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This edition promises to be the corner stone for the souvenir china collector!
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"Compared to the beauty of his first novel A FRESH GALE, the author has 'bettered. himself in this wonderful novel THE PRICE OF COTTON, a story that informs as well as entertains. It has oft-time been asserted that fiction, in many cases, renders more truth than flawed history; and this book holds true to that assertion. With rich adjectives and strong verbs abounding, the author composes 'tight' sentences in such manner that one word deleted would compromise, or perhaps lose, the meaning. A story in grim relief, tells of slaves in the South wherein they are whipped and, otherwise, cruelly punished. A part of a letter from the British Legation bound for England, states, "All else seems fair in the production of cotton except slave labor. As to the British response: Let us remain neutral secure our footholds in the United States of America. And, when the smoke has cleared, let us resume our trade with whoever survives". What realism! What cynicism! This work of art inescapably pulls and tugs at the emotions; and realistically depicts beautiful love stories interwoven with the horrors, violence, cowardice, and slavery that once was accepted, abhorred, and encouraged with the most flagrant cold and abusive calumny. The "landed gentry" of the old South reminds one so much of Margaret Mitchel's GONE WITH THE WIND wherein, indeed, the complimentary practice of chivalry took its last philanthropic bow, and the epitomizing pessimism, and predication of the ultimate defeat of the South in this griping, educational and entertaining novel that would well suffice for adaptation to a motion picture or television movie presenting the developing belligerence of the ultimate cause of the war between the North and the South -the price of cotton. This forthright work reaches the heights of love, intrigue, historical correctness, hatred and violence. Ironically, Lakaetu Cobutu, a prominent protagonist, is run down by a run-away-horse and buggy on a street in New Orleans. This incident occurs after such a doleful and ultimate success that she tolerated, overcame, and enjoyed. What a marvelous book to recommend!.
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There are many, outstanding pictures of this handsome, young prince, as well as, some of his immediate family. Many of his likes and dislikes are included along with some of his royal stats.
We are shown that despite all the pomp and circumstance in his life, he is still very much a normal tennager who copes with life's everyday situations. Also, we are shown how he has coped with tragedy and triumphed over all odds.
Above all " William craves privacy. He is not a great lover of London life. " P. 96
This is a paperback book which measures 8x8 inches.
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In each of the feature film summaries, author Lucy Chase Williams not only gives us complete cast and credit listings, but also charming ancedotes provided by fellow cast members. This distinguished list includes Charlton Heston, Angela Lansbury, Jane Russell, Robert Mitchum, Gregory Peck, and many, many others.
But what really makes this book a joy for all Vincent fans is the biography. Almost everyone only thinks of Vincent Price as "that horror film actor", but he was so much more than that. Williams warmly reveals Price as the well-known, well-schooled, down-to-earth human being his fans knew him to be. We see the art lover, the fine cook, the author, the "special guest star" on HUNDREDS of television series, and... the practical joker who knew how to enjoy life and have fun.
The Complete Films of Vincent Price is a wonderful book. More appropriately, it is The COMPLETE Vincent Price. The multi-faceted gentleman everyone should get to know.
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Fiction, to me, let's us do what we try and do with life - take apart reality and put it back together again to ask "why not THIS way". If it's good fiction, the re-formed reality works. This book, "Throne Price" is good fiction.
"Throne Price" (not 'Thorn Prince' as the title graphic looks like) by Lynda Williams and Alison Sinclair. Book 4 (1st published however) of a projected 10 book series.
A vivid world as complex, ugly, and promising as our own with characters I knew right away, and many I wish I could know here and now a lot better. (and a few I would never want to meet without a few decks of armor plating between us.) These are characters, and a world, I look forward to visiting. This book is a 'stoplight' book for me (carried in my car, so I can read a line or two whenEVER I get a chance.
What is it like, reading Book Four first?
Think of being tossed to live in, say, Paris. It would take a while to get to know the way of it, but from the first, you would know you are in an ancient place that would still be there in a thousand years... with some things barely changing. It would fascinate, attract, confuse, and reward you. Welcome to the world of Okal-Rel
Let the large cast and complex politics wash over you, enjoy the imagery and language, and don't fret remembering all the details. Save that for the second reading.
As with Stephan R. Donaldson's 'Thomas Covenant' series, Frank Herbert's "Dune" and Terry Goodkind's "Sword of Truth' series, the main character is not my favorite and even share an uncomfortable habit of being put to pain... a lot of pain. It is the other characters that attract me with their independence, flaws, and unpredictability.
In the advent of the Web, books no longer are singular experiences. Chat rooms, in depth commentary and visual aids abound and help continue the experience after the cover closes. It reminds me of Dickens reading his works aloud to early versions of FanCons (albeit with a less tacky T-shirts). Web sites give the author, and fans, a chance to interact much more with each other. I am glad to see the Okal-Rel world having one as well. There is evidently a way for fans to read sections into a MP3 file and having it posted. Amateur aspirations to make the world of the authors even more real. Mr. Dickens would approve.
I recommend this book. Ashley Robins (aka G.Robin Smith)
Published by Edge Science Fiction.
This is a difficult subject to handle well in fiction. Many novels sensationalize or even romanticize this kind of personal cruelty, bleeding it for its shock value while pretending it has no real, lasting effects. Others recognize the ugliness of it, but in doing so, create a victim who is always a victim and never a hero. Sinclair and Williams walk a very thin line between these two potential pitfalls, and they walk it flawlessly. We see Ev'rel as a comprehensible human being, a woman with her own tragic past, yet NEVER FOR A MOMENT do we lose sight of how evil and unforgivable her actions are. In the character of Amel, the authors walk an even finer line, capturing with bitter poignancy the very real scars he carries, yet fashioning, in spite of this damage (NOT because of it) a gutsy and exceptionally likable character. As he fights to rebuild his identity, and to stay alive in an increasingly dangerous world, he becomes one of those unforgettable fictional heroes whom we really, desperately hope will make it.
I have one small caution, however. The society of Gelion is hightly ritualistic and structured, and there are coined words and terms for many unfamiliar things, places, relationships, and behaviors. Some readers will find this manageable and even fun. Others, like myself, might find it hard to keep track of at first. To those readers I would say: "Hang in there. Read on. You will be wonderfully rewarded!"