List price: $39.95 (that's 30% off!)
Highly recommended for anyone engaged in reproduction of this style of art. Beautiful rendition of the colors of the original MSS.
By tracing the evolution of this one family from obscurity to the zenith of power under Charlemagne and decline under the late pre-Capetian kings of France and the Ottonians of Germany, Riche has in essence captured the spirit of Western/Central Europe itself. Plentiful notation and research not only documents the world of Late Merovingian Sub-Roman Gaul, but that of the early Middle Ages as well. We learn about Byzantine politics, assasination, love affairs, the Church, Basques, Moors, political crises, architecture, international relations, war, scholarship, barbarians, beauty, decay, petty dynasts, torture, and literacy.
Family histories are difficult to write. There is a tendency to speculate on interpersonal relationships, petty rivalries, recurring family traits, fighting over the family business, etc. However, the Carolingians were a family whose business was Europe. It is interesting to see how cooperation and organization could help the Caroligingians to climb the lofty heights of power and recover from disaster, including an abortive attempt to place one of their members on the French throne about a century before Pippin the Short took the crown from the Merovingians. However, a century after Pippin, his great-great grandchildren were the masters of most of Europe and spent most of their energy fighting each other and ultimately became politically impotent and insignificant. Their last known family members either married into the Capetian/Ottonian families or simply vanished into the mists of time never to rule again.
Riche is adept at combining the history of this remarkable family with that of Europe as a whole. After reading The Carolingians, one will have a much clearer notion of what life was like during the Dark Ages
1. Context and characteristics of mozarabic painting
2. Foundations and development of a distinctive style
3. The role and function of painting and illumination
4. Design and pictorial treatment
5. Painting and spirituality
There are also appendices listing principal mozarabic manuscripts and dated manuscripts, as well as an extensive bibliography about the subject.