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The five main ones are:
Archie Andrews(of course)-a nice, girl-crazy, well-meaning, but VERY clumsy all around American boy who is in love with two girls (Betty and Veronica)
Betty Cooper- a too nice, typical girl next door girl who loves Archie with all her heart. her best friend and worst rival is Veronica
Veronica Lodge- snotty, daddy's little rich girl whos father is a zillionaire! but underneath it all, she has a heart of gold. she loves Archie some of the time, but also uses him as a puppet.
Reggie Mantle- richer than Archie and Betty, but not a millionaire or anything. he flaunts his new cars and stuff in people's faces. REALLY REALLY conceited and in love with himself (also Veronica) the trickster of the gang
Jughead (real name Forsythe) Jones- eats too much, sleeps too much, really lazy, girl-hater. the best friend of Archie, Jughead is really a real great guy. He may look like a slug, but he's really one of the nicest guys in the world
other characters include:
Moose Mason: very strong, very jealous
Midge Klump: Moose's girlfriend, nice, smart
Dilton Doiley: a genious, but short which causes girl problem
Big Ethel: in love with Jughead
Hiram Lodge: Veronca's father, hates Archie
Waldo Weatherbee: principal of the high school, has the same problems with Archie as Mr. Lodge
and many more, but it would take FOREVER to write them all out!
Put them all together, and you get CHAOS!!!!!!! These comics are prettily drawn (and in color). If you buy one of these, you'll be hooked for life! (Hey, they've been running since the 40s! People MUST like them!) I personally would give them 5000000 stars! Buy them and you won't regret it.
p.s. sorry if this doesn't really describe the comics. it's kinda hard to explain, ya see.
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For years I have thought I must read the Tibetan Book of the Dead -- but whenever I tried, it was much too complicated for me to understand.
Sogyal Rinpoche has written this book so that it is easily understood by anyone, even us Westerners, without compromising any of the Buddhist teachings it offers.
In essence, we begin to die the moment we are born. We spend this life preparing to die well. Nothing is permanent, but we spend much of our lives filling our time with activities and pursuits that help us elude ourselves into thinking that what we see and touch is all that matters.
Sogyal Rinpoche says, "To follow the path of wisdom has never been more urgent or more difficult. Our society is dedicated almost entirely to the celebration of ego, with all its sad fantasies about success and power, and it celebrates those very forces of greed and ignorance that are destroying the planet. It has never been more difficult to hear the unflattering voice of the truth, and never more difficult, once having heard it, to follow it: because there is nothing in the world around us that supports our choice, and the entire society in which we live seems to negate every idea of sacredness or eternal meaning. So at the time of our most acute danger, when our very future is in doubt, we as human beings find ourselves at our most bewildered, and trapped in a nightmare of our own creation."
He writes about the importance of realizing the interconnectedness of all living beings (including nature), of meditation (and gives instructions and advice), of finding and being devoted to a good master (something very difficult for Westerners to accept -- he acknowledges that there are fraudulent ones about), of learning to live and learning to die, of letting go of egos and becoming egolessness. Throughout the book, he tells of female masters as well as males, something female readers may greatly appreciate.
Sogyal Rinpoche is from Tibet, and speaks of the cruelty of the Chinese to the Tibetan Buddhists (very similar to the persecution of the early christians, and later the Jews by the Nazis -- when will we ever learn, but then that's the point of this book!)
In the last section of the book, he speaks of "The Universal Process" which is about spirituality, living and dying of all humans, regardless of race, spiritual beliefs, gender or national origin. There are in the back two mantras with explanations and he shares photographs of his beloved masters. Throughout the book are inspiring poems from such poets as Rumi and St. Francis of Assisi, as well as Buddhists. In the very back he gives suggested readings, and offers phone numbers and addresses of Rigpa National Office, where those who are interested can find referrals to cources and study groups in the US, Canada and around the world.
This book is a very good place for the seeker to begin. For those curious about Buddhism, or seriously interested in becoming a Buddha or a Buddhist, or just looking for more thoughts and information on death and dying, this book is excellent, easy to understand, thought-provoking.
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I don't know what the previous reviewer's demands are when reading a novel, but mine are these: the story must create its world - whatever and wherever that world might be - and make me BELIEVE it. If the novelist cannot create that world in my mind, and convince me of its truths, they've wasted my time (style doesn't matter - it can be clean and spare like Orwell or verbose like Dickens, because any style can work in the hands of someone who knows how to use it). Many novels fail this test, but Bleak House is not one of them.
Bleak House succeeds in creating a wonderfully dark and complex spider web of a world. On the surface it's unfamiliar: Victorian London and the court of Chancery - obviously no one alive today knows that world first hand. And yet as you read it you know it to be real: the deviousness, the longing, the secrets, the bureaucracy, the overblown egos, the unfairness of it all. Wait a minute... could that be because all those things still exist today?
But it's not all doom and gloom. It also has Dickens's many shades of humor: silliness, word play, comic dialogue, preposterous characters with mocking names, and of course a constant satirical edge. It also has anger and passion and tenderness.
I will grant one thing: if you don't love reading enough to get into the flow of Dickens's sentences, you'll probably feel like the previous reviewer that "...it goes on and on, in interminable detail and description...". It's a different dance rhythm folks, but well worth getting used to. If you have to, work your way up to it. Don't start with a biggie like Bleak House, start with one of his wonderful short pieces such as A Christmas Carol.
Dickens was a gifted storyteller and Bleak House is his masterpiece. If you love to dive into a book, read and enjoy this gem!