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Bonus suggestion: His son, Daniel Richler, has written an excellent novel, as well: Kicking It.
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Belling the Cat, to me, is one of Richler's finest. Here we begin to understand what kind of man Richler was . . . a man full of humility and humor, though very sarcastic (though many of you would already point that out after reading "Barney's Version"), and never taking life too seriously. But nevertheless, he was a man with thoughts and ideas and was not afraid to give the world a little taste.
Belling the Cat was, is, a book composed primarily of essays and thoughts in "The World According to Richler". He touches upon subjects such as Sexual Harassment, his travels, including Germany, South Africa, and Egypt (properly entitled Egypt's Eleventh Plague, which, according to Richler, is tourism), sports, Canadian politics, and Woody Allen, to name a few. He even gives the reader a taste of his own "unpopular" success as an author in the introductory chapter entitled, "Writing for the mags", going from one book signing to the next with no turn out.
It's true that Mordecai Richler never succeeded to stardom like so many of the trashy authors that are out today, but regardless, isn't that what true authors and true literature is about?
Once you get into Richler's mind-frame and see the world he saw through his own eyes, Belling the Cat will bring you to laughter many times over.
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These autobiographical tales are based on his childhood growing up in Montreal and during his travels.
READ BY LOUIS NEGIN
ORIGINALLY BROADCAST DURING 1965
1. A Story about Bennie who went off to W.W.II and came back a Cripple and a Changed Man
2. The War, Heaven and After
3. "Bambinger". A story about a Boarder who rents a room.
4. If you don't like Jack Hawkins, Tell Me
5. "Sticking Together"A story about Jewish 'Clannishness' while in Europe.
6. "Mr. Sun" The First Citizen of the World
7. "E.G.C." The first time I met Edward Gorden Craig, a great innovator in theatre design and Staging
8. "Circus Book"
9. A hunours Account of the Influence of Communism, "The Red Menace"
10. "Shooting the Brease at St. Urban" An account of life on Richler's street in Montreal during this youth.
11. "Making it with the Chicks". A story about the sex life of a Jewish Boy
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Mordecai Richler has given us an astonishing and riveting account of one of these wanderers as he might have appeared in North America. As a child, Montrealer Moses Berger encounters the Gursky family. It's the first step in what will become an almost heroic quest for the truth behind the Gursky family's shadowy ancestor, Ephraim Gursky and the grandson, Solomon, who accompanied him on a journey in Canada's North. Ephraim, against all reason, apparently shipped aboard the HMS Erebus with John Franklin's ill-starred expedition into the Arctic. Richler demonstrates the Christian attitude toward the Jews with accounts of the many searchers for Franklin's remains. Those necrophiles uniformly scoffed at the notion a Jew could have been aboard, let alone survived, since "all know" these urban dwellers wouldn't have the fortitude or presumption to attempt such a feat. The evidence, however, suggests . . .
Richler has woven a rich tapestry with this mixture of invention and history. He does it so well that separating the threads of fact and fiction becomes an insurmountable task. And why not? He's given us a unique picture of the world's second largest nation. A fresh picture indeed, given that the nation of "two solitudes" conveniently forgets those of its number who are neither English nor French. If Ephraim Gursky sailed with Franklin and initiated a dynasty of Inuit Jews with such names as Gor-ski, Girskee, or Goorski. They wander, like their mentor, into the southern lands wearing, against all reason [again!] Jewish prayer shawls. They seem as homeless as their cantor, fulfilling, even in these outlandish circumstances, the Christian prejudice against wandering Jews.
Homeless he may be, but rootless the Wandering Jew is not. No matter where they settled, the Jews brought an endless capacity for adaptation, seizing whatever opportunities emerged to assist in their survival. Wherever they settled, they viewed it as "the next best place". The homeland of Israel remained within their consciousness, but they would do the best they could in whichever land they occupied. In the Gursky's case, circumstances kept opportunity at bay until Americans, in a flush of Protestant fervour, enacted Prohibition, almost certainly one of the least honoured pieces of federal legislation ever enacted. This was the moment the Gursky clan was able to seize, starting from minimal beginnings to emerge as a mighty empire built from alcohol. Richler has again merged fantasy with reality as his account of this aspect of the Gursky family would be better spelt "Bronfman".
Mordecai Richler's inventive mind and well-honed writing skills have provided us with a true masterpiece. He knows people, certainly the Montreal Jewish community, but far beyond that urban confine also. He takes us to the Arctic, the Prairies, flirts with England, pokes into America. The only missing scene is Van Dieman's Land [Tasmania], where Ephraim Gursky arrived as a transportee only two years before Franklin arrived as governor. These, however, are simply locations in which Richler can place his people. His cast is enormous, but he handles the lot with unmatched skill, presenting every persona as fully credible. We may not know the Jewish community intimately, but reading this book is an excellent means of viewing that community and how it sees the world. Moses Berger's quest for the Gursky story makes him the pivot around which this superb novel orbits as he encounters the key players in the story - especially the Wandering Jew.
It's sad to see this book "Out of Stock". It should be revived, giving more people an opportunity to comprehend Richler's absolute mastery of story-telling and conveying moods. He remains Canada's leading writing talent. That's a fair indication of what a loss it is to not have this book readily available.
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The book is also surprising for its timeless points about the journeying of certain upper white, middle class people going on a grand tour of Europe. I frequently had to remind myself that it was written in 1869 because his observations and the behavior of his shipmates is so close to the way people I studied abroad with acted-only a few years ago.
Twain also puts those "cosmopolitan" people who claim to have traveled, but don't know anything about any place they have been but and just like to lord it over everyone else that they have "travelled" and you have not.
Reading this book is like listening to a very wise, old man tell you about his adventures. Its not like a book, more like one long conversation. Twain takes nothing seriously-not himself, his fellow travelers or the places they visit. The words are another adventure-sometimes, you know he is setting you up for something, other times he is serious for a while, then you end up in the middle of a joke.
I know this is against the rules, but the other posters who don't like this book-don't be so serious and p.c. all the time. Twain is making humorous observations, at a time when a different standard was acceptable. Not to mention, he does manage to get a few zingers in there about what people are willing to accept and what they do not.
You will laugh yourself silly and want to book a trip-not to Europe, just to anywhere, after reading this book.
One of the best things about Twain is his refusal to romanticize, even in the cases of the greatest places in the world. He does not hesitate to verbally abuse Paris, Florence, Damascus, even Jerusalem. He tells it how it is, refusing to admire the work of the great painters (Raphael, Michael Angelo, and co.) and asserting that everyone who ever wrote of the beauty of the Sea of Galilee was a downright liar. He has some good things to say, too (he seems to have approved of Athens), but mostly he spends his time dispelling the romantic images of the great places of the world. The result is hilarious, and certainly makes one realize that, despite the perfect images that Paris, Pisa, and Rome sometimes have in our minds, they are a far cry from paradise.
Twain's wit, as always, is very sharp, and this book is an excellent example of it. His antics (and descriptions of them) are very funny, and his way of putting things a joy to read. Along the way, he pokes fun of the American "Pilgrims," who deface the sacred relics they visit and call every guide they have 'Ferguson.' This is certainly a classic in American Literature. Anyone interested in travel writing will profit greatly from this book, as will anyone who enjoys Twain's humor or just a good laugh.
The second book of this volume is Roughing It. Here, Twain takes us on a sojourn to the American west in the company of his older brother. Roughing It is possibly the best contemporaneous account of life in America's 19th century western expanse and beyond. From stagecoach travel to silver mining, exploration and discovery to regional ecomonics, lifestyle, and lawlessness, Twain provides the reader a humorous look at the many facets of Manifest Destiny.
As always, Library of America is a splendid publisher with an quality product priced attractively. I recommend this volume wholeheartedly.
NOTE: Amazon occasionally has difficulty connecting the right edition with the right review. This review is for the Library of America volume containing both Innocents Abroad and Roughing It by Mark Twain.
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In this case, the author makes the central character Barney just large enough to be believable and realistically vulgar enough to be human. There was also a lot of attention paid to details that made you believe that he was writing a biography. Examples:
1. His mother had what may have been Alzheimer's disease, which is known to have a genetic component. The main character shares the same fate at the end of the book. There are (to my recollection) no direct scenes with the characters' mother, and she could have been eliminated with no damage to the book. But she may have been there just to establish that link.
2. The pace at which the character starts to forget things increases throughout the book, foreshadowing his collapse into Alzheimer's at the end.
3. The accurate/ humorous portrayal of what really became of a lot of the black militants, portrayed through the character of Cedric. And his observations of the belligerence of the feminists.
4. The use of the epilogue (Barney's son), and real historical references, such as newspaper clippings to provide an air of believability to the novel.
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His main character, Joshua, is a Montreal Jew who is opinionated, cynical and comes from a seedy background: and yet, is able to survive, become successful and marries into a well-off family that have their own set of closet skeletons. The story has many interesting twists and emotions vary from the serious, sad or sometimes, to the very funny. Like many of Richler's characters, there is a gutsy determination, a sense of purposeful indignation about Joshua that you can admire and identify with.
The novel is well written and easy to read and uses sporadic explicit language.This is sure to please anyone who has enjoyed other Richler books such as "Barney's Version" or "St. Urbain's Horseman". A recommended read!