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Even after their final liberation as perhaps the only intact nuclear family to survive that infamous ghetto, the Skorecki family was due one more date with history. Survival, it turns out, was the story within the story. Little Anne Skorecki Levi, the little girl who survived by staying silent inside that armoire struck a blow five decades later for Jewish survival by speaking out against Louisiana's Neo-Nazi gubernatorial candidate David Duke, and helping to engineer his electoral defeat.
This account of Anne's travel along the arc from victim to victor is an inspiration and a reminder that each of us can and must preserve our collective memory, however troubling.
Thank you to the the author and Anne Skorecki Levy for relating a story that is very, very moving as well as insightful and timely.
Troubled Memory is a beautifully written and tender account of a personal story that stands as an intimate history of Hitler's final solution. Powell's prose will carry you into the Warsaw and Lodz ghettos and into the vegetable bin where 6-year-old Anne and her sister hid from the SS. This is a book that makes the Holocaust relevant to every reader. It will fill you with horror and wonder, and it will move you to tears.
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While this book is certainly of value to the do-it-your-selfer, the person who relies on professional help will find it invaluable. The next time you speak with your investment advisor representatve or financial planner, your glazed over eyes and blank stare will be replaced by knowing smile and a sharp wit. There is no substitute for understanding the concepts and the terms of the markets. This book does it.
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Highly recommended for anyone out there fascinated by fish and the marvellous public aquariums around the world. Enjoy it!
Powell took the first fish he caught as a kid and slept with it under his pillow. He maintained the lobster tank at a fancy Malibu restaurant. When he read Cousteau's first book, _The Silent World_, he knew he had to start diving. As he kept specimens in his home aquarium, he joined the Marine Aquarium Society of Los Angeles. A fellow member told him of a job opening as an aquarist at Marineland of the Pacific; it was just what he wanted to do, and from there he worked at various aquariums, directing the live exhibits at the Monterey Bay Aquarium until retiring four years ago. He now seems to be the most frequently consulted consultant whenever towns or nations want to set up aquariums.
Powell writes with admiration and affection about the creatures he has to capture and then keep in as home-like an environment as possible, including the wonderfully named sarcastic fringehead, the "thumbsplitter" mantis shrimp with its faster-than-the-eye claw, and many more. He tells about the process of capturing samples in many different ways, but diving and capturing fish is the easy part. Transporting them is hard. There are different gadgets and containers that have to be used, including the truck transport named the "Tunabago." It is planning the displays of the fish that obviously has given Powell the most satisfaction in his career. His description, for instance, of the responsibilities of putting up the largest window in the world, a gigantic acrylic pane fifty-five by fifteen feet, thirteen inches thick, and weighing thirty-eight tons, is completely engrossing.
Powell's book, a mixture of autobiography, oceanography, ichthyology, museology, and funny stories, is a delight. In seemingly effortless style, he conveys the excitement even in the minor aspects of his career. He gives a final essay on the importance of aquariums (disdained by Cousteau as "fish prisons") in bringing people closer to nature and in promoting the conservation that could keep the oceans healthy. His book is a worthy summary of a lifetime's effort in that cause.
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You're the best there is, Marty!!
The insightful words of Scorsese, arranged to parallel his filmography up through New York Stories, are annotated by the redoubtable editors Thompson and Christie. Scorsese is arguably the greatest postmodern artist, (and I would have to say the only postmodernist I unhesitatingly adore -with possible exception of Matt Groening), and the reader really gets to see how Scorsese constructs a film. His inspirations are as predictable as directors Pasolini and Powell, yet as diverse as Mahatma Ghandi and Little Richard. He loves all with equanimity and enthusiasm.
That's the joy of this book... the guy loves movies, loves making them, and all that energy just shines through.
Extremely valuable resource for the student of film, but good fun for the humble film buff, too. Bonus: interesting black and white photos you won't find elsewhere. Excellent (though naturally out-of-date) filmography appendix.
An essential read for anyone that considers her- or himself a film buff.
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The stories themselves? Some make you think. Some make you wonder. All make you remember.
The most impact is provided by the independent, i.e. non-superhero, writers who express what they went through with pictures and words. From the initial shock to the lingering malaise, the complete cycle is expressed. Reading this book brought back those feelings in me and, even though my emotions were swelling up, I kept reading. This event is now part of our collective experience and we are forever affected by it.
I recommend reading through when you need some perspective on what's important in life. Enjoy life, tell your friends and family that you love them because you never know when it may end.
This review doesn't get too into the content of the book but the impact that it had. As for me, that's the sign of a good read.