This book made me smile. I have known Deborah Hopkinson since I was born, and I am now fifteen. I think she is a wonderful writer and comes up with really clever ideas for books. I never knew there was someone that actually took care of the light house, I thought it was just there. She has a way of writing fiction that teaches readers at the same time. I also loved her other book, SWEET CLARA AND THE FREEDOM QUILT. When I read her books, I can sort-of hear her reading them aloud, telling the story of Clara or Birdie. She will always be dear to me and I hope that she keeps writing books for a long time to come. --Angela Kieran-Vast

This lovely picture book, whose tall thin shape reflects its subject, is the fictional journal of a lighthouse keeper's daughter in 1855, Birdie's tenth year. Hopkinson, author of the highly acclaimed SWEET CLARA AND THE FREEDOM QUILT, returns with evocative prose that captures the roar of the sea, the lonely isolation of lighthouse life, and the terror and exhaustion of managaing the lights alone in a fierce storm. Root's brooding pen-and-ink and watercolor illustrations reflect era, setting, and emotion. An author's note reveals the inspiration for Birdie - four heroic lighthouse women and girls, including the Maine herione, Abbie Burgess

I'm always looking for books that will convey important lessons to my kids in a fun and entertaining way. This book illustrates how to creatively "think" your way out of a difficult situation. I'm all for brains over brawn in children's media these days, and this book also gets in a great plug for the importance of education and school. Really delightful, my daughter can't read it enough! Highly recommended reading.

This is a very interesting subject, and the author raises a lot of thought-provoking questions, but the book has a number of weaknesses that made it difficult for me to really enjoy. Most obvious (and admittedly most superficial) is the amount of trendy jargon Root employs. The word "elide," for instance, is a synonym of "omit" and is not unique enough in its meaning to warrant being used on every other page.

Similarly (though pointing to deeper issues), there seems to be an unduly heavy reliance on the flow of language - on the drawing of elegant if relatively unsubstantiated connections and the making of neat, sweeping generalizations - over the presentation of actual evidence and a structured argument. This may be a problem of the genre, and it's not that she's off the mark on her pronouncements, but when the writer's only obvious expertise is in comparative literature, I'd prefer that historical generalizations be left out of the text. As a side note, the use of the "cannibal" theme is not, to me, justified by the arguments made in the book. It just sounds good. Overall, I felt that a lot of interesting threads were begun and never followed through, another consequence of the form-over-substance style.

I do have one serious issue with the book's intellectual honesty. Specifically, the sometimes explicit, sometimes implicit focus on what white Western males are doing to everyone else, and the elision (hah!) of any analysis of how museums, and the appropriation of elements of other cultures in general, operate in non-Western societies. Take Japanese society in relation to the US, for starters. How about an analysis of how elements of American culture are fetishized/commodified in other countries? This is actually highly relevant to whether Root's relatively political thesis of the Western colonial impulse obtains across the board, or whether a different kind of analysis (more psychological and anthropological) is required.

The themes investigated in this book, problems notwithstanding, are certainly worth the time of any thinking person. In sum, I recommend reading it with a grain of salt (or a simultaneous dose of something a little more scientific and a little less focused on stringing phrases together), and I wouldn't put it at the top of my list.

This important book helped shape my own thinking and writing. She describes clearly and compellingly how the dominant culture destroys the hearts of other cultures while cannibalizing them aesthetically. Thus we kill indigenous cultures and hang dream catchers from our rear view mirrors. Thus we consider ourselves sophisticated because we eat at ethnic restaurants and at the same time we do not seem to mind that the real cultures of Ethiopia, India, Mexico, are destroyed, turned into cheap imitations of mainstream capitalism. She details this process. It is an extraordinary book.

Cannibal Culture: by Deborah Root focuses on the study of Appropriation of culture and social norms. This book makes everyone hopefully stop to think about their part in contributing to the foundations of the social culture that we live in today. It is not a downer on Americans it is the facts of how cultural history was formed in many instances, not all. The focus on Art is related to the appropriation of functional art in different cultures & how their ideas and traditions have lost much of the significance once held.This is an amazingly well written book as well as very informative, if you like to "Think" you will love this read...