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Sir Robert Carey was widely though of as the Queen's nephew (the illegitimate grandson of Henry VIII) and Chisholm makes the most of this fact in her mystery, using her hero's physical resemblance to the Queen and his father, Lord Hundson's, temperamental resemblance to Henry VIII to build a complicated tale of revenge, ambition, and murder. A score of minor--but also real!--characters thread through the story: Mistress Bassano (a member of a real family of Jewish musicians at the court), Robert Greene, Christopher Marlowe, and even the balding Will Shakespeare appear.
So many historical mysteries are more about evoking a powerful setting than telling a complicated tale of skulduggery, but with this book you get to have both. The setting and characterization are nearly perfect, and the central mystery pivoting around the consequences surrounding an alchemical experiment gone wrong is not only perfect for the period but darned confusing as well! I highly recommend this book, and the other books in the series. But, read A Famine of Horses (the first in the series) first or you will find yourself a bit lost for the first half.
Written in a spare yet vivid style, with outstanding dialogue, Plague of Angels features well-known characters from the first three books of Chisholm's series. But, due to a letter from Carey's father, they've had to ride south to London. Readers be encouraged: this is no Renaissance Faire.
Characterization is particularly strong in this volume because it's from the point of view of Sergeant Dodd, the tough, morose, thoroughly engaging Borderer. His viewpoints on London, the aristocracy, and Carey are not only humorous but have a certain ring of truth. I'd always liked Dodd, but in the course of this book he became one of my favorite historical fiction characters of all time. Carey, seen through Dodd's eyes, retains his notable charm and savoir-faire. And Chisholm does something nearly impossible: writes about real historical characters and does it well. Yes, Shakespeare is in this book, and yes, it works.
The plot is an exciting one, of course. Some of the twists aren't quite as well developed as they could be, but between the plague, the Fleet Prison, and our hero facing torture by the bad guys, it's hard to care.
I was particularly impressed here with Chisholm's presentation of Renaissance mentalities. The pure terror evoked by the plague, in an age when diseases were unstoppable and more or less uncurable, is very well described. It's also worth mentioning that, although her protagonists are male, Chisholm does well with female characters, making them realistic products of their time but still strong, interesting individuals.