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Hot, Sour, Salty, Sweet is, without a doubt, the best cookbook I have ever read. It is part travel novel, part anthropology lesson, and -- in large part -- a primer for westerners in Southeast Asian cuisine.
Easy to read, straightforward in instruction, its' only flaw is that -- in rare instances -- recipes may include items not available in even a metropolitan Asian market. (I have been to all of the Asian markets in Little Chinatown in Chicago and have yet to find coriander root!) But the ingredients are largely available at most Asian markets and even some larger supermarkets, and substitutions are often recommended.
The grilled chicken with hot and sweet dipping sauce has become a family favorite. The dipping sauce was so flavorful, so simple yet so complex in flavor -- I was surprised that I had made something so delicious.
Buy the book -- you won't be sorry!
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It's great to pull a card when you're stuck on your own but it's also an effective tool for groups. My writing group uses it for 20 minutes of free writing during our regular meetings. It's fun to all work from the same card and come up with so many different slants and stories.
Even if you don't feel like writing, the book is filled with hundreds of inspiring anecdotes about the techniques and ideas of famous writers.
I highly recommend it!
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By inviting her readers to share in her own pain and struggles, Rabbi Levy shows each of us, first hand, that it is possible to overcome even the most insurmountable obstacles and tragedies in one's life. She shows us that, no matter how painful it may be to confront the torments of our pasts, this confrontation is a necessary step on the road to healing. I have yet to read an author who has touched me on so many levels.
By inviting her readers to glimpse into the lives of her congregants, Rabbi Levy shows us that, no matter how alone we may feel in our day-to-day struggles, there is always someone else who can understand or empathize with our pain.
I recommend this remarkable book to everyone whose spirit and soul could use a lift. This book offers so much to so many. Thank you.
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These elements (in whichever order the author chooses to give them to the reader) are essential to good character development and indepth plot construction. In "The Egyptian" Mika Waltari not only manifests these 'essentials' with the gifted hand of a Houdini; he weaves them into a historical setting that virtually brings ancient Egypt alive.
No one can read this book and not experience the strength of true love; the foolishness of the human heart; the dreams men have dreamt throughout the ages; or fail to see the insight with which one man perceives himself, and those he comes in contact with. This is a must book for all:
Physicians, lovers, dreamers, and psychologists alike will walk the streets of ancient Thebes and smell the fish broiling on open braziers as the sun slowly settles into the Land of the Dead.
Walk the Black Lands. Flee to the Red Lands. Love the beautifull Nefernefer. Stand beside Pharoah. Savor the best life has to offer, then shiver at the bitter taste of misfortune. Learn life as it has never be taught before, or since.
Published originally in 1945, The Egyptian was an instant international success. It has since been translated into at least five different languages. It's time for you to find out why
Sinuhe is a loner and a wanderer, whose self-imposed exile from his native country takes him to Syria, the ancient Hittite kingdom of Hatti, and Crete, before finally returning to Egypt, at the same time that Akhenaton attempts to overthrow the reigning god Ammon and his priests, and install his own vision, Aton, the one and eternal god, in Ammon's place. As a political move, trimming Ammon's power in Egypt may have been a wise idea; the priests' power had grown so great that it was challenging that of pharaoh himself. But as a religious experiment it was a disaster, especially in a country as rigidly conservative as ancient Egypt where change of any kind was anathema. We see Akhenaton as a visionary out of touch with reality and with his people, a tragic figure doomed to failure. And we share Sinuhe's ambivalence about this enigmatic figure, intrigued by pharaoh's vision of one just god who brings equality to all mankind, but repelled by the spreading social chaos this vision brings with it, especially when it threatens his own security and the lives of those he loves.
Waltari bring us some of the people that have only existed in the pages of history books -- Akhenaton himself, his incredibly beautiful wife Nefertiti, his scheming, conniving mother Queen Taia, the boy king Tut, and Horemheb, the military general who became pharaoh after Akhenaton's death plunged the country into near anarchy. But "The Egyptian" fortunately doesn't read like a history textbook; Waltari makes ancient Egypt and his characters come vibrantly alive. And Sinuhe himself is wholly believable; a man of his own time and all time, sometimes wise, sometimes foolish in the extreme, trying to find his own place in his world, sometimes succeeding and sometimes not. Waltari is not only a great novelist but a fine historian, and he kept the background scrupulously accurate. The book is true to its time and its location, and Naomi Walford's excellent translation into English keeps the reader moving along effortlessly from the first page to the last. "The Egyptian" is Waltari's masterpiece; it's one of the best historical novels ever written.
I fell in love with Sinhue as a teenager and have yet to find a more strangely attractive male character in any other book. Sinhue is not a man of action, but a thinking man who loves deeply and is loyal and compassionate. Yet he is also flawed in a way that makes him all the more mysterious and vulnerable. His wiley slave Keptah, the love of his life, Minea, who dances before the bulls in her homeland of Crete, the Pharoah Anknaton, the princess Baketamon and many more characters both fictional and factual are skillfully created and come alive in the beautifully described setting of the ancient world.
I was very gratified to read the other reviews. It seems I am not alone in my life long love of this magical novel. Read it because if you don't you will be missing something in life. But I warn you, no other book you read afterward will ever quite measure up to it.
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It's not just all emotion....the authors have facts and figures and references. The historical content was so interesting to me.
In a perfect world, all mothers would breastfeed their children; this isn't a perfect world by any means. If, however, those who are against breastfeeding (for whatever reason), would read this book, perhaps they would see things differently.
And yes, there are mothers who can not breastfeed, no matter how hard they work at it, no matter how much support they have...I'm not against artificial baby milk: I'm against the way it's marketed and the way the companies undermine a new mother's attitude - by supplying her with formula as she leaves the hospital - in a "Breastfeeding Success" diaper bag! Honestly, I received one of these after having my son. What kind of message is that for a new mother - and why are we allowing this to happen in the USA after agreeing to adhere to the code?
Everyone ought to educate themselves - especially expectant parents, fathers included!!! The WHO Code is an important agreement and we should all be aware of it. This book is perfect reading - loaded with information.
Sections cover: * Breastfeeding customs around the world * Wet nursing, surrogate feeding and healing qualities of breastmilk * Cow's milk is for cows * Artificial feeding * The global search for formula sales * Women and work
Of particular interest is the United States' historical/cultural lack of support of global breastfeeding policies and the strength given to formula companies to dictate the health of America's babies.
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As luck would have it, Vlad (as he likes to be called) is a talented photographer and writer. Somehow he manages to keep a journal and take pictures during his entire tour of duty. Now he shares the pictures with us. Plain pictures of grim, haunted young men. Men who will never go home. Men who will die within hours of being photographed. Men resting briefly before the next battle or ambush. The book is built around these photographs, with accompanying text that is simple and spare.
Vlad serves his time, but really, he never comes home. In his spare, simple writing, his consciousness wanders back and forth between "home" and Afghanistan, never at peace. For him, only the war experience is real. The only people he can really feel at home with are Afghan veterans, and--interestingly--veterans of Viet Nam.
Afghanistan is not a sentimental book. It is a simple, plain-spoken account of a very bad time. It is a powerful statement about war, all war, yet it does not lecture the reader. It is not a book you enjoy, but it will make a deep impression on you. It is exquisite photo-journalism. I recommend it highly. Reviewed by Louis N. Gruber
After his conscription, Vladislav went to basic and airborne training, where by his description the training was wholeheartedly inadequate to the task at hand. But then, armies can train basic trainees in the very basics of soldiering but they can never fully prepare them for the realities that lay ahead when facing actual combat. Of note is the fact that he and his fellow trainees spent a lot of time on the airborne training only to never use it in Afghanistan.
Armed with this most minimal of training, Vladislav and his fellow basic training graduates headed off for Afghanistan. Landing in Kabul he saw the first of many dichotomies where the people of Afghanistan attempted to continue to live their lives the best they could despite rocket attacks and a constant shifting between the Afghanistan government's forces and the Mujahadeen. To add to his already cumbersome load of trying to learn how to survive in combat, he was also immediately picked out to be a minesweeper, the job that few soldiers of any army wants to have.
Vladislav goes on to tell us of the many strife's and hardships that both he and his fellow soldiers endured and some which who did not survive. I found the style in which he told his story to be quite compelling as he tells it with a great depth of emotion to include areas where he seems to almost be in a dream/nightmare state where in one paragraph he's home, he's made it and in the next paragraph he's still in Afghanistan running for his life or attempting to save a friends life.
Of interest is how for quite some time at the beginning of this war the Soviet people were not told what was happening and why young soldiers were coming home in zinc coffins. To us, as Americans, it would seem unthinkable for our government to commit so many assets to a combat action without telling the general populace. To think that the USSR attempted to do is almost inconceivable.
Overall this is a story in pictures and words that is very telling of the experiences young men go through in war and the author deserves high praise for bringing it to print and those of us fortunate to have read it! I myself am in the Army and I found that I learned a great deal from this person that today I call a friend but back in my early days in the Army I was told he and his fellow soldiers were my enemy, thank God that's a war that never happened. I hope for him today that the demons of this war do not still haunt him for he and his fellow Afghansti have seen enough demons!
I highly recommend this book to any and all for it will certainly enrich your knowledge of the Soviet Afghan war and bring you in touch with the author who a truly honorable man who when he was but a mere teenager was forced to grow old before his time. {ssintrepid}
Tamarov describes the history--official and unofficial--behind the Soviet presence in Afghanistan, training prior to deployment, and the four types of military action that took place there. Weapons are also described, and there are also photographs of unexploded mines, minesweepers at work, and many photographs of the other young men who served with Tamarov.
The one thing that struck me over and over again as I read this book was the word "WASTE." The photographs of the young soldiers who never returned home stand as a monument to the utter ridiculous waste that occurred under the name "Afghanistan War." What difference did it make to the world or humankind? Has anything changed as a result? Did the world improve immeasurably or even measurably for that matter? The answer to those questions is a single, loud resounding 'NO'. And the only message that can be drawn from this book is the utter futility and madness of war. I would like to commend the author for creating a memorial through his marvellous photographs for the men who seem to be destined just to become empty statistics. The young men memorialized in Tamorov's photographs did not belong in Afghanistan, and neither did they deserve to die. I am glad that someone was there to record their short lives before they were stolen away forever--displacedhuman
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And for closing, I am quoting my Chilean Aunts mother (who lived in Argentina during the first Peronist Period): "I saw her from the distant and to this day I have never seen a woman more beautiful. She was and is a Goddess. Everything about her was larger than life. She looked my way and her dark eyes pierced my soul. I will never forget her look."
This book offers a glimpse of the awesome power this remarkable woman had in life and still holds 50 years after her tragic demise.
Evita lived in a time before television was widely used, and since she was a politician she did not have many spreads in glossy magazines (once she became First Lady, her "cheesecake" portraits - taken while she was an actress - were supressed). Therefore, most of her pictures were used in newspapers, giving them a grainy feel. Often, the quality of pictures you find of Evita seem to be much poorer quality than what you would expect from something taken merely 50 years ago. EVITA: AN INTIMATE PORTRAIT OF EVA PERON is an exception, perhaps the best exception I have ever found. Most of these pictures are clear and crisp, though they are all black-and-white.
One thing this collection of pictures reveals is that Evita truly was not what would be considered a conventionally beautiful woman. She was certainly beautiful in her publicity photos and propaganda portraits (some of which are reproduced here). But in a day-to-day setting - such as the enclosed pictures that depict her having lunch, leaning against her dresser, yelling at a policeman for obstructing a youth's access to her - she was a somewhat awkward, even at times homely, woman. But she was a master of image. As Nicholas Fraser and Marysa Navarro point out in EVITA: THE REAL LIFE OF EVA PERON, she had an astonishing instinct, almost a sixth sense, for knowing how image affected people. This talent of hers is demonstrated when one constrasts the behind-the-scenes pictures of her as an awkward woman, with those gorgeous photos of Peronist propaganda. She wasn't a conventionally beautiful woman, but she knew how to make it seem as though she were.
The portions of EVITA: AN INTIMATE PORTRAIT OF EVA PERON that I found most interesting, and most haunting, were of Eva as a young girl in her hometown of Junin, and the pictures taken of her shortly before her death. There is one particularly chilling scene of Evita, reduced to a mere 77 pounds by the cancer that had invaded her body, standing on the balcony of the government house to greet the tens of thousands gathered below. She spoke, yelled, actually, about taking justice into her own hands, warning her political enemies of the day that she would "go forth with the poor of the country and leave no brick standing that is not standing for Peron!" The rise from poverty, the contrasts, the extremes ... it's all palpable in these pictures.
This woman was a genius.
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The stories contained here will bring a smile and evoke a tear, as science, medicine, religion and spirituality exquisitely merge together throughout the pages of the book. Rachel embraces the world and the reader with her compassion and love for humanity. As you read through the pages, you will be left with a better understanding of life's true meaning and purpose; it is a well-written and thought-provoking book.
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This book portrays a stunning sketch of Canadian History and Culture in the late 1800s to early 1900s. The character personalities are so real and so amazingly "human" that one cannot help but fall in love with them. You really get a taste of PEI in its glory.
This story is set in Avonlea, Prince Edward Island (Canada), a fictional settlement which is really Cavendish, Prince Edward Island, the place where Lucy Maud Montgomery, the author grew up.
The main character is Anne Shirley...and eleven year old, enigmatic, imaginative, sparkling, highly intelligent orphan who is sent to Green Gables, a farmhouse in Avonlea, under the impression that she was to be adopted by a pair of elderly siblings, Matthew and Marilla Cuthburt. But, apon arrival to Green Gables, Anne discovers that there had been a horrible mistake...the Cuthburts never wanted a girl...they wanted a boy who could do the chores and help Matthew with the farm. Anne was was in the "depths of dispair". Matthew, on the drive home from the train station had taken a great shine to Anne and had his heart set on keeping her, regardless of any mistake. Marilla, however, was not so easily enchanted. She agreed to let Anne stay at Green Gables on trial, to see if she would behave herself and lend a helpful hand to Marilla. After the trial, Anne is welcomed to Green Gables and flourishes under the love of the Cuthburts and all Avonlea folk. Anne, however, has one big problem. Her Hair. It is a hopeless shade of carrotty red and Anne felt that it was the ugliest hair anyone could imagine. She was extremely sensitive about it and she was horribly embarrassed about it. On her first day of school, Anne's hair was made fun of by Gilbert Blythe, the smartest and handsomest boy in school. "Carrots! Carrots!" he said. Anne's temper got the better of her and she was so angry she broke a slate over his head. After that, for many years, she snubbed Gilbert every time he spoke to her and he developed a boyhood crush on her.
Ah, but to keep this review interesting and the book mysterious, I will stop telling you the story and begin reviewing. The characters in the book are so well-defined that it seems to you that you know every character personally, like an old friend or neighbour.
And by all means, don't let the age recommendation fool you either...this book can be read by all ages alike...and I have no doubt that this book will still be my avid favorite at the age of 85.
The book is not boring, contrary to many opinions of those who read the first chapter of small print and historical settings. The discriptions will place you right into the heart of the story and you find you will laugh and cry while reading this story. Every time I read it I cry at a certain part which I'm not sure if I should reveal to you for fear of spoiling the good parts in the story, but it is dreadfully sad. If you read the book, then you will know what part I am talking about. The one saddest part in the whole story.
Although this book has some old ideas and ways of expressing them, you will learn a great deal of Canadian history through them and there's no doubt in my mind that this book will still be popular decades and most likely even centuries to come.