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I think that he did a good job describing the actual life in a military school. I used to think that it would be cool to live in a military school. His book has changed my mind.
I don't think that the book title fits with the actual content very well. And there is really no climax in this book. It seems that he may actually write part II.
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Adam Rapp writes about a young kid serving his time in Hamstock, a juvenile detention center that promotes violence, abuse, negative reinforcement, and a social structure worse than the kid's home and street situations. The kids learn quick to be just like adult cons. Although many of them have hardened beyond hope, some of them balance on a fine line of possible rehabilitation. Sura is one of these kids, a sensitive, troubled youngster that tries to keep himself and his bunkmate on top of things and out of trouble. This is not easy when kids victimize each other and the administration steals any self respect they may have left.
At night, Sura lies in his bunk staring out the window at a lifeless tree standing stark and barren outside. He must take turns with his bunkmate to stay awake, alert to the possibility of other juvies slipping into his cell to victimize them. Night after night he fights sleep and despair, counting the days and nights until he is out, but drawing plans for an escape. He cries like a little boy, but has to fight like a grown man. It is a situation beyond his years and coping skills, and he lies there on his bunk in the pitch black dark, forever gazing out at the buffalo tree.
This book, written in the language of the street, details Sura serving time at the center with his patch mate and best friend Coly Jo, who got sent up for breaking into people's homes to watch them sleep. As Sura somehow breaks through the mire and rises to the top, Coly Jo is beaten down both physically and emotionally. At the end Sura is set free, and has learned to appreciate life at home with his mother, though I doubt he'll be there for long.
An excellent novel, once you learn to decipher the street slang. Not that the slang is bad; it adds to the credibility of the story and I learned lots of new words.
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If there was on good thing though, it HAD to be Oakley Brownhouse. He was hilarious, imagining him as a little nine year old in the stuff he goes through. Its really quite funny.
I just wish the whole book was as interesting.
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Rapp's style is coarse and bristling, full of short sentences and poignant remarks. But this style is so regimented that it becomes predictable, and often it becomes impossible to ignore the author behind the characters. Many moments of beautiful writing and collage-like images emerge throughout this text, largely because of the sparseness of language. However, the vulgarity of language used by characters, at times, furthers the darkness and rawness of Blacky's experience, but may well pose a problem for younger readers.
Though the book targets readers twelve and up, the substance and language of the text is certainly mature and may be unsuitable for many young readers. This text might be most useful for readers who want a hard-hitting book about the traumas young people sometimes face and are able to sort through the painful and sometimes graphic aspects of the book in order to find its virtues.
Rapp's style is coarse and bristling, full of short sentences and poignant remarks. But this style is so regimented that it becomes predictable, and often it becomes impossible to ignore the author behind the characters. Many moments of beautiful writing and collage-like images emerge throughout this text, largely because of the sparseness of language. However, the vulgarity of language used by characters, at times, furthers the darkness and rawness of Blacky's experience, but may well pose a problem for younger readers.
Though the book targets readers twelve and up, the substance and language of the text is certainly mature and may be unsuitable for many young readers. This text might be most useful for readers who want a hard-hitting book about the traumas young people sometimes face and are able to sort through the painful and sometimes graphic aspects of the book in order to find its virtues.
On a practical level, the theme, language, and situations are quite mature. The main character is 10, the readership is 12 and up, but I would hesitate to recommend it for readers so young. I wouldn't be surprised to find it in a college freshman English course.
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