However, the format of the book may be improved by the following suggestion: the book should use different font size to distinguish different level headings.
List price: $11.95 (that's 20% off!)
It is also an excellent resource for the more advanced users, with good informative coverage of advanced editting techniques w/vi. The section on the various clones is also well done.
If you get this book, it is worth getting the little vi Editor Pocket Reference book, too, because its small size (~ 7" x 4" & 72 pages), makes it a convenient and easy to use reference book. I keep one of these little guys by the home linux machine, and another one at the office, too.
Do not think that all "The Decameron" deals with is sex. The mostly illicit sexual encounters depicted are some times funny, sometimes sad, but they share a common trait with the stories from the Tenth Day, for example (these ones are mostly about sacrifice, abnegation, and servitude), or with those of the Second: Boccaccio's concern for his society and the terrible tensions that had reached a breaking point by the 14th century. The Plague, in Boccaccio's universe, acts as a catalyst of emotions, desires, and changes that had to come.
Read, then, about Alibech putting the Devil back in Hell, Lisabetta and her pot of basil, Ser Ceperello and his "saintly" life, Griselda and her incredible loyalty in spite of the suffering at the hands of a God-like husband, Tancredi and his disturbing love for his daughter, Masetto and the new kind of society he helps create with some less-than-religious nuns, and then it will be easier to understand why Boccaccio is so popular after 650 years. And although it may be skipped by most readers, do not miss the Translator's (G. M. McWilliam) introduction on the history of "The Decameron" proper, and that of its many, and mostly unfortunate, translations into English. This book is one of the wisest, most economic ways of obtaining entertainment and culture. Do not miss it.
Second-hand opinions can do a lot of harm. Most of us have been given the impression that The Decameron is a lightweight collection of bawdy tales which, though it may appeal to the salacious, sober readers would do well to avoid. The more literate will probably be aware that the book is made up of one hundred stories told on ten consecutive days in 1348 by ten charming young Florentines who have fled to an amply stocked country villa to take refuge from the plague which is ravaging Florence.
Idle tales of love and adventure, then, told merely to pass the time by a group of pampered aristocrats, and written by an author who was quite without the technical equipment of a modern story-teller such as Flannery O'Connor. But how, one wonders, could it have survived for over six hundred years if that's all there were to it? And why has it so often been censored? Why have there always been those who don't want us to read it?
A puritan has been described as someone who has an awful feeling that somebody somewhere may be enjoying themselves, and since The Decameron offers the reader many pleasures it becomes automatically suspect to such minds. In the first place it is a comic masterpiece, a collection of entertaining tales many of which are as genuinely funny as Chaucer's, and it offers us the pleasure of savoring the witty, ironic, and highly refined sensibility of a writer who was also a bit of a rogue. It also provides us with an engaging portrait of the Middle Ages, and one in which we are pleasantly surprised to find that the people of those days were every bit as human as we are, and in some ways considerably more delicate.
We are also given an ongoing hilarious and devastating portrayal of the corruption and hypocrisy of the medieval Church. Another target of Boccaccio's satire is human gullibility in matters religious, since, then as now, most folks could be trusted to believe whatever they were told by authority figures. And for those who have always found Dante to be a crushing bore, the sheer good fun of The Decameron, as Human Comedy, becomes, by implication (since Boccaccio was a personal friend of Dante), a powerful and compassionate counterblast to the solemn and cruel anti-life nonsense of The Divine Comedy.
There is a pagan exuberance to Boccaccio, a frank and wholesome celebration of the flesh; in contrast to medieval Christianity's loathing of woman we find in him what David Denby beautifully describes as "a tribute to the deep-down lovableness of women" (Denby, p.249). And today, when so many women are being taught by anti-sex radical feminists to deny their own bodies and feelings, Boccaccio's celebration of the sexual avidity of the natural woman should come as a very welcome antidote. For Denby, who has written a superb essay on The Decameron that can be strongly recommended, Boccaccio's is a scandalous book, a book that liberates, a book that returns us to "the paradise from which, long ago, we had been expelled" (Denby, p.248).
The present Penguin Classics edition, besides containing Boccaccio's complete text, also includes a 122-page Introduction, a Select Bibliography, 67 pages of Notes, four excellent Maps and two Indexes. McWilliam, who is a Boccaccio scholar, writes in a supple, refined, elegant and truly impressive English which successfully captures the highly sophisticated sensibility of Boccaccio himself. His translation reads not so much as a translation as an original work, though his Introduction (which seems to cover everything except what is most important) should definitely be supplemented by Denby's wonderfully insightful and stimulating essay, details of which follow:
Chapter 17 - 'Boccaccio,' in 'GREAT BOOKS - My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World'
by David Denby. pp.241-249. New York: Simon & Schuster, 1997. ISBN 0-684-83533-9 (Pbk).
But one doesn't need to focus on the revolutionary aspects of the Decameron to enjoy the book; each of the stories delights the reader with a different tasty morsel, and, you can read as much or as little at a time as you please. Once you get past the introduction, (and that's probably the most serious part of the book, so be sure not to give up before you get to the first story) the stories will make you laugh, make you cringe, and make you sit on the edge of your seat. Inspiring authors from Chaucer to Shakespeare and entertaining audiences for over 700 years, the Decameron continues to delight.
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The translation flows very easily and is not distracting. De Tocqueville has a wonderful writing style that could pass today even though it was written long ago... so well readable and quotable that you get the picture of American life, morals, and an astute view of politics all rolled into one.
You get a view and meaning of American civilization, for America herself, and also for Europe. You can tell from reading. that this view is ever-present in De Tocqueville's mind as if he is a comparative sociologist. Yet reading this book you get the impression that De Tocqueville had generations of readers in mind.
As De Tocqueville noted, "It is not force alone, but rather good laws, which make a new govenment secure. After the battle comes the lawgiver. The one destroys; the other builds up. Each has its function." So true even for todays war. After you defeat your enemy you have to build up the infratructure just as Marshall and Truman both realized.
Reading this book you see the skillful eye of the author noticing and recording what he sees and he is impressed. I found this book to be of great import for the observations of America and hope that our educators use this book for teaching our children about the great country we live in.