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Word Work looks to be targeted at everyone from beginners to successful professionals. I think it will be most valuable to the writer who's made a commitment to the craft but who hasn't yet rocketed to acclaim and success. Do I quit my day job? (Ch. 11: 'Death and the Day Job') Am I getting usuable feedback from my workshop? (Ch. 16: 'The Hazards of Writing Workshops') Am I crazy to believe I'll ever get published? (Ch. 20: 'That's an Affirmative')
The impediments to writing, to writing well, to publishing, and to making a living at it, are myriad. Rogers touches on more of them than any book I've seen outside of Plimpton's Writer's Chapbook. He presents multiple practical and novel strategies for dealing with the psychological, logistical, and social roadblocks writers face. Of the three writing books I keep handy to help me through the rough times (the Chapbook, Gardner's Art of Fiction, and this book) 'Word Work' is the most useful for the dealing with the greatest number of demons. Simply put, it helps me get more writing done.
This heartfelt book provides the writer with plenty of valuable strategies to keep on writing...and writing.
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I recommend this book to anyone who wants an instant surge of energy and posses the desire to implement techniques that will engage and inspire your team.
Thank you Anne Bruce, you have helped me to see the limitless opportunity, for the first time all over again!
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"Bruce Holland Rogers stories are like the glimpses you catch out of the corner of your eye. They are full of the logic of dreams, and the logic of the heart." -Maureen F. McHugh, author of Mission Child
"I admire Bruce Holland Rogers and his writing for their seriousness, their onesty and their style." -Valerie Freireich, author of Becoming Human
From dark fairy tales to creepy science fiction to a theological mystery set in the Old West, the mind of Bruce Holland Rogers takes you to territories of the bizarre: Wall Street, Suburbia, and Mexico. In the Nebula Award-nominated story "These Shoes Strangers Have Died Of," a World War II veteran confronts the perpetrators and victims of genocide, and the would-be perpetrators, through his art. The title story, "Wind Over Heaven," exposes the weird underside of the upscale restaurant business. And the 1998 Bram Stoker Award-winner "The Dead Boy at Your Window" (which also won a Pushcart Prize for literary fiction) takes readers on a journey to the land of the dead like no other.
"Bruce Holland Rogers stories are like the glimpses you catch out of the corner of your eye. They are full of the logic of dreams, and the logic of the heart." -Maureen F. McHugh, author of Mission Child
"I admire Bruce Holland Rogers and his writing for their seriousness, their onesty and their style." -Valerie Freireich, author of Becoming Human
From dark fairy tales to creepy science fiction to a theological mystery set in the Old West, the mind of Bruce Holland Rogers takes you to territories of the bizarre: Wall Street, Suburbia, and Mexico. In the Nebula Award-nominated story "These Shoes Strangers Have Died Of," a World War II veteran confronts the perpetrators and victims of genocide, and the would-be perpetrators, through his art. The title story, "Wind Over Heaven," exposes the weird underside of the upscale restaurant business. And the 1998 Bram Stoker Award-winner "The Dead Boy at Your Window" (which also won a Pushcart Prize for literary fiction) takes readers on a journey to the land of the dead like no other.
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Don't doubt about it You'll get a great score!
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Bruce provides lots of examples personalization and privacy (and the lack thereof) that make one gasp, think, and question some of the longer term ramifications. He also offers some reasonable solutions and guidelines to help companies prevent a privacy faux pas.
Your next visit to the grocery store, weekend getaway, or web site will never be the same after you read this book!
Enjoy and beware!
Consider:
- Data trails are proliferating, and most companies have no plans in place to manage the privacy, legal, ethical, moral, managerial or competitive impacts of this information boom.
- A plan requires anticipating new privacy laws -- and there are ways to do this by examining history and the fundamental constructs of personal protection legislation.
- Acting on information can provide the economic benefits outlined in every 1to1 book or CRM software manual, but success requires self-critique. There are proven models to gauge your firm's ability to succeed with new products and services.
- Personalization means moving beyond technology to carefully migrate to a diverse business system, where complexity is constrained to keep costs to a minimum and modular capabilities change everything from product design to employee behavior.
These ideas are powerful. Along the way, Kasanoff shares stories about data pitfalls and exercises that inspire a team meeting at the nearest coffee shop. Consultants can always explain which way the wind is headed, but for a look at the weather beyond the next quarter, I recommend this book.
Making It Personal while I was reading it-
Insightful
Readable
Practical
Creative
Compelling
Important
Entertaining
But then I forgot about taking notes. I guess I'll just
have to add Absorbing to my list.
Bruce does a wonderful job of presenting personalization
and privacy issues in an amazingly accessible way. It's
not pedantic. It's not ominous. It's not dry. Besides
being extremely topical, it's a darned good read.
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So I was curious to see how Bruce Holland Rogers would address the psychology of writing. As other reviewers observed, this book is not about how to write or how to market your writing. It's about the day-to-day life of being a writer.
Get up. Go to word processor. Stare at computer awhile.
Rejection. Bad reviews. Writing a novel under deadline pressure. And a whole lot more.
Word Work is a collection of Rogers's columns, so each chapter can be read as a stand-alone. That's a plus and a potential downfall. If you open the book, as I did, to a chapter that's doesn't grab you right away, you may be tempted to toss the whole thing aside. I couldn't get excited about "best time to write." The message seems to be, "Whenever you want."
On the other hand, you can read a chapter at a time, in any order, and feel satisfied.
Which chapters are best? I suspect that will be a personal decison. What made the book work for me were "Death and the day job," "in the affirmative," and "advanced affirmations." That's when I realized Rogers was a thoughtful person who knows how to read self-help without getting suckered. And, like Natalie Goldberg in Thunder and Lightning, Rogers really writes about life, not just the writing life.
In particular, Chapter 1 - Hunters and Farmers - blew me away. I had never heard of this metaphor, which apparently comes from an author of a book on ADD. Writers are primarily hunters -- and so are entrepreneurs.
The chapters aren't light reading. You don't need to underline and read each sentence three times to get the meaning, but you won't always get hooked on the first sentence. And Rogers makes no effort to sell the reader. A chapter "The Foam White Bull" would be more approachable if titled "The Minotaur in the Basement."
I would like to see two major changes if Rogers gets to a second edition. First, Rogers needs an opening chapter, describing his own life, to unify the chapters and give us a context. The author of a daily or weekly column becomes an old friend. We see his name over and over again and sooner or later we read and we get hooked. In a book, however, we need bait. And Word Work is a very personal book, so we need more background about the author..
Second, the cover is off-putting. The design shows the back half of a wine-colored iMac and some stacks of paper. That's not the view most writers have of their own computers. I see the front of my computer, rarely the side view. And the cover artist needs to sacrifice esthetics for readability. The front words sprawl over the artwork and the back cover -- yellow on gray? -- presents a real challenge.
This is the book to give your writer friend for her birthday or his Christmas. As other reviewers have indicated, it's not for the raw beginner who is still busy asking, "What should I write and where do I send what I write?" It's really for someone who's committed to writing and wants to hear from someone who's been there. Writing is lonely and Rogers is a good companion for the journey.