Peter Blood. In short, this blending of the real and the imaginary continually shapes the events in the novel, thus making the story more realistic. The references to real life people also give the book a halo of respectability.

A few improbabilities mar the otherwise pristine veneer of "Captain Blood." There are certain battles that take place on the high seas that would make it impossible for Blood to accomplish the sort of things he pulls off. The total evilness of the pirate captain's foes presents a few problems as well. The Spanish Admiral Don Esteban, for example, assumes a Captain Ahab like attitude towards Blood after the pirate repeatedly defies the Spanish fleet. It seems unlikely that Esteban would resort to blatant piracy himself to seek personal revenge against one criminal. Despite these few small problems, the story's great style, engaging adventures, and historical accuracy builds a yarn both fascinating and entertaining.

I was about half way through the book before I realized that this is my first pirate adventure novel. What a way to start! I enjoyed it thoroughly on a purely entertainment level, and after reading one book by Rafael Sabatini I would definitely read another. "Captain Blood" is a great way to pass a few hours and undeniably beats spending a like amount of time watching mindless sitcoms on television.

Bardelys the Magnificent is a fairly good novel, one of Sabatini's earliest (my copy lists the copyright date as 1905). His writing isn't quite as polished as it would be later on and the story isn't told quite as smoothly as in other, later books. Still, it's a good and entertaining read.

The Marquis de Bardelys is a court favorite of Louis XIII who is goaded into a wager that he can woo and wed the country noblewoman Roxalanne de Lavédan, the wager being with his court rival who recently failed to win said fair maiden. Upon his arrival at the Lavédans' château, Bardelys is mistaken for someone else and initially unable to correct the mistake. As Roxalanne and he get along, he finds himself afraid of the consequences should he reveal himself to be the notorious libertine Bardelys (whose reputation is exaggerated, anyway). Others jealous of Bardelys for various reasons complicate matters further, and before all is finally resolved, he stands for a while in real danger of losing his head.

I give this three stars in comparison to Sabatini's other works (I have 26 of his novels), but it's still a book I'd recommend for fans of this author or those who enjoy this genre.

After scoring hits two decades into his career with Scaramouche and Captain Blood, Sabatini's American publishers began reprinting some of his earlier works, though he tried to suppress the ones he thought inferior. But even those were being brought across the Atlantic and he eventually agreed to their republication as well, only with an apologetic preface branding them "sins of [his] literary nonage" that he would rather "bury in oblivion." The Lion's Skin is one of those books.

Justin Caryll was raised by his guardian, Sir Richard, knowing neither his deceased mother nor his father, the Earl of Ostermore. Ostermore and Sir Richard had been friends and suitors of the same woman, and Richard grew to hate his friend after the former won the French lady and then went back to England, abandoning her pregnant and alone. At her dying request, Richard raised her son, and Caryll was taught that one day he would be called upon to exact revenge on his father.

As the book begins, Justin Caryll is an adult who journeys to England with the means to ruin his father, only he has misgivings about the whole idea. As he tries to decide what to do, he makes Ostermore's acquaintance, earns the enmity of Ostermore's son -- Viscount Rotherby -- and gets on rather well with Ostermore's ward, Hortensia Winthrop (what a name!). Meanwhile, he is rightfully suspected by his enemies of being a Jacobite agent and he realizes that there is very little to hate in his mild-mannered father.

In the end, Rotherby and a few others think they have what they need to get Caryll out of the way, but too late they learn the meaning of that phrase from Henry V that inspired the title, and which Caryll actually quotes: "the man that once did sell the lion's skin/while the beast liv'd, was killed with hunting him."

The story is fairly good, the writing mediocre, and the historical accuracy not all that great (I think). Still, it's entertaining.

Aspects of this remind me of other Sabatini novels, making me wonder whether he re-wrote certain elements into later works. Ostermore is a lot like the Lord of Gavrillac and the Marquis de la Tour d'Azyr in Scaramouche, and there are similarities to Master-At-Arms and a few other books as well.

The Lion's Skin is worth a read, but only after you've covered Sabatini's better novels first.