The "Guides to Biblical Scholarship" took a decisive turn for the better shortly before this volume was produced. This is easily one of the better volumes. Petersen clearly demonstrates the techniques and structures utilized by the Hebrew poets with plenty of examples from the biblical text. Terminolology has become quite confusing in this area, but Petersen cuts through these difficulties. Controversial matters such as the existence and function of meter in Hebrew poetry are treated in a balanced manner. Furthermore, the book goes beyond mere demonstration of poetic features and fulfills the promise of the title by illustrating how an understanding of these features informs the interpretation of poetic passages of scripture. This is a good place to begin before moving on to the more extensive treatments of the subject by Gillingham or Alter, or the more complex and cutting edge analysis of Kugel.

This is a very good book on Hebrew Poetry. It takes into consideration some of the more current thoughts in linguistics. If you are interested in Hebrew Poetry, you should have this book in your library.

I thought this book was great! The pictures of the objects are beautiful. Where a picture could not be obtained there is usually a detailed sketch of the object. The descriptions give not only insight into use of the archaological object but also surrounding information like similar objects and archeological context. Then the essays descibe the time period and unknown/debated issue of Egyptian Archeology. As a newbie to Egyptian Archaeology I found the book easy to read and felt that things were explained well.

Mesoamerican archaeology is a little world by itself - I know, because I used to live in it. It has a very cosy relationship with museums and the "art" collectors who buy the objects that are looted from archaeological sites, which lie destroyed, torn into shreds under the forests all over Central America and Mexico. But it has almost no touch with reality any more. The things they say about the ancient Olmec are almost fantasy, because in truth we know so little about these people. Almost all the objects in this book were stolen from Mexico, ripped from the archaeological context that might tell us something about their real meaning. These are probably religious articles - we may never know. But imagine trying to reconstruct the rich life of rennaisance Italy by looking at reliquaries in Catholic churches! If you are still persuaded by the "mysterious Olmec" propaganda spouted by Coe and his looter buddies, go read Flannery & Marcus in the first 2000 issue of the Journal of Anthropological Archaeology, and think it over.

The Olmec World is an amazing resource for those who study or have an appreciation of early Mesoamerican Art. At its most basic level The Olmec World is the catalogue of the 1996 Olmec Exhibition at the Art Museum at Princeton University the first comprehensive show of Olmec art in America. Drawing upon nearly all of the major Olmec museum collections in North America from Dunbarton Oaks to Princeton's own expansive holdings, the exhibition also drew heavily from many private collections never before shown to the general public. For instance, John Stokes' amazing collection of ceramic babies and jade masks are showcased in this catalogue. However, almost as impressive as the pictures are the essays in this collection. Michael Coe has done a marvelous job of soliticing and editing a myriad of papers on the mysterious Olmec.