At the age of thirteen, I fell on a beat up copy of Norstrilia, and fell in love with Smith's works. I soon got a copy of "The Best of Cordwainer Smith" and it vanished on a summer camp trip. It took me years to replace it. Imagine my delight to have all those loved stories in one (heavy) volume, unlikely to go astray!

As you probably know, Smith was actually Dr. Paul M.A. Linebarger, a Johns Hopkins professor and specialist in Asian affairs. He was a master of psychological warfare.

His stories fit no easy category. They are not fantasy, they are not hard science fiction, they are not alternative history. They incorporate bits and pieces of Asian culture and myth. They are often troubling, haunting. "The Dead Lady of Clown Town" ends with most of its characters dead or with their minds wiped, yet it is a happy ending for all that, with Joan's views obviously spreading through the underpeople. "Under Old Earth" is a fascinating tale, filled with allusions that must be beyond the scope of this note. Even "War No. 81-Q", the original version of which was written by Smith as a teenager, is an excellent story. "Alpha Ralpha Boulevard" is simply one of the great SF short stories of all time. I could go on, but . . .

The volume also includes the Casher O'Neill trilogy, that I had read of, but not seen before.

If you haven't read Smith before, this is how to buy his stories, so that you have them all. If you have--well, again, you'll have them all.

It's worth it. Buy it.

Cordwainer Smith is one of the most unique and original authors to ever write science fiction, and is definitely among my favorites. These stories are the best of Cordwainer Smith, though he also wrote Nostrilia, a good book that nevertheless pales in comparison to the selections in The Rediscovery of Man. What I like about Smith is that he has a sense of the epic in science fiction, while still maintaining the focus of his writing: humans and near-humans (the underpeople). Many of his stories deal with love, something to be admired in a genre that often ignores this important concept. Especially in "The Ballad of Lost C'Mell", "Alpha Ralpha Boulevard", "The Burning of the Brain", and "Three to a Given Star", Smith shows his competency in this area, giving often heart-wrenching accounts of the survival of love in this far flung future. Other key stories include "The Crime and Glory of Commander Suzdal", the horrifying "A Planet Named Shayol", and "The Dead Lady of Clown Town". Such stories show an incredible depth of imagination, though Smith never loses touch with his characters, imbuing them real emotion and intelligence. If I had one complaint it would be that Smith sometimes lets his imagination run wild, creating a story that is a little too abstract. This is shown in "Under Old Earth", the only story I had trouble finishing. This, however, is a minor grievance, and the pure brilliance of the other stories occludes this one misstep. Give yourself a chance to appreciate this often overlooked genius.

A few years ago I encountered, in an undistinguished anthology of Year's Best Something-Or-Other, a short science fiction story called "The Ballad of Lost C'mell." Love at first sight. I ransacked used book stores, the crowded shelves and dusty boxes of my house, and even libraries to find more short stories written by this miraculous Cordwainer Smith. I managed to assemble eight or nine, all from various anthologies, before my parents took pity on me and gave me "The Rediscovery of Man" for my birthday. Smith's writing is so good, it's intoxicating: you put down his writing with your head full of fantastic images, from underpeople toiling away in the mysterious corridors of Downdeep-downdeep, to star sailors riding the interstellar winds, the indescribable poetry of Space-3 and the strange futile lives of the Scanners. In my eyes Cordwainer Smith has only one fault-he died too soon! How dare he leave such a colorful, complicated, weird and wild future universe unfinished? Fortunately he left these stories, and if you have not already read them, I suggest you waste no further time in discovering the Instrumentality of Mankind and the universe around it. And even if you've read the stories before, read them again. They're just as good the second time around . . . or the fifth . . .or the fortieth . . .

I recently purchased this text along with Janson's History of Art (5th ed.). Although this handbook was written with Janson's 6th edition in mind, it has not taken away from my cross-referenced learning experience. Throughout the text, there are references to examples (illustrations) in History of Art (or other popular art history texts) which help in applying the "theory" (if you can call it that) with the "application."

The text has a wide range of art terms key to the study and analysis of art history. The section on Christian subjects, signs and symbols has helped me decipher the icons depicted in Christian-themed pieces of the Renaissance.

My copy of the text is bound somewhat backwards towards the end. The Index and Artist Chronology pages, for example, are divided and unordered ... but it does not take away from the text's usablity!

All in all, I believe this text has been a great investment.

In Abacus to Zeus, you will find a wonderful, concise, approachable 'quick and dirty' reference for those new to studying the visual arts. James Pierce brings together many of the pesky, essential--and formerly, ellusive--details in an accessible reference. Deffinitions with illustrations, terms and stories of mythology, religious art,and a chronology of artists and architects (complete with pronunciation guide--indespensible for those of us who remain unilingual) work well together to make this book a find!