Rice's introduction to Byzantine art is particularly useful in that it does not limit itself to the arts of Constantinople only. It focuses first on the Late Antique period (primarily in Egypt), and then goes on to provide worthwhile overviews of artistic developments in Constantinople, Byzantine Italy and the Balkans. And, although he provides little more than a cursory explanation of the complex causes of change in the Byzantine aesthetic, the author's enthusiasm for his subject is evident in his clear, jargon-free descriptions of individual works. Despite being originally published almost 40 years ago, this study still effectively conveys the breadth of Byzantium's artistic influence better than most.