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the character/pseudonym of jaya seems to be part of a larger surreality he has created around an upcoming novel (see www.concretebooks.com) and a handful of movies, stories, and other projects. while there is a mythology behind this bizarre little book, it stands perfectly well on its own feet. this reader recommends reading the poetry out loud--at a party--to friends--in a horribly stilted voice rife with pretention, as if someone had just paid you a couple million bucks to do a voiceover for a bank commercial.
it is shocking, it is crude, it is a trip. it is also quite funny. it touches sensitive little wounds in your subconscious with a rough, salty finger and asks you if it hurt. when you say "yeah, quit it." it does it again.
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Collected in this superb audio are nine of his early stories performed by accomplished actors. Broadway/film actress Blythe Danner reads "Bernice Bobs Her Hair," a narrative inspired by a lengthy letter Fitzgerald wrote to his younger sister, Annabel, in which he offered advice on how she could become popular with boys.
"The Jelly-Bean," read by Dylan Baker, takes place in Georgia. Fitzgerald credits his wife for her expertise in helping him write a portion of this tale involving crap shooting, saying "as a Southern girl" she was an expert at this endeavor.
The talented Peter Gallagher reads "Head and Shoulders," the first of Fitzgerald's story to appear in The Saturday Evening Post.
Also found in the collection are "The Diamond As Big As The Ritz," "Dalyrimple Goes Wrong," "The Ice Palace," "Benediction," "The Curious Case Of Benjamin Button," and "May Day."
This is an exemplary combination of memorable prose and oral presentation, a remarkable listening experience.
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As an anthology, it will familiarize you with key figures in the contemporary psychedelic scene.
This is an intelligent book for people wanting to explore psychedelics for spiritual purposes. It is not a book for "stoners" who just want to trip to see "pink bunnies"
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.........But the more I look at the book, the more I think Fischl has quality control issues. The more I look at it, the more bad paintings I notice. Don't get me wrong, this is a great book and Fischl has done some great paintings, but the more you look at this book, the more you notice how bad he can be at times-quality control. Some of the paintings should have never left the studio except in a dumpster but when your getting as much money as he gets for work.................... I imagine its hard not to think everything you make is great, when you get the "status" he has as an artist.
but this isn't an art critique, this is a great book on a well know contemporary artist. If you like Fischl, this is the book to get and it may give you more insight then you want, if you have any asthetic sensibilities.
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