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Bloch is a craftsman of the highest order; it's amazing to see how stories written when he was barely out of his teens still compare favorably to ones written late in his career. He was a massive talent.
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Probably one of the most satisfying aspects about the "Taint" is that the reader gets to sample Sargent in various aspects of his craft - from straight, Mythos horror, to subtle humor, to irreverent poetry and well-researched analysis. (The central novella, Nyarlatophis, set in ancient Egypt, is also superbly researched and delivered.) His range is as varied as is his manner of delivery - from a creepy "Live Bait," a sequel to H.P. Lovecraft's famous (and disturbing) "Shadow Over Innsmouth," to a thought provoking "Black Brat of Dunwich"-- a different interpretation of Lovecraft's "The Dunwich Horror." The two should be read side by side for the remarkable insights and conclusions Sargent manages to draw from Lovecraft's original story. To be honest, I found all the stories in this volume interesting and surpirsingly successful - despite their different construction and delivery. In the last story: "Double Screecher" Sargent manages to perfectly capture the claustrophobic paranoia of an insecure man in a movie theater. But don't be misled, you will think the story is going one way but then Sargent will pull the rug out from under you and go in an entirely different direction. Fabulous!
Another aspect of Sargent's savvy work that I found most appealing was his fluid style - and the individual timbre of each story which had a distinct feeling and "voice" all their own. Part of this is due to his gift of knowing how to give the reader just enough detail to prompt their mind into its own tangents of description. In other words, instead of describing something in complete detail, he gives the reader just enough key words or phrases which then propels their mind into creating its own mental scenarios. A rare gift. I found this especially impressive in such stories as "Live Bait."
If all that were not enough, the book has illustrations by D. L. Hutchinson, Allen Koszowski, Daniel Alan Ross, Peter Worthy, Jeffrey Thomas and Stanley Sargent himself! The book is also given a superb introduction by Richard A. Lupoff, which immediately establishes the quality of entertainment that will be found between the book's covers, and each story is prefaced by comments from none other than Robert M. Price - the respected and veteran Lovecraft scholar.
Do yourself a favor and get this book. Sargent is a vivid, colorful writer. It is most unfortunate that his first volume of stories, Ancient Exhumations, is now out of print.
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"Bells of Horror" is the high point of the volume; it is a fine story set in California, a locale the author clearly enjoys. It is this setting in a number of stories that gives the stories a unique flavor; Kuttner's descriptions create a new millieu for the eldritch horrors that are the center of the Cthulhu Mythos.
It is also "Bells of Horror" that first mentions The Book of Iod, a volume which belongs on the shelf with the usual suspects--De Vermis Mysteriis, Unaussprechlichen Kulten, Cultes des Goules, the Book of Eibon, the Pnakotic Manuscripts, and, of course, (all together now) the horrible Necronomicon of the mad Arab Abdul Alhazred.
Kuttner's ability shows itself most in his ability to create a mythology. Instead of a few separate stories, the contents of this anthology fit together in intriguing ways--but they don't fit together seamlessly, just as other myth cycles don't. All in all, this collection is a very worthwhile read.