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The golden rule of nature seems to be cooperation, not competion. SCIENCE magazine once published an article entitled "Nature Red in Tooth and Claw" and while a good deal of consumption takes place in the natural world, symbiosis is far more important. Nature is bigger than the "survival of the fittest." Many plants and animals have symbiotic relationships. I think my favorite example is the dandelion which pulls calcium to the surface which allows other plants to thrive. In the plant world, having a dandelion for a neighbor can be a good thing good.
Native Americans in the Amazon riverine forests have not lost touch with nature. They understand that partially submerged trees feed the fish, and that they must build their gardens in the forest and away from the river banks which are exposed in the dry season. Contrast this attitude with that of the inhabitants of the Sierra who are felling trees in old growth forests as fast as they can. The regrowth is never the same. As one writer who used to work for the U.S. Forest service explains, the name of the game is to replace the living forest with a single tree. Monoculture seems to be more economically sound.
But is it economically sound to destroy the environment including the old growth forests? A growing body of evidence suggests this is not the case and much of it is contained in this book. A good deal of money (if that is all that matters) can be made from keeping the forests entact. Medicinal plants yet to be discovered live in the forest. Recreation including sight-seeing, fishing, and other "noninvasive" outdoor sports are an important source of income.
One of my favorite essays was written by Donna Kelleher, a veternarian who practices holistic medicine. In her essay entitled, "Living Medicine for Animals" Kelleher writes of her experiences with animals, including Chirpy, a pet bird who suffered from a claw infection of Staphylococcus bacteria. Kelleher treated Chirpy with a mixture she concocted consisting of Calendula and other herbs after conventional forms of treatment failed to help Chirpy. The little bird was healed and lived two more years untile he died of old age.
This book of essays should not be overlooked. If you think you've read it all you probably haven't. Although much of the information in this book can be found elsewhere (most of the authors have written extensively on their topics), this is a nice anthology of essays and a good place to start discovering all the natural world.
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This is a very inspirational, accessible, and occasionally playful book. Above all else, it is excellently written. Thank you author Trish Maharam for that beautiful essay "Plantswoman." It taught me that woman do have their place in the green world no matter how unsophisticated they are in their plant knowledge, "it's the relationship that matters."
I highly recommend this book to women everywhere.
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Sightings is beautiful reading. Each of the short chapters is rich as a poem, and indeed, many read like song or poetry, each woman's distinctive voice blending and harmonizing with her co-author's.
This book is not the standard National Geographic fare--though the authors are skilled reporters and intrepid travellers, following the whales in kayaks, small planes, boats and ferries. Theirs are the sightings of writers who don't merely observe, but who feel their subjects and feel them deeply, who use their intuitions and emotions as well as their intellects to come to their powerful conclusion: that, in this era of mass extinction, to kill such a creature as the gray whale is "an act against creation."
How lucky are we that these talented, spirited women have written this compelling and important testament to that truth.
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This memoir is a pleasure to read, written by an informed nature writer who also knows how to write engaging, lyrical prose that often reads like poetry or a novel. Peterson also is a witty observer of life's ironies and odd, often contradictory human behavior. Rare is the nature writer who can skillfully weave together the talent of a seasoned storyteller, the reportage of an informed environmentalist, the visionary perspective of a literary writer, and the honesty to admit passionate feelings for animals. Brenda Peterson does all of this consistently.
In her memoir, Peterson admits, "My first people and family were animals," and then tells us numerous stories from the first 50 years of her life living "in between the worlds of animals and humans." There were times while reading this book when I would have to pause, put the book down, and simply savor the story at hand. I could easily spend days reflecting on a story, digesting its impact, feeling full and satisfied. Warning: This is rich, gourmet reading!
Peterson also tells of the many disillusionments and the grief she has had over how humans treat animals. In particular, she writes about Smokey the Bear, Peterson's childhood animal hero and an American icon dubbed the Protector of the Forest, who, in reality was a depressed and isolated bear living in Washington National Zoo. When Peterson was 13, she and her father, a Forest Service executive who would one day head up the National Forest Service, visited Smokey the Bear at the zoo. "Any child could see that it was this bear who himself needed protection," observed Peterson. "...we stood watching Smokey huddled in a corner, eyes lowered, turning away Goldie Bear [a potential mate]...."
Every chapter reveals a life with animals, whether they are animal companions or whales, wolves and bears. Peterson writes with emotional honesty that is refreshing. It is Peterson's willingness to talk about her own feelings in relationship to the natural world that makes her so appealing as a nature writer. She is not afraid to admit such things as emotions...a courageous act in a modern world filled with scientists and "objective writers" who purport to be beyond such sentimental or "anthropomorphic" notions. In truth, ancient peoples worldwide have always known that animals have spirits and feelings and an integral purpose on Earth beyond serving human needs. There was a time when humans respected and blessed and thanked the animals for their partnership---even when they became our food and clothing. Sadly, most humans have bought the civilized lies about the "wild and nature and animals," and dismiss any serious discussion of spiritual connections and animal families and animal cultures. "Unscientific," declare the naysayers and skeptics.
However, Brenda Peterson is a contemporary nature writer who remembers many of those ancient ties and truths about animals and the natural world, and unabashedly writes about them. I do believe that Peterson is on the cutting edge of the paradigm shift in which humans will once again acknowledge and accept that we are in partnership with animals and the natural world---NOT in dominion over.
This memoir helped me remember and gives me hope. I am grateful to Brenda Peterson for writing it!
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writing class at Arizona State University. Just as she was an
inspiring teacher, SINGING TO THE SOUND is an inspiring collection of
fifteen essays about living one's life with meaning and clarity. It
is organized into three sections, "The Way of Water,"
"Common Ground," and "Between Species."
No
longer a resident of the Arizona desert, Peterson now lives on the
Puget Sound, the primary subject of her book. Her essays are
insightful and somewhat reminiscent of Annie Dillard's writing. About
the rain, she writes, "to survive here without the daily
illumination of sunlight, we must have an inner life bright with
hidden worlds" (p. 18). Living in the company of water, she
writes: "Yet still, I find myself praising the solace and privacy
of the fine, silver drizzle, the comforting cloaks of salt, mold, moss
and fog, the secretive shelter of cedar and clouds" (pp. 26-7).
For Peterson, feeding seagulls is "one of those everyday
prayers" (p. 34). In another essay, we find her unplugging from
information sensory overload to find "spacious quiet"
(p. 164). "Electricity and modems are not the deepest
connections," she writes. "Real bonds are about body and
Earth, fur and skin, and heartbeat and breathing" (p. 166).
Peterson concludes her book with my favorite essay, in which we find
her "down at the beach" with a great blue heron, praying for
the world on the day of the Oklahoma City bombing (p. 188).
This is
a fine book, filled with contemplative moments, each revealing that
every living thing is sacred.
G. Merritt
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A look at the pacific NW from unusual angles.
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The basic themes of Peterson's book are that, as Chief Seattle understood, "whatever we do to the web of life, we do to ourselves" (p. 32), and that wind and water have the capacity to transform us (p. 40). Peterson's dedicates her book to the Puget Sound, "who mothers" her. "If I am to learn to live by water," she observes, "what better teacher than a cetacean" (p. 26)? Peterson believes that we human beings "are out of balance and out of control" (p. 32). She writes, "I know that claiming cetaceans as my kin is not just science, it's shrewd. Learning to be human and to know what I might become, I need all the help I can get" (p. 27). Walking along the "wild, seaweed-strewn beach," Peterson remembers her "blood is very similar in composition to seawater. I am, after all, evolved from an ancestral amoeba only recently emerged from primal slime. According to geologic time, I am a relative newcomer. Who knows how long my kind will last" (p. 61)?
Peterson writes with wisdom reminiscent of Thoreau's WALDEN and Annie Dillard's PILGRIM AT TINKER CREEK. "Now that I find myself midlife walking in the dark woods," she says, "I know I am not alone. The animals are my allies; the trees are gods and goddesses who in deep stillness keep the Earth's counsel. All that is alive calls out to me to come play, to take part in the dance" (p. 95). As more readers discover Brenda Peterson through her SINGING TO THE SOUND and BUILD ME AN ARK, this book deserves to be published in a second edition.
G. Merritt
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I recommend Rick's book called Homelands, about a couple who kayak the passage. It's much better written. Also, Ivan Doig has a great fictional account of a group of 19th century swedes traveling the passage in a cedar canoe entitled "The Searunners". J Raban's book on sailing the passage is worth a look, too.
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