Jessica's life is further complicated by her difficult but triumphant struggles in romance as well as her mother/daughter relationship. Reynold's characters have depth and courage. It's a wonderful, rewarding, cozy read. Enjoy!!
Back to the story though - this is a wonderful book. I loved Ms. Reynolds' first novel and was not disappointed with this one. Although there are some complex twists and turns to the plot, she manages them with ease and clarity. The relationships between Jessica and her family are realistic & well-developed and the changes that take place are logical. I've spent very little time in the Pacific Northwest, but I enjoyed reading about the area and the Native American side of the story makes it even more interesting.
I place Marjorie Reynolds right up there with Elizabeth Berg, Jane Smiley, and Anita Shreve in her ability to tell a good story about people you'd like to know.
Ironically, this fecund environment (lavishly described by Ms. Reynolds) has generated a remarkably fractured family. The angry matriarch, Lila Moran, capably presides over a logging empire while bemoaning the condition of her personal life. Her son, Jonah, never has emerged as a man, and instead of acknowledging his retardation due to a relatively rare neurological disorder, Lila prefers to rue his adult childhood obsession with Civil War figures. As disappointed as she is with her son, she saves a special animosity for her daughter, Jessica, who has returned home after a failed marriage and an unsatisfying adulthood. Jessica's anguish centers around the tragic drowning death of her father, who perished while attempting to rescuse Jonah, who was precipitously thrown in the water by Lila, in a brutally cruel manner of teaching him to swim. This scar runs like a red thread through "Civil Wars" and only through Jessica's renewal of a relationship with the sympathetically-portrayed Callum Lake is there any chance of healing. Callum, unfortunately, never receives the in-depth portrait he otherwise richly deserves. His adolescent feelings for Jessica serve both as personal and dramatic motivation in the resolution of the arson/murder investigation which professionally absorbs his time.
There is much to admire in Marjorie Reynolds' writing. She can, without questions, probe to the inner recesses of our emotions and provide unflinching portraits of both human good and evil. She is a nuanced writer as well, always writing to make her characters believable. My sole reservations with her second novel are small, but critical. The reader knows, from the first fifty pages, that the plot will be resolved tidily; Lila and Jessica's coming-to-grips with their own unresolved hurt and betrayal appears almost like a soap opera. The author's brilliant first novel, "The Starlite Drive-in" did not have these flaws. Nevertheless, "Civil Wars" is an honorable, penetrating look into a family at war with itself.