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I also found Kunstler did not paint as many movie scenes in this book, instead capturing the actual historical looks of these "Gods and Generals" of the Civil War. Any lover of history or military art will appreciate his attention to detail and riviting scenes. Enjoy!
The subjects of Mr. Kunstler's paintings are invariably interesting, and he does not like to paint scenes or events that have been done previously by other artists. This book is the companion to, and illustrative of, the events and people of the novel "Gods and Generals" by Jeff Shaara, soon to be made into a motion picture of the same name. It follows four exceptional soldiers through the first two years of the war: Robert E. Lee, Thomas J. "Stonewall" Jackson, Winfield S. Hancock, and Joshua Lawrence Chamberlain.
In this book, there are many new paintings not yet published elsewhere, but whether you are an old Kunstler aficionado or newly introduced to his work, you will find this book unequaled. The reproductions of the paintings are eye-catching, displaying each painting in vibrant, striking colors, true to Mr. Kunstler's originals. I say above that his paintings are educational, and so they are. I urge you to look closely at every work of art. If you do, you will not only see an astonishing amount of detail, but also learn much about the people, the times, the objects people used, and the war. Again, we have Mr. Kunstler's constant striving for perfection to thank for paintings which are correct in every detail. He is the quintessential perfectionist, who painstakingly researches every detail, no matter how small, to provide his audience with true, as well as beautiful, depictions of people, places, and things. He consults with knowledgeable historians, such as Professor Robertson, who wrote the text for this book, on even such matters as the weather on the particular day that he wants to depict in a painting. All of the accouterments are true, as well as the animals, the uniforms, the weapons, the landscapes, the battlefield situations, the lighting -- everything. Rarely does one find, in one individual such as Mr. Kunstler, artistry to the point of genius coupled with an unceasing demand for perfection in all of the details of his art.
I admit that I am no connoisseur of art and that I can claim no expertise or experience in art. Even someone such as I, however, can at least partially appreciate the artistic techniques used by Mr. Kunstler. His positioning of people, animals, buildings, and other objects to lead the observer's eye to the main subject of the painting, his extraordinary use of light to play on this or that subject in the picture in greater or lesser brilliance in order to accentuate or subordinate that subject, and his use of color, always precise, to delineate bright sunshine or dark shadow, or to emphasize or minimize, are all techniques that even such as I can note and admire. His paintings are so life-like as to defy the observer to differentiate them from photographs. But no photographs could depict such wonderful color and the precise instants in time which Mr. Kunstler so deftly chooses to picture.
Mr. Kunstler has, with every book he has introduced, been able to obtain the very best in historians/commentators to draft the texts. He has obtained the services of, for example, Henry Steele Commager (for the book "The American Spirit: The Paintings of Mort Kunstler"), James I. Robertson, Jr. (for "Jackson and Lee: Legends in Gray," "The Confederate Spirit: Valor, Sacrifice and Honor," and the current work), James M. McPherson (for "Gettysburg"), and Dee Brown (for "Images of the Old West"). Dr. Robertson's text in "Gods and Generals: The Paintings of Mort Kunstler" is, as always, the perfect complement to the paintings. As with Mr. Kunstler's art, so also with Dr. Robertson's narrative, one can learn much, whether one is a novice or an experienced hand.
Thus, whether you are a "Civil War buff" or simply interested in exceptional art and edifying prose, you will enjoy this book (and you would do well to consider obtaining Mr. Kunstler's previous books, named parenthetically above). You cannot go wrong with the team of Kunstler and Robertson.
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where he maps out the locations of famous CW sites with not only directions but brief description sof the events. With this book I found the famous Drewry's Bluff defense site located above the James river 7 miles below Richmond where the Confederates stopped the monitor and it's fleet and in 1864 played a key role in stoping the Union advance to take Petersburg and Richmond. A remote and beautiful earthwork over the river. Obviously, the great sites of Manasas and Richmond are noted but
off the beaten path locations are best. The site of Turner Ashby's death putside of Harrisonburg off a dirt road into the woods, the site of the Rifle pits and trenches of the North Anna campaign, the star shaped eathern fort in Smithfield, the remote twin on the opposite side of the James in Fort Eustis Army Base, Fort Early an earthwork in Lynchburg, the huge trenches in Newport News City Park, the Jackson valley Campaign and on. A great road trip book and I hope he will have an updated edition with more off road sites.
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The chapter on neuroanesthesia, written by Wayne Hamm, is a complete reference for Anesthesiologists, CRNA's and anesthesia residents and students who deliver anesthetic care during cranial base surgery. The structure of a customized anesthetic plan for each different procedure emphasizes the individual clinical questions created by this surgically remote area of the brain.
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The Civil War was not what either side expected or wanted. A few hotheads - militant abolitionists from the North & secessionists from the South - fed the flames while the majority of Americans stared on in bewilderment as the Union disintegrated.
In The High Command Mort Kunstler gives us glimpses of the movers & shakers of the battles to come; fresh in their uniforms, devout in their cause & James Robertson's narrative keeps pace with this artist's energy & insights.
Through heat of summer & cold of winter, over trackless hillsides & through mud- coated towns, Mort Kunstler keeps us going; from bloody battle fields in the mists of morning to cavalry charges into the smoke of cannon fire; from sunbaked drummer boys to bone-weary marchers; from cheering infantrymen as their leaders ride by to face-to-face gun fights in wooded ravines; from heartbreaking bad news to new babies born; from dazzling balls to heroic stands in broad daylight to dismal retreats in the dark of night.
A wonder-filled pictorial history book, rich in the details of the life & times of the people of the Confederacy with fascinating stories. A must for any reader of American history. Do visit my site for my full review of this & many more books on history & art.