After having read many books about Picasso. It was a pleasure to enjoy the author's prose. The subject was a keen interest of Mr.O'Brian's as were his other bio. clients who form a wide range of characters. It is apparent that it is the writing rather than exacting erudition which is the author's trademark.

The opening of the book which describes Malaga and its history is fascinating and sets the stage for Picasso's development. One can easily understand Picasso absorbing this rich culture.

On comparison with Richardson this volume comes off rather poorly and subscribes to some well known anecdotes which are now known to be false. One such incident was when Picasso's father is supposed to have given up painting altogether after seeing how good his son was. Picasso was fourteen or fifteen at the time yet there exist paintings of pigeons signed by Don Ruiz up until his death.

The narrative follows Picasso from Spain to France and rightly emphasises the entire cubist episode. The usual list of early characters are present, e.g. Max Jacob, Guillaume Apollinaire, Fernande Olivier, etc.

What struck me as the best of this book was the author's willingness to describe Picasso's terrible behaviour, especially in his latter years when he would ignore or reject official plaudits. His treatment of women including the terrible initiation of Jacqueline Roque is not spared and yet it is not written with malice but with an understanding that it was all the sycophants and their scraping that only served to isolate Picasso even further.

Nevertheless, when Picasso was faced with an equal (Matisse or Braque) or someone even older than himself whom he may have known as a youngster (Pallares)he was a gracious and tactful host.

This is not the best biography of Picasso (that honour belong's to John Richardson) but it is perfectly readable and does contain some insights that are unique.

It is a pleasure to find a work of non-fiction in which the writing flows smoothly across the page, and in which a rich portrait of the subject emerges without recourse to over-wrought speculation. This sympathetic, yet detailed account of Picasso is both fun to read for its own sake, and fascinating for the sake of its subject. A very readable biography.