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with his personality and wit. I enjoyed reading the beginning of this book so much, it left me wanting for more. The early days
of the cutlery industry in the United States, and Upstate New York in particular, were a fascinating time. To read about this
history from the perspective of someone who has been an enthusiastic student for most of his life, is a gift not often discovered.
Beginning with the premise "that automatic knives are a definite part of history and deserve to be studied," Mr Langston thoughtfully explores and elaborates upon that history. His well-documented, friendly style facilitates that deserved study. Actually, friendly is understated. This book is a labour of love, yet the author's love of the subject is disciplined, not indulgent. His presentation is as clear and objective as it is enthusiastic.
The largest section of the book is the illustrated gallery of over one hundred fifty automatic knives. From the modest to the magnificent, with values of from two figures to four figures, each knife is shown, photographed in close detail, followed by its description, commentary and value. The particular knife, the one pictured on the page rather than that model in the abstract, is graded and valued. This approach is inspired and will prove especially helpful to collectors.
This book compensates for the lack of extant material on switchblade knives, easily filling that void. In relative terms, it is the best work of its kind. In absolute terms, it is an excellent book, written by a man who has an uncanny understanding and appreciation of his subject and who succeeds splendidly in sharing his knowledge with the reader.
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The plot follows a doctor named Kraft who is in rotations and serving as a surgeon in a children's ward in a poor section of Los Angeles. Most of the action concerns him and his interactions with Linda--a physical therapist and his love interest--and several patients, including mostly Joy Stepaneevong, a refugee on whom he operates. Kraft is as mentally wounded as his patients are physically, and is near a breakdown through most of the novel. His psychological situation is partly explained by his surroundings and partly by extended flashbacks into his childhood. He was raised in several different countries where his father was apparently part of raising instabilities for the U.S. government. As a result, Kraft has almost no sense of connectedness to anything. Amid all this, Powers weaves allusions to virtually every story involving children--from historical events like the Children's Crusade and the evacuation of London to fictional works like Peter Pan and the Pied Piper of Hamelin.
Stylistically, Powers writes lush, vivid prose. If your ideal prose writer is Hemingway, with his spare and well-honed sentences, then Powers isn't for you. He is more like John Barth or even Sir Philip Sidney than plain style authors. Here's a representative passage, in which Powers describes Kraft and how someone who likes post-modern fiction has latched on to him:
Something about him must emanate this Mr. Potato Head plasticity. Chief of Surgery Burgess, dying a slow, half-century death in this city where reading span is sorely stretched by the instructions on microwave popcorn, instantly imagines that in Kraft he has found a kindred literate spirit, a simile son. Dr. Purgative, as Plummer rechristens him, keeps farming out these convoluted, epistemological novels by Kraft's obscure, young contemporaries. Plow through and report on, over sherry this afternoon, a postmodernist mystery thicker than the Index Medicus where the butler kills the author and kidnaps the narration. Damn thing includes its own explanatory Cliffs Notes halfway through, although the gloss is even more opaque than the story...
That combination of stylistic virtuosity and dead-on humor is Powers' signature, and to my mind he writes this brand of fiction as well or better than anyone writing today.
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Alternative Medicine Magazine in the July 2001 issue calls Quantum-Touch, "... a significant breakthrough in hands-on healing." They go on to say that "...for professionals and lay people alike, Quantum-Touch is an essential and invaluable tool."
Dr. C. Norman Shealy, Founding President of the American Holistic Medical Association calls Quantum-Touch, "... the first technique that may truly allow us all to become healers." He also wrote the foreword to this book after he became impressed that Quantum-Touch provided dramatic and lasting pain relief to his patients with 20 to 30 years of chronic pain, who had not been helped by any traditional or alternative modality.
This is the only book I know of on hands-on healing that is praised by physicians, chiropractors, acupuncturists, physical therapists, nurses, Reiki masters, chi gung instructors, and a host of other health care professionals.
Dr. Darla Parr, D.C. wrote, "You actually have to see this work to know how good it is. Bones move into alignment with just a light touch, and it speeds up the healing process."
Amazingly, you can actually learn to use Quantum-Touch from just reading the book, but if you get the chance, I highly recommend attending a Quantum-Touch workshop.
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Reeves' looks at the Berlin Wall and Cuban Missile Crises take advantage of recent disclosures from US, Soviet and other sources to show how close we came to World War III in both of those situations.
The book's description of the start of the US commitment in Vietnam under JFK allowed me to gain a better understanding of how Kennedy's prior failure to stand up to the Soviet Union and Krushchev in Laos and Cuba "forced" JFK to stand firmly behind the unsupportable South Vietnamese government.
Other topics addressed by the book include JFK's tepid support of civil rights and his rampant promiscuity.
I had to rate this book a 9 (I've yet to read a 10), but this book has to be one of the best out of the almost unlimited supply of JFK biographies
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