I found this book at our local library here in Albuquerque, and just had to own a copy. For anyone with an interest in Chopin, this book is an incredible gold mine of facts and details you won't find anywhere else, but Chopin is really only a small part of the wide-ranging subjects covered. Everyone who was anyone in Paris in the 1830s and '40s figures in this book, and people and events are also connected to the wider world of Europe and even America. The major composers, writers, artists, social reformers, politicians, and even doctors are covered. Nearly everything you might want to know about daily life in the first half of the 19th century is also described (will definitely cure you of any longing for the "good old days"....).

William Atwood is a dermatologist, and his descriptions of the medical thinking and practice of the time were especially interesting to me. As a holistic practitioner, I appreciated his discussion of the popularity of homeopathy in the 19th century. Chopin, of course, used homeopathy instead of the brutal methods of the allopathic doctors of his time, and seems to have been far better off than he would have been otherwise.

This book was a great help to me in clarifying Chopin's place in his time and adopted country. I expect to refer to it often.

What pleasure it is to be able to sit down and write a review of a truly enjoyable book such as this one. As I sit here typing I am listening to some music from one of the greatest composers of the 19th Century, Frederic Chopin. Fitting no less, as this book provides the reader with a guide through the City of Paris as seen and experienced by Chopin during his time there.

The author, William Atwood, has written two previous books on Chopin and in this third book he shows that he has a deep understanding for Chopin and his time. Covering the period from 1831 to 1849 Atwood covers all manner of subjects in his discussion of Paris, that beautiful city that seemed to produce some of the greatest artists in Europe. The author provides you with an insight into the social and artistic scene as well as some of the more interesting people, places and activities of Paris.

The book covers not only music and musicians but poets, writers, painters, the opera and theatre, medicine, bohemians, people of the street and how they all lived and survived during this turbulent period. The story just flows along smoothly and some of the stories are just amazing.

For instance when Paris decided to solve the sewage problem that tended to blot the city streets they changed the roadways contours from concave to convex allowing the swill and sewage to run off the roads into the new drainage system. The only problem with this was that not all the drains were properly covered and children often fell through the drains into the underground sewer system!

Another interesting little story in the chapter on medicine informs the reader that during the craze for bleeding as a form of combating illness that swept Paris during the early 1830's it was estimated that by 1833 Paris was importing 41.5 million leeches a year!

One of my favourite stories was the tragic tale of Alphonsine Plessis, the lady of the camellias, which can be found in the chapter regarding bohemians and demimondes (I don't want to spoil the story for anyone so you will have to buy the book and read it for yourself). According the Atwood the people of Paris still leave offerings of flowers on her tomb at the cemetery at Montmarte.

For anyone who loves good history, the arts or just a well-written book I am sure they will enjoy this story. In the pages you will find some of the greatest names in the world of the arts, Frederic Chopin, Eugene Delacroix, George Sand, Honore de Balzac, Hector Berlioz, Alexandre Dumas, Victor Hugo, Franz Liszt, and many many more. The book also provides numerous black and white illustrations showing Paris, its people and its buildings, during this time. This is a great story, an enjoyable read and an interesting piece of history.

Bruckner's work is appreciative and critical -- sometimes too critical -- of a man who produced more type than anyone except Morris Benton. His account of Goudy's life and work is exhaustively researched and hightly opinionated, yet this is a marvelously entertaining book to read. It's also well-designed, as a series titled "Masters of American Design" should be. He gives many examples of Goudy's own typography, and reprints in full the examples of his type designs in "A Half-Century of Type Design and Typography." Thus far, this is the only book on Frederic Goudy. By all means, contact the publisher and demand a reprint.

What an exhaustive study this must have been! The author not only guided us through the life of this scumbag invader of central america, he also showed us the historical significance of his actions on u.s-latin american relations.

There's much more to the type of Frederic Goudy than Goudy Oldstyle, and you'd be suprised at some of the familiar typefaces that came from his hand. He created over 100 types, including what is now known as Berkely and Copperplate. Most designers are lucky if ONE of their types finds its way into common use. Goudy has at least ten. This is a facsimile of a volume that appeared in Goudy's lifetime. My only complaint is that I wish it had been reproduced on letterpress -- printed pages produced by modern means do not carry the same authority, or produce the characteristic relief of the old printing methods. Nonetheless, we are fortunate to have it available.

The law of England underwent major changes under the energetic leadership of the Plantagenet kings. This scholarly work traces and outlines this most fascinating and actually entertaining period in legal history.

Before the acts chronicled here, the business of law enforcement in all its various forms, both civil and criminal, was a rather haphazard and local affair. Magical ordeals, often administered by the clergy, and probably fixed by them to reach what they thought the proper outcome, were a major method of trial. Noblemen could fend off charges by their inferiors by swearing they didn't do it, and finding enough people to swear that they believed 'em. Disputes between nobles were as often as not settled by the sword, in either actual battle or ritual combat.

The Plantagenet kings made this imperfect system obsolete, not by legislating it out of existence, but by offering a superior product. They introduced the grand and petit jury, whose ultimate origins are obscure, but which may trace back to the Scandinavian ancestors of the Normans. New forms of litigation were set up beside the old ones, only these led to the royally instituted jury rather than the old forms of trial by oaths, magic, or battle.

And, having this parallel system in place, attorneys were careful to frame their pleadings so as to bring their litigation within the ambit of the new trials, rather than the old ones. These basic legal reforms, helped along by certain legal fictions made necessary to achieve the desired result, became the foundation of a legal system more suited to a national state with a central royal government, rather than the patchwork jurisdictions of feudalism.

This fascinating story is told in all its detail in these old but still intriguing books.

This is a very realistic account of the Civil War from the standpoint of a common Union soldier. I learned a lot about the reality of the war from this book. In particular, the annual journey home for the winter, followed by the return to battle for the spring and summer was a revelation. The characters were real, if not spectacular, as was likely the case. Bill Rohm is a friend, and I am proud of his accomplishment in completing this small treasure. Every schoolchild should read this book to have a better understanding of that time in our history.

J, Stephen Reid

I first read lives of the musicians when I was about 7 yearsold or so. Then, I thought it was terrific. I still do. However, I amnow 12 years old, and now that I have paid more attention to it, I see several faults, but overall it is still a very good book. First of all, their choice of musicians is not the best. I would have recommended Debussy and Schubert, like the Kirkus Reviewer. Some of the composers I have hardly ever heard of, like Igor Stravinsky or Nadia Boulanger. And while Clara Schumann was a great pianist, I think they should have focused more on her husband, Robert, a prolific composer, whose works are among the very best. Also, some of the parts of the biographies are questionable. Frederic Chopin may not have actually been romantically involved with Aurore Dudevant (George Sand), but in love with the Countess Delphine Potocka. The book states that the Waltz in D-Flat, or Minute Waltz, was written for George Sand's dog, when in fact it was probably written for Potocka. However, the book was still very well written, and I enjoyed it, despite the possible mistakes. I recommend this book to anyone who likes music, classical or not. So sit back and enjoy!

I loved this book because it made those musicians seem like real people instead of great-all-star-super-geniuses. It is full of strange little facts about all the famous musicians like Bach,Gershwin,Beethoven and Schmann.

---Megan W.

This book provides interesting insight into the lives of composers. I teach music to elementary and high school students and I read this book to all of my students. They all enjoy learning the details of the composers lives. The book presents the composers in such a way that the students remember the information about the composers. The book does not provide information about what the composers' music sounds like, and that is something I also like to teach. A great book to gain kids'interest in famous composers.

Shortly after the American Civil War, John Muir, a 29-year-old budding naturalist, set out on an epic journey across the eastern United States. Starting in Louisville, Kentucky on September 2, 1867, he walked southward through Kentucky, Tennessee, North Carolina and Georgia, where he was delayed in Savannah. After crossing through Florida he finally reached the Gulf, but, unfortunately, his desire to continue on toward South America was hindered by an illness. Not fully recovered, he eventually made for Cuba, but went no further. Muir returned home only to set out for California a short while later. During his journey, he kept a journal in which he recorded his experiences and observations of the flora and fauna he came across. This journal, along with an article written in 1872 and a letter that he wrote while in California, constitute A Thousand-Mile Walk to the Gulf, which was originally published in 1916, two years following Muir's death. Although there are a few instances when the author reveals himself to be a man of his times, his observations of a natural world which in many instances have long since been destroyed, are priceless.

As the human population expands the natural world around us disappears. This is a fact we mostly ignore as we go about our daily life. One day, you wake up, and discover that within your own lifetime things have been permanently altered.

When John Muir made his "Thousand-Mile Walk to the Gulf" the U.S. was not as heavily populated as it is today, although much had changed from the time when European settlers first moved through the area he explored -- a path that stretched from Indianapolis Indiana to the Gulf just north of what is Tampa Florida today.

Muir moved South in the aftermath of the Civil War, so he encountered much unrest, unhappiness, and destruction along the way. He describes not only the flora and fauna he found but the condition of humans as they struggled to rebuild their lives.

He says, "My plan was to simply to push on in a general southward direction by the wildest leafiest, and least trodden way I could find, promising the greatest extent of virgin forest." To a great extent, he was able to do that, however, he could not escape some of the realities of the world around him. For example, in Georgia, he encountered the graves of the dead, whom he says lay under a "common single roof, supported on four posts as the cover of a well, as if rain and sunshine were not regarded as blessings." A bit further he says, "I wandered wearily from dune to dune sinking ankle deep in the sand, searching for a place to sleep beneath the tall flowers, free from the insects and snakes, and above all my fellow man."

Muir wonders at the teachings of those who call themselves God's emissaries, who fail to ask about God's intentions for nature. He says, "It never seems to occur to these far-seeing teachers that Natures's object in making animals and plants might possibly be first of all the happiness of each one of them, not the creation of all for the happiness of one. Why should man value himself as more that a small part of the one great unit of creation? And what creature of all that the Lord has taken the pains to make is not essential to the completeness of the unit--the cosmos?"

Partly as a result of his writing, and the writing of other Naturalists, the National Park System came into being, and today, more trees grow on the East coast than grew in the late 1700s (American Revolution). The fight is not over, however, it has only begun. Many of those trees are "harvested" every year. Sometimes, even within National Forests they are all felled at the same time through a process called clear cutting. The lovely large oaks that Muir beheld are mostly long gone and have been replaced by Pine.

This is one of John Muir's best books (the other being _First Summer in the Sierra_). It's Muir's slightly-edited diary of his 1000-mile trip through the Southern U.S. to Florida, then Cuba. He traveled on foot observing nature and the people. The book holds your interest as it's written on the spot through the enthusistic eyes of a young man. It reminds me a little of Mark Twain's book _Roughin' It_, another story through the eye's of a young man latter to become famous (about working on antebellum riverboats).

I feels like i am reading both "The Stranger" and "All Quiet on the Western Front." I was hoping to get something from it but i was disappointed from what i considered the best combination of both novels.

For almost seventy years, this book was only readily found in an 'expurgated' version--that is, an abridged edition published first in 1929. Manning originally published his novel privately, but when it was introduced to the public (anonymously in the first editions), his editors felt that the language was too crude and for the genteel reading public and cut the book down to fit the day's standards. It is only now that we can appreciate the true power and honesty of a book that has been overlooked for too long.
Her Privates We is not a story of war so much as it is the story of men involved in that war--it is only in the final chapters that any real battle scenes take place. For the majority of the book, we are treated to an account of the life of Private Bourne (Manning himself in a literary disguise) during the five months of the Battle of the Somme (July-November, 1916), one of the most tragic and deadliest battles of World War One. To really explain the plot would be to give away the true experience of reading the book, but I guarantee, there is no account of World War One that can be compared to this work. It is unique and as relevant today as it was in 1929.
There is no attempt at hero-worship or empty patriotism in Manning's work. He telling the story of a group of men trapped in a world for which they were never prepared, and their humanity shines through it all. Their language is coarse, their opinions of the war, women, their fellow soldiers differ, but ultimately, they are all in the same Hell and are bonded together in a desperate hope of survival. Manning's is one of the few War works that does not follow the Victorian pattern for novels (hence why it is seldom mentioned in reviews of war literature). He is not trying to help his readers escape, but rather forcing them to face the reality they had created.
It is clear, even in his prose, that Manning was a skilled poet. Throughout the novel, there are flashes of beauty in the writing itself:

"She knew nothing of their subterranean, furtive, twilight life, the limbo through which, with their obliterated humanity, they moved as so many unhoused ghosts, or the aching hunger in those hands that reached, groping tentatively out of their emptiness, to seek some hope or stay."

As well as humor. After a paticularily confused conversation with a French woman with whom they have been billeted, Bourne's superior complains to him:

"I wish to God I knew a bit o' French" said the corporal earnestly.
"I wish to God you wouldn't mix the little you do know with Hindustanti," said Bourne.

The incredible humanity in this book has seldom been paralleled, even in modern literature. Manning's genuis has been overlooked for too long and it is time that his masterpiece was rediscovered to teach a new generation what war is really like.

The most moving book on warfare that I've ever read. Manning takes the reader into the trenches of WWI and through a masterful use of the language shows the struggles of one young, educated Private as he endures the hardships of war. This book was formerly titled The Middle Parts of Fortune. Outstanding from cover to cover.

The "Self-Assessment Color Review" collection is very nice and I can recommend the reptile and amphibian one. In my opinion, this book is not intended to give you a profound and detailed picture of the diseases but it more or less tries to confront you with real-life situations. Excellent for students or clinicians who want to deepen or broaden their interest.

This book is packed with interesting cases of amphibian and reptile medicine and surgery. All the important/ common diseases are dealt with. Some diseases are replicated but this serves to help the reader learn about those in more detail. An excellent aid to revision for vet students and vets in practice who wish to test themselves and learn extra tips and facts in this area. The small size and 'quick fix' nature of the book encourages the reader to dip into the book in quiet moments and learn something new or refresh the memory. Should also be interesting to keep herp owners.