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Having read Reliquary and all of their other books, I had the basic story line of The Relic down before I opened the cover, so I was not expecting much. Well, I was wrong, this book is filled with incredible action, and details that keeps it moving at such a fast pace.
One mistake leads to another, and things just keep moving. I enjoyed meeting Agent Pengergrast for the first time, and I though the other characters were developed very well.
All in all, this is the first Preston Child book, and it is still the best, Cabinet of Curiosities comes in a close second! This book is highly recommended!
Also, if you have seen the movie, pick up the book, there are so many differences that it is almost a whole new story!
It's booming business for the museum. A new exhibition titled "Superstition" is just days from being released for the public. Everything seems to be going well, until the bodies of two young boys are found in the sub-basement, brutally massacred by some mysterious creature. And it's only the beginning of a string of related murders within the heart of the museum. An intense investigation leads to clues about this creature and the way it kills, but no suggestions as to what it might be. Museum researcher Margo Green must now team up with her advisor, Dr. Frock, Special Agent Pendergast, Lieutinent Vincent D'Agosta, and a host of others to determine what savage beast is creating this damage, and how it can be stopped before it is too late...
I really enjoyed reading "The Relic". There's never a dull moment! If you love a thrilling adventure with a twist of mystery and horror, this is the book for you!
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The story follows the latest (of many) attempts to retrieve the unheard of treasure of the pirate "Red Ned" Ockham. The book begins by giving a 200-year history of the fates of treasure-seekers and explains why they have all failed. The reason is the devious "Water-Pit" trap, designed by the architect Macallan, a man known for his church steeples and not for his booby-trapping ability.
The story is believable and fun. The main character, Malin Hatch, is a lovable little schlep who occasionally grows cajones when they're needed. Unfortunately, his run-ins with Streeter and his bizarre love-life are laughable at best. His first-love, Claire, is a one-dimensional character easily forgotten. The exotic Isobel Bonterre is also easily forgettable, though much more interesting than the aforementioned Claire. The town preacher, Woody Clay, is as dynamic a character as Captain Niedelman, the leader of the treasure hunt. Both of them keep you guessing, which is odd, because zealots are usually uninteresting to read about.
I don't want to spoil the book or the eventual movie for the reader. Just read it and tell your friends about it. This was my first Preston and Childs book and I'm sure it won't be my last. I enjoyed the mix of history, archaelogy, geology, computer science, medicine, cryptography, and architecture. This book made me feel much more well-rounded intellectually. Read it!
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In this not-quite-contemporary setting (only one person has a cell phone, for instance), New Orleans FBI Special Agent Pendergast is inexplicably interested in the recent discovery of a charnel beneath a New York construction site. He builds a team of assistants: Nora Kelly, Utahan archaeologist determined to make a go of her once-in-a-lifetime chance at working at the world's greatest natural history museum; William Smithback, reporter aching for a Pulitzer (and a suit worthy of the acceptance ceremony); Patrick O'Shaughnessy, a sergeant in the NY Police Department, fifth generation cop at the mercy of a cruel and petty precinct captain; Proctor, his invisible and indispensable chauffeur.
These main characters, excepting Proctor, are well fleshed out and engaging, while Pendergast himself is an intriguing variant on the Sherlock Holmes-style detective. (These characters appear in other books by the same authors.) A healthy field of minor characters are also three-dimensional. Settings are vivid and evocative. Dialogue flows naturally. And bonus -- I even learned a little about urban archaeology and the scientific/fantastical collections of the title.
Very well done. I'm anxious to read more from these authors and to read more about these characters. If you are interested in an intelligent thriller rooted in NYC history, you will probably enjoy this too. If you like Caleb Carr, Iain Pears or Jack Finney, you will likely appreciate this masterful and gripping mystery.
In addition, Preston and Child do an excellent job of writing women. They do not fall into the trap of describing female characters in terms of her long legs and breast size that seems so typical in these sort of novels. Nora Kelly, first introduced in Thunderhead, is a believable woman and museum professional. I think female readers will appreciate this apparently unique view in a male dominated genre.
The book left me with only one pressing question: When is the next one coming out????
Pendergrast fans will love this book. Make sure to read the alternate ending posted on the official webpage:
At a construction site, 36 bodies are found that have been buried for over 100 years. Enter Agent Pendergast who enlists Nora Kelly, now of the Museum of Natural History, and the train ride begins.
The bodies were the victims of a notorious serial killer, a mad doctor. But now similar killings are beginning to occur. The original killings were part of a scheme to prolong life. Apparently someone is duplicating that work. Or did the original killer succeed and is still at work? Only by reading the book will you discover the answers.
It has been a long time since a book flew by as quickly as this one did. At slightly over 600 pages, it felt like less than half that. The action and tight plotting make the pages turn very quickly.
This is one of the best novels Preston and Child have turned out together. If you have enjoyed any of their earlier work, then you will surely enjoy this one.
It begins with a Chrichton-like set-up: a young, eager archaeologist stumbles across a letter written by her believed-dead father 16 years ago, speaking of a mythical city of Gold deep in the canyon country of Utah, that would be THE find of the 20th Century. Needless to say Nora (the young archaeologist) sets out to find the city described by her father. However, awaiting her and her team, is an ancient evil awakened by her quest, an evil that has only one focus: the stop the archaeological team from reaching the city.
Again, much like a Chrichton novel and these authors previous works, the plot becomes a masterful blend of science and blood-guts-n-gore suspense. The body count is high, and the scenes graphic, but they are sprinkled so tastefully (if that's the right word) through a novel that sets out an interesting theory on the ancient cliff-dwelling Indians and their mysterious past.
Saying much more would give away a plot that true edge-of-your-seat suspense, and I wouldn't want to spoil someone else's read...but needless to say this book is well worth reading.
The authors have returned to the successful formula they used in "Relic" , "Reliquary", and "Mount Dragon" - that being a great plot "hook" to reel the reader quickly into the story along with plenty of action, graphic violence, and great characterization!
Archeology professor, Nora Kelly, is stuck in a rut. She's backed into the corner of "publish or perish" that faces many young university faculty members and she really doesn't have anything to offer. That is, until she "receives" a letter from her long-dead father describing the hidden kingdom of the Anasazi Indians - an archelogical dig that could rival Howard Carter's unearthing of the riches of King Tut!
From there, Kelly and her eclectic team embark on an exciting and visually discriptive adventure. Almost every step of the way, mysterious Anasazi "skinwalkers" attempt to foil the teams efforts, even if it means murdering every one of them.
If you're a fan of the aforementioned works of Preston and Child's, you won't be disappointed with "Thunderhead". It is a consistent pageturner that my only complaint with was a relatively predictable ending. Predictable, but satisfying, so I guess that makes it all ok.
This time, Douglas Preston and Lincoln Child take us on a horrifying subway ride, past underestimated homeless "moles," a rabbit's warren of black tunnels, and a frightening continuation of the first book's monster story. "Reliquary" is a relief in that it doesn't suffer from "sequelitis," that "deja vu all over again" feeling that most sequels seem to have. There's no rehashing of the original story, here. "Reliquary" goes where "Relic" was afraid to, and with enjoyable results.
My quibble with "Reliquary" is that it isn't quite as tight as "Relic." The plot seems to meander a bit more, and I prefer the museum setting of the prequel. The writing, however, is top-notch (as expected), and it's a sign of the writers' talents at characterization that I felt as though Margo, Smithback, Pendergast, and the rest of the returning cast were old friends of mine. The authors hint at a promise that these characters will feature in future books, and I would love that. I look forward to it.
All in all, "Reliquary" is a satisfying and worthy sequel to "Relic." Given some of the plot twists and differences between "Relic" and its unfortunate silver screen adaptation, it appears that Paramount couldn't make "Reliquary" into a movie without running into some serious continuity errors. Of course, looking at the first film, it doesn't seem like Paramount was very concerned with that to begin with, so I'll just have to hope that they don't get their grubby mitts onto "Reliquary." The world doesn't need another movie like Paramount's "The Relic." More books from Douglas Preston and Lincoln Child, however, are more than welcome. :)