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The husband is originally portrayed as a sympathetic character but almost immediately becomes a caricature. He starts beating his wife and torturing her. Her parents don't give a hoot when she calls them to tell them that her husband is abusing her. Supposedly their lives revolved around her before she married. All of a sudden, they stopped caring. Real people just aren't like that.
While the writing style was engaging, I finished this book merely for the entertainment value. The plot twists were so outrageous that they were quite amusing.
im sorry to have been so defensive and critical of the two previous editorials but this is my favourite book, it taught me alot about people and alot about the world and that naivety wont get anyone anywhere. its sad but true things like this do happen and people dont always deal with it the way you expect them or want them to.
congratulations on this book - it was truely an absolutely fantastic work. i highly highly reccomend it.
Smooth reading and very enjoyable.
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In utter despair that the family heritage will die with her, Catherine receives a visitor in her sleep. A sixteenth century ancestor, Hannah Mendes will work with Catherine to help Fransesca and Suzanne find their lost heritage. Out of respect for their grandmother's last wishes, the two sisters travel to Europe in search of Hannah's manuscript. Soon, they meet appropriate males and Hannah begins to educate them as her story unfolds.
The two story lines (contemporary and Renaissance) blend brilliantly together due to the strong writing ability of Naomi Ragen. The characters are all realistic; they question how Jewish assimilation into the Big Mac culture of America is dealt with through various eyes. Readers will especially enjoy the sixteenth century manuscript as that story is incredible and feels like a real artifact. Anyone interested in well-written novels starring Jewish culture needs to try Ms. Ragen's works (see THE SACRIFICE OF TAMAR, SOTAH and JEPHTE'S DAUGHTER) because they are fabulous, insightful tales.
Harriet Klausner
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I found "Sacrifice" a compelling story, set as it is against a cultural backdrop rarely accessible to non-Haredi Jews. However, I was very disappointed with one aspect of "Sacrifice." In it Ms. Ragen positions blackness as an inherently flawed, deficient human condition. And she writes as if this were a universally acknowledged fact.
I have no problem with Ms. Ragen using a black rapist as a plot device; it's certainly plausible that a woman attacked by a black rapist could project her hatred onto all black people. Not admirable, but understandable.
But that, as the story line goes, one's blackness should be sufficient grounds on which to be found repulsive, disgraceful, and utterly lacking in human value ... Well, that's another thing. (...)
I'm reluctant to brand Ms. Ragen a racist -- she has proven herself a champion of justice and human dignity in other arenas -- but the premise of this particular novel is pretty nefarious.
(...)
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While the first half of the book is the story of Dave, the husband, the second half is the story of no one. Depsite the fact that the back of the book leads you to believe it is about the daughter, Sara, she is not the main character in any sense.
There is no story for you to follow and the characters don't develop well. Their characteristics just sort of "appear."
The Jewish thread seems manufactured as if she had to insert it somewhere.
If you want to read a bood Naomi Ragen book, read ANY of the others.
The time is the 1950's and David Markowitz, husband of Ruth, and father of three children, is again forcing the family to move, for the fourth time in ten years. He is a dreamer who thinks that one day he will strike it rich, and his family will then have the life that they deserve. For the time being, however, the Markowitz family is moving into a low-income housing project in Far Rockaway, Queens, while David plies his trade as a taxicab driver.
"Chains Around the Grass" does not succeed, mostly because Ragen has no central focus beyond describing the family's miserable lives. She touches on many themes, but they do not coalesce into a satisfying whole. Ruth Markowitz stays at home with the children, as was traditional in the pre-feminist fifties, although she has few domestic skills. Her considerable brains and talent are underutilized, which contributes to her depression and keeps the family income low. David is a charming but unstable man. He fights with his relatives who are better off than he, and he is simply unable to work at a steady job long enough to make good. None of these themes has enough resonance to make the novel come alive.
The book does have its poignant moments, especially those that center around the middle-child, Sarah. She is an excellent student, who believes that school and perhaps religion will be her ticket out of her dead-end existence. However, Ragen does not show us what is unique about this family and why their story is worth telling. "Chains Around the Grass" is little more than a very bleak story about a very unhappy family.