While Robert Kaplan did write the introduction, he and Norton must be very dissappointed that they didn't write this book -- I'm certainly sorry that I didn't write it. Author Paul R. Niven provides all the tools, methodologies and steps necessary to create and execute your own balanced scorecard. He's held nothing back. It's all here. Whether you lead a local non-profit or are the CEO of a Fortune Global 500 corporation (like my clients), Niven has provided detailed step-by-step instructions for both of the key phases of the balanced scorecard project:
I. Planning Stage:
Step One: Develop objectives
Step Two: Determine appropriate organizational unit(s).
Step Three: Gain executive sponsorship.
Step Four: Build your balanced scorecard team.
Step Five: Formulate your project plan.
Step Six: Develop a communication plan.
II. Development Stage:
Step One: Gather and distribute background material.
Step Two: Develop mission, values, vision, and strategy.
Step Three: Conduct extensive interviews.
Step Four: Develop objectives and measures.
Step Five: Develop cause-and-effet linkages.
Step Six: Establish targest for your measures.
Step Seven: Develop the implementation plan.
This book is fantastic. In fact, I'm thinking about placing a bulk order for the book to give to all my clients. On second thought, why give away all the "secrets?" Seriously, this is one of the best business and management books I've read this year. Overall grade: AAA+++/Highly Recommended.
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The wood engravings that accompany the text stand out and mirror the book's theme of asutere simplicity quite beautifully. Its a wonderful book for children, nature enthusiasts, gardeners and those looking for hope that follwoing one's heart and living out of love, rather than fear, can ultimately make a difference.
Written by Jean Giono, this popular story of inspiration and hope was originally published in 1954 in Vogue as "The Man Who Planted Hope and Grew Happiness." The story's opening paragraph is as follows:
"For a human character to reveal truly exceptional qualities, one must have the good fortune to be able to observe its performance over many years. If this performance is devoid of all egoism, if its guiding motive is unparalleled generosity, if it is absolutely certain that there is no thought of recompense and that, in addition, it has left its visible mark upon the earth, then there can be no mistake."
The Man Who Planted Trees has left a "visible mark upon the earth" having been translated into several languages. In the "Afterword" of the Chelsea Green Publishing Company's edition, Norma L. Goodrich wrote that Giono donated his story. According to Goodrich, "Giono believed he left his mark on earth when he wrote Elzeard Bouffier's story because he gave it away for the good of others, heedless of payment: 'It was one of my stories of which I am the proudest. It does not bring me in one single penny and that is why it has accomplished what it was written for.'"
This special edition is very informative. Not only does it contain Giono's inspirational story, which is complemented beautifully by Michael McCurdy's wood engraving illustrations and Goodrich's informative "Afterword" about Giono, but it also contains considerable information about how wood and paper can be conserved in the section "The WoodWise Consumer." Goodrich writes about Giono's effort to have people respect trees.
"Giono later wrote an American admirer of the tale that his purpose in creating Bouffier 'was to make people love the tree, or more precisely, to make them love planting trees.' Within a few years the story of Elzeard Bouffier swept around the world and was translated into at least a dozen languages. It has long since inspired reforestation efforts, worldwide."
The Man Who Planted Trees is not only a wonderful story, it will inspire you and your children to care for the natural world.
-Reviewed by N. Glenn Perrett
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We were so concerned about this book going out of publication and to know that it is being sold again is wonderful - If you are looking for a story you all can share, year after year, this is the one!
It has seen us through over thirty years and is still going strong!
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While the background of the 1940's made the presentation difficult for someone in their early teens in the 1960’s, the descriptions of baseball more than made up for it. Roy Tucker is the title character and an excellent pitcher. However, immediately after one of his best games, he slips and cracks his pitching elbow. This finishes him as a pitcher and the main theme becomes his quest to come back as an outfielder.
He is initially very effective and believes success is assured. However, he soon begins to struggle and doubts creep in. The description of all of this is a combination of one of the best baseball stories as well as one of triumph as a combination of talent, hard work and persistence lead to his success. I still remember the scene where his manager comes to his room and tells him the problem is that he is playing for himself and not for his team.
John Tunis is one of the best writers of sports fiction that has ever lived. He makes baseball exciting, even when all the action is taking place off the field. While our society has moved on to a point quite different from the time period of the story, baseball is still a game where strategy, preparation and dedication can triumph over athletic ability. That has not changed, and the descriptions in this book will continue to keep the attention of baseball fans for decades to come.
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Over the past few years there have been a spate of histories of the 20th century. Most of them have been written from traditional, often Eurocentric, historical perspectives that focus upon political history set in the context of socioeconomic development and ideological and military conflict. J. R. McNeill's *Something New Under the Sun* replaces the political narrative, usually found at the center of histories, with an environmental one. It invites readers to reevaluate the legacy of the 20th century.
By any measure, the 20th century is, as McNeill characterizes it, "a prodigal century." In terms of growth of population, economic development, and energy production and consumption, it is a case of 'quantity having a quality of its own.' On the one hand, it is a triumph of the human species. (McNeill suggests readers consider that over the past 4 billion years of human history, 20% of all human life-years took place in the 20th century.) On the other hand, this prodigal century - this triumph of human ingenuity - has also exacted an unprecedented environmental cost. It is this trade-off that McNeill's book explores.
McNeill's approach is interdisciplinary, and the book is divided into two sections. The first section is organized around transformations to the lithosphere, atmosphere, biosphere, and hydrosphere, and the resulting pollution and resource depletion. Each topic includes a (very) brief conceptual introduction, case studies from around the world, (black and white) photos, maps, and tables. This section also includes the best example of unintentional environmental consequences. McNeill introduces Thomas Midgely, the inventor of leaded gasoline and Freon, "[who] had more impact on the atmosphere than any other organism in earth history."
In the second section, McNeill introduces the 'engines of change" - 1) population growth, migration, and urbanization, 2) energy, technology, and economic growth, and 3) politics and environmental awareness. The pulses of 'coketowns' and 'motowns' take place amidst the tumultuous social, economic, and political events of the 20th century. Environmental awareness doesn't take root until the 70's - a critical period for women as well. (His examples of Rachel Carson and Wangari Maathai were well chosen - and gendered.) In his epilogue (So What?), McNeill's history portends an environmental crunch, a change of circumstances - a dilemma unlike the world has witnessed so far.
"With our new powers we banished some historical constraints on health and population, food production, energy use, and consumption generally. Few who know anything about life with these constraints regret their passing. But in banishing them we invited other constraints in the form of the planet's capacity to absorb wastes, by-products, and impacts of our actions. The latter constraints had pinched occasionally in the past, but only locally. By the end of the twentieth century, they seemed to restrict our options globally. Our negotiations with these constraints will shape the future as our struggles against them shaped our past." (J. R. McNeill)
*Something New Under The Sun* is written in a popular style well suited to both non-fiction readers and students. Readers of environmental historians like William Cronon, William McNeill, or Alfred Crosby will certainly find McNeill's book interesting. Personally I think that McNeill's global perspective of the 20th century will stand the test of time.
What makes this such an important book aside from its readability and penetrating analysis, is perspective. J.R. McNeill considers history without consideration of the life-support system of Earth or ecology that neglects social forces, incomplete and capable of leading to dangerous conclusions. Further, "Both history and ecology are, as fields of knowledge go, supremely integrative. They merely need to integrate with one another."
Having grown up in Pittsburgh, Pa., I can attest to the author's history of Pittsburgh and to his grasp of the complexity of problems there (for instance: Andrew Carnegie found the level of pollution intolerable, later some unions fought smoke-control). In today's world, no matter where we live or what work we do,environmental issues will arise.
This book by elucidating the processes and trends that underly today's world, gives us a foundation on which to base our opinions and choices, working toward the day when we , in the author's words, "Make our own luck, rather than trusting to luck..."
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His views of downtown are especially well-done, and in light of recent times, it was a comfort to see the skyline in the traditional beauty. The view of the Twin Towers rising from the battery with Lady Liberty in the foreground seems especially meaningful in these times when our freedom seems threatened.
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Brickhill gives a firsthand account of the escape of 76 men from Sagan, a German prisoner-of-war camp, during World War II. Through tireless efforts and disheartening setbacks, the men managed to dig a lengthy tunnel 30 feet down into the earth, and 300 feet towards possible freedom. The plan, which originally called for three such tunnels, was the single largest escape in WWII history, and the efforts, patience, and bravery of the men secures their escape as one of the most noble efforts of man.
What a pity, then, that THE GREAT ESCAPE is a fairly badly written first-hand narrative, related with all the style of a person making a grocery list. Brickhill has provided the bones of an amazing story, but he neglected to provide any meat along with them.
The story couldn't help but lend itself to a fascinating read. The actions of these men could never be anything less than remarkable. But all Brickhill does is tell the story. He doesn't add any true characterization to the hundreds of people who pop in and out, resulting in a lack of empathy for these men. The reader is left wanting to know more, but is frustratingly denied the opportunity. Even the leader, Roger Bushell, is a cipher, easily interchangeable with any other character.
It is easy to see why this story makes such fertile ground for a movie. The plot is astonishing, and the complete absence of any true personality leaves the filmmakers free to make up any character they want. Roger Bushell didn't escape from Sagan, Richard Attenborough did. So did Steve McQueen and Charles Bronson.
I don't want to seem as if I am making light of the situation. THE GREAT ESCAPE was a shining example of what humanity can achieve under the most strenuous circumstances. But Brickhill doesn't provide us with any reason to care. The story unfolds with all the excitement and tension of someone telling of their day at work. Simplicity in storytelling can be a fine thing, but not where the story demands so much more.
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You really feel for Martin, the central character, who is a historian down on his luck when he is offered an opportunity of employment in researching former cabinet minister Edwin Stafford's memoir. As is typical with Robert Goddard there are plenty of twists in the tale, this is a brilliant book and I'd recommend it to anyone who just wants a good read.
This novel is one of my favorite books.I read all of Goddard's books, but Past Caring remains my FAVORITE.