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The book began innocently and kept me entertained. It brought me back to those great age-old days of fumbling adolescence and the poignancy just snuck up on me. I won't describe the plot except to say that if you've ever been a teenager - and the longer ago, the more this is true - then you will relate to this book.
I saw the end coming but didn't mind. The author allowed a few page intermission from the laugh-out-loud humor for a touching and sad-but-at-the-same-time-sweet climax. I didn't cry but could have.
Although I'm 39 and married with a son, for the late night evening I chose to complete the book - with a scotch in hand - I was a kid again, for an hour. Not a child and not an adult, but somewhere in between.
For a dime it's the best bargain I've ever had.
-Jack
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At it's heart, MH is the story of a young bedeviled Vietnam war vet with issues, Austin Fletcher, who is willed a small house deep in the woods of northern Maine by a fellow soldier and confidante, Maynard Whittier, killed in action by a wayward mortar shell. Austin--"a sailboat awaiting a breeze"--makes the trip for his new home. The landscape is an intoxicating blend of claustrophobic interiors and endless frozen wastelands. Little by little, the mysterious force in the house asserts itself until neither Austin nor the reader is exactly sure what is in his mind and what is real. Raucher plays to his strength here: "A man can be crazy only if there's someone around to tell him that such is the case." Austin's disturbing isolation is well managed and chillingly realized. And just when our hero's had enough and is ready to quit the place, a blizzard arrives and the real haunting begins.
There are problems here, however. The story strains and struggles to explain itself in many places. The often-elegant prose is peppered with outdated language, loaded with extraneous simile and metaphor. Drawn tight, this would have made a superior novella. There is a price to pay for stretching. It is the stylistic difference between extrapolation and interpolation.
A good ending--so often lacking in novels of this type--can go a long way toward saving a book. MAYNARD'S HOUSE has one. And maybe, just for that reason, twenty years from now, perhaps I'll read it all again.
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