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Although he would never receive accolades as a husband, he truly loved his family. He mentioned several times, his grief at the death of his son and the loss of father.
He made many friends along the way, and treasured every one. Not caring whether they were paupers or kings.
In 1983, we had the pleasure of seeing and meeting Mr. Quinn on Broadway, in Zorba the Greek. We had invested in several of his paintings and sculptures, and was invited to a party for him at the Helmsley Palace in New York City. We were really impressed with his ability to encompass a room with his presence, while giving every person a piece of his persona.
This book is excellent reading, which keeps the reader waiting for his next thought. The world will truly miss this great man.
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As I say, ecologists know all of these things. So would anybody else who is really paying attention to life--not life as in that interval of time between your birth and your death which is generally occupied by distractions like school, marriage, career, and retirement--but LIFE, the whole grand panoply of flora and fauna, earth and elements, who share this planet with us.
Quinn doesn't really know how we got so alienated from this knowledge, any more than I do. That's what he seems to be saying in Story of B. That's why at the end of the story, he informs the reader that having read the book, it is now your responsibility to continue struggling with this problem.
If you're interested in putting some more pieces of the puzzle together, I reccomend The Unsettling of America by Wendell Berry and A Language Older Than Words by Derrick Jensen, both of which are undoubtedly available from this fine, fine website.
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For a related but different slant on the ideas of Quinn's books, check out Mutant Message Down Under by Marlo Morgan. She takes us on a walkabout with the "real people," an aboriginal tribe in Australia. Five stars for that one too.
Like Ishmael and Story of B, I am again absolutely amazed at what Quinn has accomplished here. Great job!
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I've read all his books, most of them several times, and I can tell you that in THE HOLY he outdoes himself--and everyone else around. It's in a class of its own. The only book that comes close is John Fowles' THE MAGUS, and I personally think THE HOLY is a better, deeper, and more enthralling novel.
In my opinion, the thematic heart of Quinn's novels is not Saving the World (as many might say) but rather The Quest. Quinn's heroes aren't looking for love, happiness, or wealth. They want THE ANSWER--to the profound questions that trouble us all in a world that seems to be going mad. But not all his heroes are asking the same questions (or getting the same answers). Two seemingly unrelated quests drive THE HOLY--both strange, both even a little mad--but they ultimately converge in a maelstrom of passion, violence, death, and transfiguration that is unmatched in any book I've ever read.
This isn't just Quinn's best. I honestly can't name a novel that I'd rank above it.
The story is a chain of unexpected, entertaining, chilling events, leading to a conclusion that leaves some room for speculation, but not too much. That in itself makes the book worth reading. The tersely worded gems of "pure Quinn," scattered throughout are what make The Holy more than just another well-written novel.
In this regard (and this only), The Holy is similar to The Exorcist, another book by an author who wasn't kidding (it was based on the true story of a child's demonic possession in the 1940s). People reacted powerfully to The Exorcist, both as a book and as a film, because they perceived clearly that William Peter Blatty wasn't just giving them a fright they would later laugh about. (I've always believed The Exorcist probably brought more people to the Roman Catholic Church than The Song of Bernadette did.) Even if you aren't a believer, reading or seeing The Exorcist can make you teeter in your disbelief.
Quinn's book will have the same effect on you. It will have the same effect, because you'll recognize that the supernatural realm he's exploring is not one he just made up to give you a scare. It's a realm that humans have acknowledged and taken seriously for as long as there have been humans, a realm familiar to shamans in every land, a realm discussed in the scriptures of every religion (including the Bible), a realm that was alive and thriving before the first humans walked the earth and will be alive and thriving when we're gone. The jacket notes describe the inhabitants of the realm this way: "They knew us before we began to walk upright. Shamans called them guardians, myth-makers called them tricksters, pagans called them gods, churchmen called them demons, folklorists called them shape-shifters. They've obligingly taken any role we've assigned them, and, while needing nothing from us, have accepted whatever we thought was their due--love, hate, fear, worship, condemnation, neglect, oblivion."
The publisher describes this as a metaphysical thriller, and it is. But it's also much more. Like any really great book, it's one you'll definitely want to read more than once.
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Don't get me wrong though, I think Quinn is an incredible writer and I enjoyed reading this book. I've read the Ishmael books and Story of B and there are very few books that have moved me like they did. But After Dachau is certainly not the same caliber material as his previous work, but I applaud Quinn for exploring.
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Having read both Ishmael books and the Story of B, I had high hopes for this one.
I wasn't!
The story moves fast you can probably read it in under an hour, but you'll probably want to take your time and check out the cool art work.
Bottom line is this is a story that I will remember as with Ishmael. Fans of Quinn's will not be dissapointed.
In The Man Who Grew Young, Quinn gets help adding great visuals to a mind-boggling story. The main character, Adamn Taylor, is stuck in a world which goes backwards from the world we know. Life in this place in time goes from ground to whom, earth mother to flesh mother, and Adam is unique in that he cannot Find his mother. Without his mother to reunite with, he stays in time as every life ever lived is lived again, in reverse. He watches our resources returned to the earth, our cities dismantled, our weapons thrown away.
I love how Quinn gets the reader thinking in new ways - exploring different ideas and possibilities, and that's just what he did again here - magnificently.
I also have to say that Tim Eldred did a wonderful job of expressing Quinn's story. My kids are a huge fan of PBS's Dragon Tales, which i later found out that Tim Eldred produced. What a small world. :D
I highly recommend this book for anyone who wants to go on a wild journey of the mind - thinking thoughts we rarely dare to think.
Starr
While this book is a must buy for any Quinn fan, it is also a superb introduction to his work and a new way of thinking for those new to his writing.
Do yourself a favor and add this book to your collection.
Usually when you read a review of a Daniel Quinn book you'll find that the reviews fall into two categories. The first sort of come from either loyal readers whose lives have been changed through reading Quinn's work, or from people who are intrigued with Quinn's concepts and ideas on how to save the world. The second type of review comes from those who are hostile towards his work and his readers because it scares them. Quinn writes with painful honesty about this modern world that we live in. His novels don't beat you over the head with ideology, but rather tell clever stories with important messages. Strangely, there are those that find these messages threatening as Quinn's writings ask the reader to challenge the conventional outlook on the world and "civilized" culture.
****WARNING!!!****
THE MAN WHO GREW YOUNG will make your mind move in directions you never thought possible. . .
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A great book!!!
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I originally read Ishmael when I was in college, and upon reflection, it just blew my mind. I realized that humans CAN live sustainably, because they once did, and also that we can find a way to live sustainably without giving up comfort and happiness. This and other concepts are discussed and illustrated in The Story of B and My Ishmael, but sometimes are misunderstood. Beyond Civilization serves to clear up the misunderstandings.
I've done in-depth reviews on this book and others like it for SustainableWays.com because of their fresh take on sustainability. Most people think that living sustainably is about living in a cave and catching dinner at the end of a spear. Beyond Civilization is one of those books that shows how it can be otherwise.
I recommend this book to anyone looking for, another way to live, another story to be in, or an extraordinary thought provoking experience!
I have read several celebrity autobiographies, but this one is by far the best. What a life! His father was half Irish and half Mexican. His mother was illegitimate and half Mexican and half Indian. He was conceived while "both" of his parents were fighting with Pancho Villa. He lived in a dirt-floor shed. His father became a migrant farm worker in the U.S. and later got a job at a studio. Quinn's father's arm was nearly torn off by a panther that Quinn had befriended. These are only some of the highlights in just the first 39 pages.
Quinn was originally planning on becoming an architect, but Frank Lloyd Wright sets into motion a serendipitous chain of circumstances, which leads to Quinn becoming an actor instead of an architect.
This book is much more than the story of Quinn, or even the film industry. Through out his life, Quinn seemed to come into contact, or into bed, with everyone that was anyone: anywhere. While still an unknown-unknown, he was in the frequent company and advice of such people as John Barrymore, Error Flynn, W. C. Fields, John Steinbeck, William Saroyan, F. Scott Fitzgerald, and William Faulkner. During this time, he married Cecil B. De Mille's adopted daughter, which resulted in a 20-year-conflict between Quinn and De Mille. Having De Mille as a father-in-law actually harmed Quinn's career.
Quinn tells of a clandestine meeting with Howard Hughes at 2:30 AM on Mulholland Drive and Hughes arrives with 3 cars. Quinn discusses his 3-year-old son drowning in W. C. Fields' swimming pool. Time and space cause me to only try to wet your appetite.
After reading this book, it's hard to tell if Quinn was playing Zorba, or if Zorba was playing Quinn. By the way, even the dance Quinn does at the end of this movie is a very interesting story.
As with all great books, it unfortunately didn't last long enough.