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This book is made for people who like to get a little and beautiful impression of Seattle.
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Since Mary Anne has been sitting for the Kuhn kids, she's noticed how much Jake misses his divorced dad. Mary Anne thinks jake needs a guy to hang around with...but she doesn't tell Mrs.Kuhn this. So Mary Anne invites Logan over to play with Jake while she's baby-sitting.
Everything's perfect--until one day Mrs. Kuhn comes home early and finds Logan there. It's just a misunderstandding, but all Mrs. Kuhn and Kristy see is that Mary Anne has broken the number one rule of baby-sitting. She's invited her boyfriend over. What will happen to the BSC when their other clients find out? Read this book to find out!
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The main story in this book is also title 'A Rose For Her Grave'. It is about a man who murders his wifes to collect on insurance money. Most surprisingly, the man is not some dream hunk ... just some sub-standard car mechanic. And his personality is a bit bizarre, frightening. Yet women seem drawn to him. Fascinating reading. The other stories in the book are grisly affairs, sort of "quick hit" murders on unsuspecting victims; the victims did not know their killers. Compulsive yet uncomfortable reading.
Bottom line: fine true crime reading enjoyment. Recommended.
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All of the other reviews, pretty much tell how riveting the story is, how horrible the crime is, how selfish, the woman who had everything, was. The three beautiful children, unfortunately born to Diane Downs, were truely meant to be sacrifced so that Downs could have what she wanted. Period. What she got was prison. The most horrible thing about "Small Sacrifices" is, it's all true.
Ann Rule knows how to tell the story, makes the reader want to keep reading, and knows how to make you KEEP thinking about the innocent ones in this book.
I read this book about once a year, even if it means I have to go out and buy another one!
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The author had the perfect background for this story: she and Ted Bundy worked together as volunteers at the Seattle Crisis clinic in 1971; she was already a crime writer, and an ex-cop to boot; she was assigned to work on the case of the mysterious North-west killings long before Bundy was suspected of committing them. She also belonged to the same sorority (Chi Omega) where Bundy went on his next-to-the-last killing spree in Florida--the case that finally put him on death row.
"Stranger Beside Me" has almost everything you might want to know about Theodore Bundy: his childhood; the shame he felt because he was illegitimate; his two escapes from prison; the murders he committed and those that he probably committed; the police who were involved in his case; the women who loved him; his court appearances; his confession; his death.
However, the book also has a lot you might not want to know about the author: her bad dreams; her "extrasensory awareness of evil or danger" in various places connected with Bundy's murders; her feelings about his feelings; her on-again off-again loyalty to Bundy. There's a great deal of print taken up about how he was really tearing her up inside with all of his alleged wrong-doings, but I couldn't help wondering if the money she sent to him in prison played a role in his escape to Florida. I also couldn't help wondering if she stuck with him as long as she did (this is probably totally unfair) because of this book contract.
Ann Rule does have a unique insight into the soul (if he had one) of a killer. This is definitely a one-of-a-kind true crime story. It's just that I feel it could have been tightened up and cut from 548 pages (the updated twentieth anniversary edition) down to around 350, or so by eliminating the author's personal psycho-dramas.
Rule's book reads like a curious amalgam of true crime and romance fiction, and, in many ways, this is a love story of sorts. Rule's fascination with Bundy reminds us of the charismatic powers of the sociopathic personality, and its plaint, adaptable face in this competitive culture we find ourselves in. Some might find her portrait of Bundy disturbing: she remains, through most of the book, reluctant to acknowledge the severity and hideousness of his crimes. But she acknowledges them, finally, in her graphic retelling of courtroom testimony, and in her humble incomprehension of the pain that Bundy brought to the lives of many. If you're looking for a book about this iconic figure, it's hard to go past The Stranger Beside Me. One way or another, it's become a classic true crime narrative. Rule taps into the rule of contingency that dogs serial killings: everything takes place merely because of opportunity, coincidence, random fate. And everything seems to have a moral, though Rule is properly reticent about what the moral here might be. My only hesitation concerns the way in which Rule introduces the victims: in some ways, it's more like a roster call than the poignant series of vignettes she intends. There are facts here that have been better discussed elsewhere, perhaps, but because of the strange coincidence that drew Rule and Bundy together, it's a powerful book.
This is the first Ann Rule book I bought ever. She gives insight that other journalists that have "talked to bundy on death row" have not. She not only gives insight as a True Crime Writer and friend of every police precinct in Washington, but she also gives insight as a close friend and co-worker (in a Crisis Center) of Ted Bundy.
We not only see how Ted was before and after he was caught in 3 states, but also what she thought of him during those times. She never sensationalize Ted the Monster, nor catered to "Poor Boy Ted", she just stated what she witnessed of him, and news articles on him.
I must admit though, of all the serial killers I have books on from Women Who Kill to Jack Olsen's books... this one... after I was finished reading the last page, I couldn't go to sleep, I was wondering what would I do if someone came through my window, and didn't sleep well at all. The frightening thing about this book... is... What would you do in Ann's situation if you suspected, and knew there were investigations of serial sex murders on YOUR Best Friend... a very chilling account of "Ted Bundy As I Knew Him"-type of book. I highly recommend this.
Rule also is careful to make sure the reader does not hate Brad. She does this by painting a full picture of the man. Yes he was dishonest and a slim, but Rule shows the reader how he got this way. Brad's father taught him to hate women and his mother didn't help anything telling her son that he was the reason she got cancer.
The story is well told and engaging. I wish it were fiction, sadly it is not. Certainly worth the time taken to read it.
Ann Rule has a way with criminal stories - making them accessible to the average reader but including all the details fit to lure in those more familiar with the genre. She includes plenty of backstory and it's obvious she has spent countless hours interviewing and observing key players. I've added more of her books to my wish list.
[An aside: Does Ms. Rule do a lot more writing of true-crime in the Pacific Northwest than in other areas or is it just location-bias on my part? If so, why? Does she like the area or does the PNW have a lot more murders and serial killings? Just a simple observation...]
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The section at the end of the book about organizing your closet is almost worth the price of the book. I feel like I've got permission to finally get rid of the things I never wear, but keep out of guilt.
The book has some flaws, however.
Despite the 2000 publishing date, it seems curiously outdated in some places. Does anyone still remember the knee-length knit vests that Bea Arthur wore as Maude, thirty years ago? Feldon apparently does.
It's like the low-rise bootcut pant was never invented, either. All the pants shown are high-waisted, pleated and straight (or worse, tapered!). It would be nice to be shown how to wear the new silhouette, which is everywhere, and is definitely a trend, not a fad. (Feldon tells us to buy the trend, and avoid the fad.)
Feldon also describes herself as a black-aholic. Most of us probably already have tons of black in our closets, and are possibly wondering how to phase color back into our lives now that the nineties are over.
I also agree with one of the other reviewers who found fault with the illustrations. The figures are all tiny, with grotesquely disportionate legs, (the legs look like they are three times as long as the bodies.) It's difficult to see how these mutants could possibly want to look any taller or thinner. Still, they do illustrate the clothing styles discussed in the text, even if they don't represent what those styles might look like on an actual human.
I would have liked it if Feldon had given some recommendations on what constitues a basic wardrobe, too, and how to build one that gives you something to wear for any occasion. For that reason alone, it will not be the only fashion book I will be purchasing this year.
These detractions don't spoil the book for me, however. Feldon gives advice for women with short-waists, long-waists (and tells you how to decide which one you are!), pear-shapes, large busts, and other variations and most of us will relate to at least one of these types, and can benefit from advice in this book.
As a short, sturdy person who is not overweight, but who has always had a hit-or-miss history of clothes-buying, I suddenly find myself looking forward to my next shopping trip. Finally, I know what to look for - and what to leave for my taller, younger, or thinner friends.
Feldon maintains that even if we don't want to be judged by appearance, the fact is that we are. Instead of worrying about changing ourselves, Leah gives us what she has dubbed "Camoflage Chic" -- looking good while minimizing flaws. This is the basic premise of most "art of dressing" books, but Feldon's engaging style make it an easy and encouraging read.
Bottom line: Everything She Ever Wanted is typical Ann Rule stuff. That is, it is well-written and researched. No, it's not among her best works. But it makes for pure reading enjoyment nonetheless.
She is the perfect example of a wacko. Ann Rule does a great job of showing what a fake this woman is. Her oldest daughter should be thankful she has nothing more to do with her family that has so obviously lost touch with reality. Too bad her son doesn't support her and instead chooses to side with his pathetic excuse for a grandmother. The worst thing about this crime is that Pat Taylor isn't in jail for the rest of her sad life. Not Ann's best book, but still a good read.
When I read various reviews of her books here at Amazon, I realized that there are many camps of readers.... most reviewers gave consistent high praise for Ann's subject choice and writing style.
Ann's critics seem to have different expectations, and that alters their perspective. I would advise Ann's new readers to consider that Ms. Rule avoids goulish crimes (i.e., Jeffrey Dahlmer's story) and seeks to balance accurate reporting with ongoing empathy for the direct and indirect victims. (She retains close relationships with many of them.)
Ann chronicals the diverse elements that contribute to dramatic crimes and their eventual legal resolution. She paints vivid pictures that allow the reader to follow the intertwining paths of victims, criminals and investigators, without sinking to exploitation of the grislier elements.
These are not novels. People who would like the characters to be more virtuous or villainous, or who expect every loose end to resolve patly, may be disappointed. These also are not psychological textbooks; while Ann shares her vivid impressions of the emotional makeup of key characters, this is not her primary focus. I thank her for not fabricating or embellishing the real people in an attempt to turn them into convenient "characters."
Ann respects and honors the dedicated work of the investigators and attorneys who resolve these cases. Each book takes great care to follow and praise the efforts of the true "heroes" of the tale.
I always find myself slip effortlessly into the stories she weaves, and appreciate the care Ms. Rule puts into structuring each book. Many (such as "Bitter Harvest" and "Dead by Sunset") restored my faith that justice can ultimately be served. Others ("Everything She Wanted" and "The End of the Dream") acknowledged that for some people, a tragic downfall can never be overcome or even fully explained.
"The Stranger Beside Me", especially in its appended version, is perhaps Ann's ultimate work because it draws on her personal relationship with the key character, Ted Bundy. I encourage anyone who has a love of criminal investigation, psychological exploration and the pursuit of justice, to sample her works.