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The book follows the life of a great scholar from grade school to death. What distinguishes him is he has a great heart/sense of morality along with his genius. You follow his evolution as a person throughout the story. The story is set somewhere around 2500 AD but there's no indication that technology has advanced since the 1940's - or that life socially is much different...the emphasis is on the political situation as it relates to Knecht's scholarly order. Since the order is celebate like the 19C Oxford scholars there are no female characters of consequence - so you see a lot of male relationships in all different shades. Hesse lets you know as much about the game as he can and still do it justice...the game is supposed to be one of the supreme human achievements so he couldn't invent it fully fleshed out for the purposes of a novel. Magister Ludi is Joseph Knecht's title: he is Master of the Game. He's on the highest board which includes a Music Master and Master of Meditation. The climax of the book is a discussion Knecht has to have with the Master of Meditation/President of the Board of Educators to justify a momentous life changing decision he makes. I reread very few classics (I plan on rereading the major Mann and Doestoyevsky books) but this is one I would reread: it's beautiful. If you loved "Doctor Faustus" or "Goldmund and Narcissus you most likely love this one.
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I recommend especially the title story, "Pictor's Metamorphoses": here a youth named Pictor wanders into a garden and finds a magic carbuncle which transforms him into a tree. But he realizes that his life his incomplete, and remains unhappy until a girl wanders into the same garden...
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It is also one of the best biographies I have ever read. Among other things, it does a very impressive job of blending Hesse's life and work, explaining how precise parts of a given book were influenced with events in his life, and so on.
I do wish all biographies were as well researched, and as well written, as this one.
It is worth getting your hands on this book just in order to read "The European," which reminds us that philosophy must above all be practical.
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Hesse waves tales infused with rich mythological imagery and interesting turns around every corner.
Three stories that run the gamut from romanticism to melancholy.
Always a mystery and forever a joy.
This edition contains three stories: "Child's soul", "Klein and Wagner" and "Klinsor's last summer" The first one succeeds in showing how intense a child's feelings can be, the happiness and sadness that can be reached while being so young, how a small mistake can trigger the biggest of fears... Klein and Wagner, for me the best one of this book. And "Klingsor's last summer" the story of an artist who is dying, while reading this you become Klingsor...I wonder how could Hesse succeed to such degree in portraying thoughts and feelings, no other existentialist author I've read so far reached this complexity.
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Goldmund finds himself in a monastery, after having lost his mother to death. He befriends a monk teacher their, whose name is Narziss. The teacher immediately recognizes something special in the boy and tells him he must go on his own journey and that he does not belong in this monastery. Goldmund jumps the fence and begins a journey that takes him to many different lands, His boyish good looks are too much for any woman to resist and this becomes Goldmund's friend and foe, as it brings both good things and bad.
The most interesting part about this book is how it is philosophical without being preachy. Hesse has achieved this by constructing two very likeable characters who represent the two sides that exist in all of us: reason and inclination.
I recommend this book to anyone who enjoys great literature, but especially to younger people who are searching for themselves. You will imagine yourselves on this great journey and learn many things as Goldmund does.
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This is a tale of two medieval monks at the Mariabronn cloister - Brother Narcissus and his pupil Goldmund - both of whom are on a quest to seek peace and salvation. Though there is a convergence of their ultimate goal, the two strive to achieve it by setting out on two apparently diametrically opposite paths in life.
Blessed with a superbly analytical mind guided by intelligence, reason and logic alone, Narcissus is an ascetic of the highest order. He has shunned the world of senses to devote himself completely to the service of God. By contrast, Goldmund's being is dominated entirely by 'feelings', unshackled by the bonds of intellect. He gives up the austere discipline and abstemious cloister life in pursuit of worldly pleasures as also its pains - the realm of the 'Maya'. (Concept of Hinduism wherein Maya refers is the cosmic illusion that creates ignorance and veils the vision of the one Reality.) He becomes a wondering wayfarer, traveling through sun, snow and rain; swamp and peat; hunger and fatigue. This is symbolic of his journey through life itself. Celebrating life in all its facets, he plumbs the depths of lust, wades through snow fields, surviving on frozen, wilted berries, escaping from the jaws of death. He experiences a surfeit of life's every aspect until he feels they no longer bring him happiness.
A beautiful wooden statue of Madonna in the 'bishop's city' is a turning point in his life. Its beauty touches him so deeply that it ignites his hitherto dormant creative spark and sets it on fire. Awakened, Goldmund decides to try his hand at sculpting. The experience turns out to be so sublime that he sacrifices his 'freedom' at the altar of creative bliss. He settles down to a sedentary life for a few months, giving his heart, soul and fiber to making wonderfully beautiful wooden figures.
While Narcissus represents the masculine mind, Goldmund is the embodiment of all that is feminine- imagination, creation, passion and attachment. The two epitomize the eternal battle between the mind versus the senses, thinker versus the artist. Hesse addresses the perennial question - Which of the two is superior? Which of the two roads is the shorter route to salvation?
The book ends on a very touching note. ...
As I read the book my thoughts went through some changes. At first, I took Goldmund for a demon-possessed, forsaken child. So when Narcissus, who devoted his life to piety, tried to expose that demon-quality, which came with the image of his mother, within him, I felt that Narcissus was wrong to send him out intot the world, that the life in the cloister was the only way that he could heal the child, by showing him the eternal joy of God. As Goldmund came back to the cloister after the near-death experience in the count¡¯s castle, and began to live a life of an artist, and especially when he felt calm when he was exhorted to pray and sing canticles, I believed him to be on the right track.
However, as I continued see the big picture, I found many parts that made my idea rather less plausible. So I came up with a new idea. Perhaps the two characters implied the difference between Law and Grace? Surely, both character's renewing of struggle everyday resembles the struggle of faith. This new thought had to come to end when Goldmund himself said that he didn¡¯t have any inclination toward God.
But looking back, my idea hardly seems to be the intent of the author. I decided not to involve Christianity and its ideals in this. I believe Hesse was trying to explain that when it comes to how one finds meaning of life (not spiritual atonement), one probably is leading a life between the two very different characters, one seeking it through intellectual thoughts, the other searching it within sensuality, wandering and the inspiration which comes from them.
While I reading the book, I had the chance of reading from Amazon¡¯s customer reviews, and I was amazed how people easily discovered the subject of this book. It did not seem to me so apparent that these characters symbolized anything. It may also be what the author is trying to convey in this novel, how life is; that one doesn¡¯t always recognize where one is heading, how complex it is, what colorful and different things lie in it.
It was not the first time I read the book. Few years ago, when I was around 12, I tried reading this book in my first-language, Korean. I had bought the book without realizing that I already had the English version, because the title had been translated as ¡°Intellect and Love¡±. I felt that this book embodied an easy theme. However, I grew tired of endless dialogue -- so it seemed to me at the time -- between Narcissus and Goldmund. Now that few years have passed, and my understanding of life somewhat grew richer, this book brought some new ideas into my mind. I found myself looking at the two main characters, whom I had seen as two opposing forces before, as linear beings, each heading for the same objective this time.
I believe my thought about the book will continue to evolve as I grow older, as I gain more experience in life.
Certainly a good read.
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The book follows the life of a great scholar from grade school to death. What distinguishes him is he has a great heart/sense of morality along with his genius. You follow his evolution as a person throughout the story. The story is set somewhere around 2500 AD but theres no indication that technology has advanced since the 1940's - or that life socially is much different...the emphasis is on the political situation as it relates to Knecht's scholarly order. Since there the order is celebate like the 19C Oxford scholars there are no female characters of consequence - so you see a lot of male relationships in all different shades. Hesse lets you know as much about the game as he can and still do it justice...the game is supposed to be one of the supreme human achievements so he couldnt invent it fully fleshed out for the purposes of a novel. Magister Ludi is Joseph Knecht's title: he is Master of the Game. He's on the highest board which includes a Music Master and Master of Meditation. The climax of the book is a discussion Knecht has to have with the Master of Meditation/President of the Board of Educators to justify a momentous life changing decision he makes. I reread very few classics (I plan on rereading the major Mann and Doestoyevsky books) but this is one I would reread: it's beautiful. If you loved "Doctor Faustus" or "Goldmund and Narcissus" you most likely love this one.