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The Common Brood witch coven disagrees as they conclude that the time is right to begin the final phase of a deadly and ancient plot. Though she prefers otherwise, Gaultry knows she must fight for freedom for her people as the Bissanty Empire once again threatens the sovereignty of Tielmark. To succeed she must ally with an apparent enemy, The Common Brood.
PRINCE OF FIRE AND ASHES, the final chapter in Katya Reimann's epic fantasy Tielmaran Chronicles, is a tremendous tale. The novel closes the subplots left behind from the previous two tales (WIND FROM A FOREIGN SKY and A TREMOR IN THE BITTER EARTH) yet manages to keep the prime story line of this book interesting and moving, enabling this novel to be a stand alone tale too. That well executed exciting combo is what fans will marvel about as much as the maturing of Ms. Reimann into a monster force within the genre.
Harriet Klausner
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Around the same time, I was in college playing D&D with a group that eventually included the author of this book, Katya Reimann.
So I'm not at all surprised to have come across her books years later and find a vivid fantasy world and writing that really draws in the reader. I tore through the first book and regretted not ordering the others at the same time. (OK, I thought there was -some- risk I might not actually like it.)
As I read the book, it reminded me of the Donaldson books in the sense of a hero(ine) who evolves a power, and is faced with various moral dilemmas along the way. But the similarity pretty much ends there. The point is, if you liked Donaldson, I think you'll like this even more. If you didn't (and I know his writing has drawn some criticism), I hope you'll still give this a shot.
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Her world is sharp and well-defined without the clutter that others fall victim too. Her characters are interesting and complex. Engaging enough to make you anticipate the next adventure that awaits them.
With twenty or so series that seem like they will never end (not necessarily a bad thing), it is still nice to have a feeling of completeness when finishing a book. Something Reimann delivers in this and her previous book. While leaving the door open for further books, she still gives the reader the feeling that you have reached a destination and that something has actually been accomplished. As opposed to closing a 700 page novel knowing that you have only reached the next stage in an ongoing (and neverending?) journey.
Long treks can be exciting and fulfilling. But day trips or overnighters can be just as fun. Take the weekend off and enjoy what Reimann has to offer. You won't be disappointed.
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It's also old-style fantasy in the fact that Reimann's world is completely suffused with magic--every doorpost seems to have its own charm or fetish or burnt offering to the gods. But the gods and their influence on human affairs are not overdrawn. Their motives and the extent of their actual influence remain mysterious--in a good way.
An enjoyable read. I'm still thinking about the characters a couple of weeks after I put the book down--always a good sign.