This book is fascinating. What most do not know is that Mose Richards wrote this entire book, while Cousteau supplied the inspiration and pictures. This book has excellent writing and fabulous photography. An excellent read. Props to the author, Mose Richards!

A very informative book about the great white. The photos are amazing. This Shark is one of the most interesting animals alive. A real predator.

For surviving for 400 million years. For refusing to submit yourself to mankind's aquariums and corporate SeaWorlds. For never allowing your secrets of mating or birth to become known to the prying eyes of man. For not even leaving a skeleton for science to attempt to examine. For being the Master of the Seas, without even using mechanical aids to assist you, like we, the Humans, the Wimps, the Know-Nothings, the Arrogant Pestilence of the World must resort to to even attempt to conquer you. Keep fighting, Terrible, Beautiful Lordly Ones. We offer you humble, unworthy obeisance in the form of this book, under the aegis of your most dutiful admirer, Jacques Cousteau, Poseidon rest his soul. Never has your grace nor your fearful symmetry appeared to such great advantage. Keep cruising. May your fins glide through the oceans long after the peasants have ceased to crawl upon the earth--or dared to trawl upon the waters!

If you are at all interested in the Plains Indians, Native American Art, or the history of the Cheyenne, do everything you can to get a hold of this CD, which takes you on a tour of an exhibit at the Denver Historical Society Museum. The center piece is the legder art of the this fiece warrior society, but many other artistic and historical items are also included.

I have read extensively on this subject, and visited any number of museums, yet I still learned a lot from the text and the narration. In addition you can click on any of the items in the virtual tour and get a detailed description along with a history-and there are many, many items. There is also a separate section on the ledger art which is clearly displayed a beautiful.

Kids will love going through the virtual exhibit, though I found clicking the next button, and viewing items one by one more helpful. There is also a special kids section, so the entire family can enjoy it.

This is well worth the price!

This CD is unlike anything I've ever seen. Especially in history and art subjects. It even translates all 100 or so works of ledger art and speaks it out loud in Cheyenne! By a real person!

The Virtual walk through of the History museum gives you the feeling of having visited the exhibit.

Every single drawing is detailed with indian and soldier accounts of the drawings; subject, date, etc.

Schools should require this kind of history lesson.

Bolt achieves with his translation of Moliere's classic comedy what David Hirson did with his 1991 play, La Bete. While remaining true to the general language of Moliere's time and rhyming couplets in iambic pentameter, Bolt is still able to sprinkle modern touches that make the comedy pop out even more. Bolt's British wit sparkles through the French comedy, making for an enjoyable read as well as performance.

Interesting, too, is Nicholas Dromgoole's introduction, which makes some incredibly interesting points yet also keeps in tone with Bolt's take on Moliere's commedia dell'arte-influenced School For Wives.

Whether you're a fan of Moliere or a novice to his works, Bolt's translation of The School for Wives is a fantastic read that keeps the comedy alive, even after 350 years.

I read this play for a French Lit. class (in the original French)and enjoyed Moliere's sense of humor. I laughed out loud as I watched everyone's plans go horribly awry. A great classic social commentary. It centers around one man's obsessive fear of cuckoldry (when a man's wife cheats on him), and the extremes to which he goes to avoid this. He practically emprisons a girl/young woman so that she can be raised properly and will make a faithful and obedient wife when she finally matures. This of course leads him into a muddle of confusion and coincidences as everything goes wrong . . .

I read this play for a college comparative literature course and it was great. Moliere is extremely easy to read and his work is very enjoyable. You can't help but be astonished by Arnolphe's views of women, but his ignorance gives you a good laugh. Enjoy!!

This book, based on a series of talks given at the New York Library, biographers Robert Caro, David McCullough, Paul C. Nagel, Richard B. Sewall, Ronald Steel and Jean Strouse explain how and why they went about writing biographies in the way that they did.

Each biographer explains well how the life of the biographer becomes intertwined with that of the person they are researching. In each case, they stress that biography writing is both intense and time-consuming.

Lyndon B. Johnson biographer, Robert Caro, recommends Francis Parkman's "Montcalm and Wolfe" for two reasons. One, to show that the job of the historian is to try to write at the same level as the greatest novelists. Second, that the duty of the historian is to go to the locales of the events that will be described, and not to leave, no matter how long it takes...until the writer has done his or her best to understand the locales and their cultures and their people.

In the end, it means that the biographer must not only understand the person, but also needs to intimately know the area where the person grew up and lived.

This book gives its readers new insights into the lives of some of this nation's most prominent figures, through the eyes of six well-known biographers. In "The Unexpected Harry Truman," David McCullough shows the life of Truman through new eyes. McCullough stresses that a biographer must genuinely care about his [or her] subject because you are living with that person every single day. The process is like that of choosing a spouse or roommate, therefore, the subjects that he chooses must have a degree of animal, human vitality. In Truman, he said, as with Theodore Roosevelt, he found no shortage of vitality.

McCullough created a detailed chronology, almost a diary of what Truman was doing from year to year, even day to day if the events were important enough. He also used primary sources, such as personal diaries, letters and documents from the time period. Truman poured himself out on paper and provided a large, wonderfully written base of writing for McCullough to sort through and "find" the man.

McCullough says that the magic of writing comes from not knowing where you are headed, what you are going to wind up feeling and what you are going to decide.

Richard Sewell's "In Search of Emily Dickinson," research process took twenty years and he says, "In the beginning I didn't go searching for her, she went searching for me." The process took him two sabbaticals, years of correspondence and meetings with Mabel Loomis Todd's daughter Millicent Todd Bingham to uncover the whole truth.

Paul Nagel's "The Adams Women," gives readers a sense of how important the women in the Adam's family were. Nagel said that contemplating the development of ideology is good training for a biographer. After all, he said, the intellectual historian takes an idea and brings it to life. For Nagel, working with ideas establishes a bridge into the mind and life of the people who had the ideas he studies.

Nagel said that he likes and admires women and this is why, after writing about the Adams' men, he wrote about the Adams' women. Nagel also said that he has learned and taught his students that our grasp of history must always remain incomplete.

Ronald Steel said, that the hardest job a biographer has is not to judge his or her subject, however, most fail to keep their judgements out of the biography.

In Jean Strouse's, "The Real Reasons," she explains that the modern biography examines how character affects and is affected by social circumstance. Biography also tells the reader a great deal about history and gives them a wonderful story.

In writing about Alice James, Strouse found that there was not an interesting plot line to her life other than that her brothers were writers Henry and William James.

Strouse, when asked by another writer about the descendents of the three James' children, she said that William's great-grandson in Massachusetts, tired of being asked whether he was related to Henry or William, moved to Colorado where he was asked whether he was related to Jesse or Frank. Strouse reported that he stayed in Colorado.

Strouse realized that in order to tell the story of the James' family, she was going to have to use her own voice to give life to the family, especially Alice. This is not recommended for all biographies, but in a case such as hers, it needs that biographer's voice to connect all the information for the reader.

In Robert Caro's, "Lyndon Johnson and the Roots of Power," he talked to the people who knew Johnson to get a sense of the former President from Texas and what made him worthy of a new biography. He wrote the biography to illuminate readers to the time period and what shaped the time, especially politically.

This book will help writers understand the steps he or she will need to take to write a biography. It shows the difficult research processes and makes the reader want to either write a biography about an interesting person or never want to write again. Either way, this book provides new insights that one may have never thought about before. I recommend this book to both beginning and seasoned writers

Anyone who travels frequently will want to purchase this easy to use guide. With David's suggestions, you can start planning your next family vacation today! Why not take full advantage of those free miles.

I thought it was written well and a simple guide to follow if you want to travel the world.

Excellent book, but know in advance that this book is heavily skewed toward legal topics and lawyer authors. While much of the legal writing is dense for lay readers, it is often well worth the effort. The selections authored by Margaret Montoya, Kevin Johnson, editor Richard Delgado, and non-attorney Gloria Anzaldua were the very best of this remarkably well-written anthology.

This book answers a lot of questions about the Latino culture, experience, past, present and future. Some essays tell stories, while others are plain facts. This book has about 670 pages, yet it is a fast and informative read where you can't put the book down. It is organized by section of topic and gives suggested reading lists at the end of each chapter. A good introductory to Latin American studies, historically, culturally, and sociologically. It gives a lot of information for the price, you will not regret buying this book.

The authors make it clear that Toomer rejected the racist ideologies of both 'blackness' and 'whiteness':

"And he had lived among blacks, among whites, among Jews, and in groups organized without racial labels around a shared interest such as literature or psychology, moving freely from any one of these groups to any other. One mark of membership in the 'colored' group, he said, was acceptance of the 'color line' with its attendant expectations; neither his family nor he had ever been so bound. To be in the white group would also imply the exclusion of the other."

It's a great book!

This is a great book focusing on a man who had the courage to reject society's efforts to impose a "racial" identity upon him. He steadfastly refused to be labeled "colored" (black) or "white" and considered classification the nemesis of mankind, a reflection of intellectual empty-headedness. A quote from the book: "Thus Toomer propounded the rather unpopular view that the racial issue in America would be resolved only when white America could accept the fact that its racial 'purity' was a myth, that indeed its racial isolation produced blandness and lack of character. On the other hand, racial purity among blacks was just as much a myth and only encouraged defensiveness and unconscious imitation, like that of an adolescent who defines his revolt against his parents by the very values he is trying to renounce. Race, he said, was a fictional construct, of no use for understanding people." We need more people like Jean Toomer today!

Just finished this book. It was a very excellent summing up of the great one's work, and I especially enjoyed the author's personal takes and commentaries on Sartre's ideas. I really enjoyed reading it and learned a great deal even as I found my mind being refreshed with much of what I was taught years ago in courses on Existentialism. I found the writing to be quite fluid and the theses, summations, arguments and commentaries to be highly understandable and enjoyable to read. I discovered a great deal in the 'Life and Works' section that I had not known before, and the presentation of Sartre's defense of direct realism was very cogent. The author's section discussing Sartre on Nothingness was excellent, and I felt an old thrill running through me as I was re-acquainted with 'the theft of my world', 'le regard', 'shame and pride' and 'the body'. The 'Ontology' section really helped focus and clarify Sartre's ideas for me. The author's discussion of 'free will and determinism' and his presentation of Sartre's ideas on these concepts was excellent. That "the being of human beings is freedom", the concept of bad faith, Sartre on theology and ethics and humanistic Existentialism all made the blood rush to my ears. I had a lot of powerful feelings reading these wonderfully profound and moving insights again. I am quite taken with the author's final statement "Although I agree that obligation to others is central to ethics, I believe this focus needs to overlap with an ethic of self-realization. It would be a shame to lose sight of the imperative of Existentialism to confront our freedom and create ourselves." This speaks so much to us of how we should be "in the world". The author answers beautifully all those endless and careless remarks that are constantly being made by those with no knowledge of Existentialism, who use the word to infer a philosophy of despair, gloom and hopelessness. It is, as the author says, so much the opposite... what could be more stimulating, challenging, thrilling, promising and ultimately 'human' than confronting one's freedom and creating oneself? Could there be anything more important or meaningful in a human life? I want to thank the author for a wonderful book. It goes on my favorite bookshelf.

I'm no expert on Sartre, but I decided to "review" this book because I found it a throughly enjoyable, informative and well-written introduction to the best known existentialist of the 20th Century.

The book starts out with an introduction to Sartre and his place within existentialism. [pp. 1-6.] The second chapter is called "life and works" and is an excellent overview of Sartre's life which deals extensively with his literature and politics. [pp. 7-40.] The final chapters deal with Sartre's epistemology, ontology, psychology, and ethics. [pp. 41-95.] In these chapters, Prof. Kamber quotes extensively (but not excessively) from Sartre's works. The book contains equal amounts of praise and criticism and strikes me as fair and balanced. Although everything is cited, the book doesn't contain footnotes (which I find generally distract and aren't necessary in an introductory work).

I have only a couple of criticisms of this work. First, Prof. Kamber is too easy on Sartre for his support of the Soviet Union. According to Prof. Kamber, Sartre did not break ties with the Soviet Union until the invasion of Czechoslovakia in 1968. [p. 35.] Since the crimes of the Soviet Union were well-known (such as committing genocide in the Ukraine) one would think there would be no excuse for having any ties with such a government at any time. Why Sartre decided to offer at least partial support for years to a nation that committed crimes greater than Nazi Germany's is a question worthy of some discussion. Second, the book doesn't contain a list of recommended books about Sartre.

Prof. Kamber clearly put a great deal of effort to make this book readable and informative. I recommend it highly.

Young boys like this too. I think too often we steer boys away from books with girl protagonists, and that attitude stays with them. A 3 to 5 year old boy might delight in the rhymes just as much as a girl of that age. Seeing girls often develop language skills earlier, the use of books such as these with well-controlled, thoughtful use of language is useful for boys too! I loved Madeline (I'm over 40) and thought the illustrations aren't groovy - it's tough in the computer age! - they are quite whimsically delightful.

Kids I know like this book.

I missed the Madeline books completely when I was a child, so my daughter and I discovered them together. It's an education seeing Madeline through her eyes. In Madeline, my daughter, who is somewhat shy and leery of new experiences, has a heroine who is smart, spunky, and completely in control of every situation.

I like Madeline the character a lot more than I like the books. I've found that very few writers can write wonderful verse, and I don't include Bemelmans in that august company. Some of his rhymes flow nicely together, such as the opening lines of the first book:

In an old house in Paris that was covered with vines lived twelve little girls in two straight lines. Some of his rhymes are jarring:

and soon after Dr. Cohn came, he rushed out to the phone, and he dialed : DANton-ten-six --

'Nurse,' he said, 'it's an appendix!' Everybody had to cry --

not a single eye was dry. . . . Madeline woke up two hours

later, in a room with flowers.

Still, the story isn't bad. A brave little girl is rushed to the hospital, has her appendix out, then shows off her scar. She makes it so exciting that all the other girls want their appendix out, too. Even my daughter wanted to have an appendix scar, until I explained just what that would entail.

A short children's story about a young girl who lives with eleven other girls in a home in Paris and who has to go to the hospital to have her appendix removed. It was a 1940 Caldecott Honor book (i.e., a runner-up to the Medal winner) for best illustration in a book for children. This book, and others in the Madeline series, have become classics in children literature and every serious student of children literature should have it on their shelves. Children love these books.

If you are looking for a wonderful combination of Basquiat's work and biography, this is the book to own. This book is full of many beautiful color plates of his work, as well as the story of his short, successful, but tragic life as an artist who had his brief moment in the sun before succumbing to the drugs.

THE best book on Basquiat out there! A very talented New York artist that started out doing graffiti on the New York Subways as SAMO and instantly became famous after one day meeting Andy Warhol and giving him a postcard of his artwork. They became quick friends and Warhol had a great influence on his very short career even though Jean-Michel's work is totally different. Jean Michel died tragically from a drug overdose. Cool little known fact - He dated Madonna! Great photos of the Jean-Michel and an incredible extended chronology in the back of the book. Best yet info on the artist existing anywhere in the the book. Color plates of his art work are superb, large, and mostly one per page, incredible color. I highly recommend this book if you are a fan of Jean-Michel or his friends Keith Haring, Kenny Scharf, or Andy Warhol.

This is a great book with many of Basquiat's paintings and drawings. It also has various essays by art critics and people who knew him. I suppose the reviewers who slammed Basquiat also think anybody could knock over a couple of paint buckets and be Jackson Pollock. The genius of Basquit in my mind is his ability to create truly beautiful paintings while painting in a seemingly uncontrolled, primitive (I hate that word) fashion. The way he layered colors, and added details is incredible. My favorite is "Untitled (Skull)" 1981. Here is a brilliant example of how Basquiat combines dissarray, ugliness, harmony, and beauty all into the same striking painting. I know Basquiat idolized Hendrix and ultimately went out much like he did, unable to cope with his talent and the attention it brought. To me Basquiat's painting very much mirrors Hendrix's musical talents. They both created wild, noisy, seemingly unharnessed, unpolished art. But to the careful, sensitive observer the true beauty and magic is revealed.